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Tromple D0eil Collection

"Trompe l'oeil: A Journey through Illusion and Artistry" Step into a world where reality blurs with imagination, as trompe l'oeil takes center stage

Background imageTromple D0eil Collection: Trompe l'oeil: Letter rack with an hourglass, a razor and scissors, 1664 (oil on canvas)

Trompe l'oeil: Letter rack with an hourglass, a razor and scissors, 1664 (oil on canvas)
LAF470827 Trompe l'oeil: Letter rack with an hourglass, a razor and scissors, 1664 (oil on canvas) by Gysbrechts, Cornelis Norbertus (1630-1683); 101.9x83.4 cm; Museum voor Schone Kunsten, Ghent

Background imageTromple D0eil Collection: Coronation of the Virgin, 1725 (fresco)

Coronation of the Virgin, 1725 (fresco)
5907274 Coronation of the Virgin, 1725 (fresco) by Tuccari, Giovanni (1667-1743); San Benedetto, Catania, Italy; Seat Archive/Alinari Archives

Background imageTromple D0eil Collection: View of the ceiling, 1720 (fresco)

View of the ceiling, 1720 (fresco)
5907273 View of the ceiling, 1720 (fresco) by Borremans, Guglielmo (1672-1744); Basilica of S. Maria Nova e S. Michele, Caltanissetta, Italy; Seat Archive/Alinari Archives

Background imageTromple D0eil Collection: Coronation of the Virgin, 1725 (fresco)

Coronation of the Virgin, 1725 (fresco)
5907276 Coronation of the Virgin, 1725 (fresco) by Tuccari, Giovanni (1667-1743); San Benedetto, Catania, Italy; Seat Archive/Alinari Archives

Background imageTromple D0eil Collection: Auditorium and stage of the Teatro Olimpico, Piacenza, Italy

Auditorium and stage of the Teatro Olimpico, Piacenza, Italy, designed by Andrea Palladio (engraving)
5999615 Auditorium and stage of the Teatro Olimpico, Piacenza, Italy, designed by Andrea Palladio (engraving) by German School

Background imageTromple D0eil Collection: Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c

Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c. 1498 (fresco)
ALI246096 Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c.1498 (fresco) by Vinci, Leonardo da (1452-1519); Castello Sforzesco, Milan

Background imageTromple D0eil Collection: Painted cupola, 1685-86 (fresco)

Painted cupola, 1685-86 (fresco)
5907275 Painted cupola, 1685-86 (fresco) by Bibiena, Ferdinando Galli (1657-1743) & Ricci, Sebastiano (1658-1734); Oratory of the Madonna del Serraglio, San Secondo Parmense

Background imageTromple D0eil Collection: The Drunkenness of Noah, detail from the Sistine Chapel ceiling, 1508-12 (fresco)

The Drunkenness of Noah, detail from the Sistine Chapel ceiling, 1508-12 (fresco)
3529381 The Drunkenness of Noah, detail from the Sistine Chapel ceiling, 1508-12 (fresco) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries, Vatican City; Alinari Archives

Background imageTromple D0eil Collection: Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c

Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c
ALI161928 Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c.1498 (fresco) (b/w photo) by Vinci, Leonardo da (1452-1519); Castello Sforzesco, Milan

Background imageTromple D0eil Collection: Christ the Judge with Symbols of the Passion, Evangelists and Prophets, 1560-65 (fresco)

Christ the Judge with Symbols of the Passion, Evangelists and Prophets, 1560-65 (fresco)
5052172 Christ the Judge with Symbols of the Passion, Evangelists and Prophets, 1560-65 (fresco) by Castello, Giovanni Battista (Il Bergamasco) (1509-69); Santa Caterina, Genoa

Background imageTromple D0eil Collection: Tabletop (scagliola)

Tabletop (scagliola)
3823023 Tabletop (scagliola) by Paulini, Pietro Antonio (18th century); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info)

Background imageTromple D0eil Collection: The Blessed Philip Benitius, c. 1505-6 (tempera on poplar wood)

The Blessed Philip Benitius, c. 1505-6 (tempera on poplar wood)
BFM286769 The Blessed Philip Benitius, c.1505-6 (tempera on poplar wood) by Perugino, Pietro (c.1445-1523); 158x64.5 cm; Lindenau Museum, Altenburg

Background imageTromple D0eil Collection: St. Helena, c. 1505-06 (tempera on poplar wood)

St. Helena, c. 1505-06 (tempera on poplar wood)
BFM286768 St. Helena, c.1505-06 (tempera on poplar wood) by Perugino, Pietro (c.1445-1523); 157.5x64.8 cm; Lindenau Museum, Altenburg

Background imageTromple D0eil Collection: Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c

Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c. 1498 (fresco)
ALI246097 Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c.1498 (fresco) by Vinci, Leonardo da (1452-1519); Castello Sforzesco, Milan


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"Trompe l'oeil: A Journey through Illusion and Artistry" Step into a world where reality blurs with imagination, as trompe l'oeil takes center stage. This captivating art technique, showcased in various masterpieces throughout history, invites viewers to question their perception of what is real. In the enchanting "Letter rack with an hourglass, a razor and scissors, " painted on canvas in 1664, objects seem to leap from the surface, defying expectations. The meticulous details trick our eyes into believing that these everyday items are tangible and within reach. Moving forward in time, we encounter the mesmerizing frescoes adorning the cupola of the Duomo. In "The Last Judgement, " created between 1572-79, heavenly figures appear so lifelike that one might expect them to descend upon us at any moment. The grandeur of this masterpiece leaves us awestruck by its illusionary power. Continuing our journey through trompe l'oeil wonders, we stumble upon "The Infant Christ and Saint John the Baptist. " Painted on panel with remarkable precision, this piece transports us to a serene landscape where two children embrace under a classical archway. It's hard not to be captivated by how effortlessly brushstrokes can create such depth and dimension. As we explore further into fresco artistry, "Coronation of the Virgin" beckons us closer with its vibrant colors and intricate detailing. Executed in 1725 on wet plaster walls, it seems as if angels are about to burst forth from above while cherubs dance around majestically below. Our gaze then turns upward towards ceilings adorned with breathtaking designs like those found in Teatro Olimpico. Designed by Andrea Palladio and captured beautifully in an engraving dating back centuries ago; it showcases architectural marvels that deceive our senses once more.