Trojan Collection (page 4)

The Gateway of Troy, an illustration from L Odyssee, by Homer
STC386311 The Gateway of Troy, an illustration from L Odyssee, by Homer, translated by Victor Berard, 1929-33 (colour litho) by Schmied

Andromache bewailing the death of Hector, engraved by Domenico Cunego, 1764 (engraving)
495816 Andromache bewailing the death of Hector, engraved by Domenico Cunego, 1764 (engraving) by Hamilton, Gavin (1723-98) (after); 45.5x62.9 cm; The Hunterian, University of Glasgow

Andromache, costume for Andromache by Jean Racine
STC96508 Andromache, costume for Andromache by Jean Racine, from Volume I of Research on the Costumes and Theatre of All Nations

The Judgement of Paris (engraving)
981679 The Judgement of Paris (engraving) by Etty, William (1787-1849); Private Collection; (add.info.: The Judgement of Paris. Digitally cleaned image.); Look and Learn / Elgar Collection

The Return of the Empress Eugenie, Arrival at Southampton (engraving)
1060166 The Return of the Empress Eugenie, Arrival at Southampton (engraving) by Staniland, Charles J. (1838-1916) (after); Private Collection; (add.info.: The Return of the Empress Eugenie)

Flight of Aeneas (colour litho)
957856 Flight of Aeneas (colour litho) by German School, (19th century); Private Collection; (add.info.: Flight of Aeneas. Illustration of Greek vase painting.); © Look and Learn

Hector and Diomedes (colour litho)
957827 Hector and Diomedes (colour litho) by German School, (19th century); Private Collection; (add.info.: Hector and Diomedes. Illustration of Greek vase painting.); © Look and Learn

Historical tapestry, first quarter of the 17th century (wool & silk)
1065884 Historical tapestry, first quarter of the 17th century (wool & silk) by Aerts, Nicasius (d.1627); 305x457 cm; Private Collection; (add.info)

Historical tapestry, first quarter of the 17th century (textile)
1065883 Historical tapestry, first quarter of the 17th century (textile) by Aerts, Nicasius (d.1627); 365.8x515.5 cm; Private Collection; (add.info)

Troy Triptych, 1872-1898 (oil on canvas)
BIR100722 Troy Triptych, 1872-1898 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 273x294.6 cm; Birmingham Museums and Art Gallery; English, out of copyright

Roman general, from the Trojan column (engraving)
5200947 Roman general, from the Trojan column (engraving) by English School, (19th century); Private Collection; (add.info.: Roman general, from the Trojan column)

Heads of Amazon, Paris, Trojan, Roma with the Trojan helmet and Phrygian (engraving)
5200704 Heads of Amazon, Paris, Trojan, Roma with the Trojan helmet and Phrygian (engraving) by English School, (19th century); Private Collection; (add.info.: Heads of Amazon, Paris, Trojan)

Dido and Aeneas, early 18th century (oil on canvas)
5242274 Dido and Aeneas, early 18th century (oil on canvas) by Verkolje, Nicolaes (1673-1746); 90.2x117.5 cm; J. Paul Getty Museum, Los Angeles

The Wounded Achilles, 1825 (marble)
5324910 The Wounded Achilles, 1825 (marble) by Albacini, Filippo (1777-1858); 114x194x80 cm; eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees;

The Meeting between Venus and Aeneas, c. 1678 (pen & ink with wash on paper)
1762612 The Meeting between Venus and Aeneas, c.1678 (pen & ink with wash on paper) by Claude Lorrain (Claude Gellee) (1600-82); 24.5x31.8 cm; eThe Devonshire Collections

Didos Sacrifice to Juno, 1630 (oil on oak)
3930929 Didos Sacrifice to Juno, 1630 (oil on oak) by Lastman, Pieter (1583-1633); 73.8x106 cm; National Museum, Stockholm, Sweden; (add.info.: Dido, queen of Carthage and the widow of Acerbas)

Troilus and Cressida, Act III, scene ii (engraving)
971655 Troilus and Cressida, Act III, scene ii (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: Troilus and Cressida, Act III, scene ii)

Aeneas flees the burning city of Troy, carrying his aged father Anchises on his shoulders
1093976 Aeneas flees the burning city of Troy, carrying his aged father Anchises on his shoulders and leading his son Julus by the hand (chromolitho) by European School

The Wooden Horse from the Opera of Les Troyens, by Hector Berlioz, 1898 (litho)
XEE1080236 The Wooden Horse from the Opera of Les Troyens, by Hector Berlioz, 1898 (litho) by Poyet, Louis (1846-1913); Private Collection; (add.info.: Les Troyens (in English)

The Flight of Aeneas, with the fall of Troy beyond (oil on copper)
847263 The Flight of Aeneas, with the fall of Troy beyond (oil on copper) by Barocci or Baroccio, Federico Fiori (c.1535-1612) (after); 40.7x48.3 cm; Private Collection; Haldane Fine Art; Italian

The Trojan Women Setting Fire to Their Fleet, c. 1643 (oil on canvas)
3493254 The Trojan Women Setting Fire to Their Fleet, c.1643 (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 105.1x152.1 cm; Metropolitan Museum of Art, New York

Aeneas at Didos palace (chromolitho)
2782967 Aeneas at Didos palace (chromolitho) by European School, (19th century); Private Collection; (add.info.: Aeneas at Didos palace. Liebig card, published in late 19th or early 20th century)

Dido abandoned by Aeneas (chromolitho)
2782963 Dido abandoned by Aeneas (chromolitho) by European School, (19th century); Private Collection; (add.info.: Dido abandoned by Aeneas. Liebig card, published in late 19th or early 20th century)

Hector breaches the gate of the Greek camp (chromolitho)
2782776 Hector breaches the gate of the Greek camp (chromolitho) by European School, (19th century); Private Collection; (add.info.: Hector breaches the gate of the Greek camp)

The wooden horse is brought inside the walls of Troy (chromolitho)
2782773 The wooden horse is brought inside the walls of Troy (chromolitho) by European School, (19th century); Private Collection; (add.info.: The wooden horse is brought inside the walls of Troy)

Neoptolemus taking Andromache into captivity after the fall of Troy
615267 Neoptolemus taking Andromache into captivity after the fall of Troy (pen & brown ink on white paper) by Romano, Giulio (1492-1546); 26.2x40.4 cm; eThe Devonshire Collections

Venus giving armour to Aeneas, opening of Book VIII of Virgils Aeneid
621807 Venus giving armour to Aeneas, opening of Book VIII of Virgils Aeneid (w/c on vellum) by Morris, William (1834-96); 14.1x13.6 cm; Private Collection; Photo eChristies Images; English

Cassandra bound, page 44 from Virgils Aeneid (w / c on vellum)
621802 Cassandra bound, page 44 from Virgils Aeneid (w/c on vellum) by Morris, William (1834-96); 14.3x13.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

The City of Troy from the Sea, an illustration from L Odyssee, by Homer
STC386303 The City of Troy from the Sea, an illustration from L Odyssee, by Homer, translated by Victor Berard, 1929-33 (colour litho) by Schmied

Helen of Troy (litho)
Ma405183 Helen of Troy (litho) by Leighton, Frederic (1830-96) (after); 208.3x149.9 cm; Private Collection; (add.info.: mezzotint by Richard Josey; ); Photo eThe Ms Gallery, London; English

The Judgement of Paris, illustration from Greek Vase Paintings by J. E. Harrison and D. S
LLM438522 The Judgement of Paris, illustration from Greek Vase Paintings by J. E. Harrison and D. S. MacColl, published 1894 (digitaly enhanced image) by English School

Sarcophagus lid depicting the Siege of Troy, c. 200 AD (marble)
AMQ112147 Sarcophagus lid depicting the Siege of Troy, c.200 AD (marble) by Roman; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; out of copyright

Edward Daniel Clarke (1769-1822) visits the remains of the Temple of Jupiter Liberator at
TRV227731 Edward Daniel Clarke (1769-1822) visits the remains of the Temple of Jupiter Liberator at Troad, from Part 2 of Travels in Various Countries of Europe, Asia and Africa

Ms 493 fol. 99v The departure of Aeneas and Didos death
XIR187870 Ms 493 fol.99v The departure of Aeneas and Didos death, from The Aeneid by Virgil with a commentary by Servius, 1469 (vellum) by French School, (15th century); Bibliotheque Municipale

Aeneas injured, from Pompeii (fresco)
XIR106399 Aeneas injured, from Pompeii (fresco) by Roman, (1st century BC); Museo Archeologico Nazionale, Naples, Campania, Italy; out of copyright

Aeneas Rescuing Anchises from the Sack of Troy (oil on copper)
5984018 Aeneas Rescuing Anchises from the Sack of Troy (oil on copper) by Brueghel, Jan the Elder (1568-1625); 25.4 x 34.6 cm; Private Collection; (add.info)

Priam Begging the Body of Hector, Wedgwood jasperware bas-relief or tablet designed by Camillo Pacetti, 1788 (autotype)
6014472 Priam Begging the Body of Hector, Wedgwood jasperware bas-relief or tablet designed by Camillo Pacetti, 1788 (autotype) by English Photographer

The Wounded Achilles, 1825 (marble)
5920605 The Wounded Achilles, 1825 (marble) by Albacini, Filippo (1777-1858); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; Italian

Ganymede jewellery, c. 330-300 B. C. (gold, rock crystal, emerald)
3746302 Ganymede jewellery, c.330-300 B.C. (gold, rock crystal, emerald) by Greek, (4th century BC); Metropolitan Museum of Art, New York, USA; (add.info.: Found together in Macedonia)

Helen of Troy (colour litho)
957837 Helen of Troy (colour litho) by German School, (19th century); Private Collection; (add.info.: Helen of Troy. Helens bridal guide)

Death of Troilus (colour litho)
957823 Death of Troilus (colour litho) by German School, (19th century); Private Collection; (add.info.: Death of Troilus. Illustration of Greek vase painting.); © Look and Learn

The statue of Laocoon and His Sons c. 1890 (colour chromolithograph)
1065623 The statue of LaocoAon and His Sons c.1890 (colour chromolithograph) by German School, (19th century); Private Collection; (add.info.: The statue of LaocoAon and His Sons (Italian)

The Trojans hauling the wooden horse into Troy, 1545. Creator: Giulio Bonasone
The Trojans hauling the wooden horse into Troy, 1545

The combat of Hector and Achilles, and Achilles dragging the body of Hector around the walls of Troy, 1531-76

Neptune calming the Tempest Aeolus raised against the Fleet of Aeneas, 1531-76

The Trojans pulling the wooden horse into the city, 1545. Creator: Giulio Bonasone
The Trojans pulling the wooden horse into the city, 1545

Aeneas rescuing Anchises, a young boy carrying a lantern at left, ca. 1525. ca. 1525
Aeneas rescuing Anchises, a young boy carrying a lantern at left, ca. 1525

The Wounded Paris Carried from the Field of Battle. Creator: Master FG
The Wounded Paris Carried from the Field of Battle

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"Unveiling the Epic: From the Death of Hector to the Trojan Horse" Step back in time to witness the dramatic events that shaped ancient history. The death of Hector by Achilles during the Trojan War, a clash of heroes that echoed through eternity. As empires rose and fell, another pivotal moment arrived with Aeneas' arrival in Italy, marking the dawn of the mighty Roman Empire. Claude Lorrain's masterpiece captures this transformative era, transporting us to c1620-1680. Intriguingly mysterious is the 1962 Trojan Heinkel 200, its creator unknown. An enigma from modern times paying homage to an ancient legend. The tale continues with Medea and Jason's audacious quest for power as they steal the coveted Golden Fleece – a story woven into mythology forever. Busts immortalize seven principal heroes who fought valiantly during Troy's darkest hours; their faces etched with bravery and sacrifice. Archaeological wonders emerge as Schliemann excavates Ancient Troy, unearthing secrets buried beneath layers of time. The site tells stories untold for centuries. Helen of Troy stands at center stage - her beauty captivating hearts across lands - her abduction igniting flames that engulfed nations in war. A Roman relief unveils Zeus abducting Ganymede - a reminder that even gods were not immune to desire or temptation. Battle scenes depict warriors clashing amidst chaos and bloodshed; their valor tested on every front line during those fateful years of conflict. And finally, we come face-to-face with Helenus – his prophetic wisdom guiding lost souls amidst turmoil and destruction. From epic battles to cunning strategies, from love affairs to divine interventions – these glimpses into Trojan history paint a vivid picture of resilience against all odds. And at its core lies one enduring symbol: The Trojan Horse – an ingenious ploy that would change destinies forever.