Tudor Rose Collection

The Union of the Roses of the Families of Lancaster and York, 1589 (plate engraving)
XJF328605 The Union of the Roses of the Families of Lancaster and York, 1589 (plate engraving) by Hondius, Jodocus (1567-1611); Private Collection; (add.info)

Sixpence, with the head of Queen Elizabeth I, 16th century
BAL72640 Sixpence, with the head of Queen Elizabeth I, 16th century; British Museum, London, UK.

Charles Howard, First Earl of Nottingham, from Honor Military, and Civill, William Segar
3051724 Charles Howard, First Earl of Nottingham, from Honor Military, and Civill, William Segar, pub. Robert Barker, London, 1602 (hand coloured engraving) by Rogers

British Resentment or, the French Fairly Coopt at Louisbourg, published 25th September
RNM286310 British Resentment or, the French Fairly Coopt at Louisbourg, published 25th September, 1755 (engraving) (see also 251585) by Boitard

A Yeoman Of The Guard, c. 1890-1900 (photochrom)
5042978 A Yeoman Of The Guard, c.1890-1900 (photochrom) by Detroit Publishing Co. (1880-1920); Private Collection; (add.info)

Reverse of the seal of Henry VIII (1491-1547) (gold) (for obverse see 183056)
ARN181809 Reverse of the seal of Henry VIII (1491-1547) (gold) (for obverse see 183056) by English School, (16th century); Centre Historique des Archives Nationales, Paris, France; English

Fleur-de-Lis, reproduction wallpaper designed by S
SC14528 Fleur-de-Lis, reproduction wallpaper designed by S. Scott and produced by Cole and Sons, for the Houses of Parliament, 1845-50 (see also 87555) by Pugin

Wallpaper design for the House of Lords Library (w / c & pencil on paper)
BBC207322 Wallpaper design for the House of Lords Library (w/c & pencil on paper) by Pugin, Augustus Welby Northmore (1812-52); Victoria & Albert Museum, London, UK; English, out of copyright

British Resentment or, the French Fairly Coopt at Louisbourg, published 25th September
AQS251285 British Resentment or, the French Fairly Coopt at Louisbourg, published 25th September, 1755 (engraving) (see also 286310) by English School, (18th century); American Antiquarian Society

The Tally Ho pub in Coventry, which is to be a new nightclub. 21st July 1993

Village Road, Denham, Buckinghamshire. Showing the pubs The Green Man and The Swan Inn. Circa 1945

Sudburys Hutch, from St Jamess Church, Louth, Lincolnshire, 1904. Artist: Shirley Slocombe
Sudburys Hutch, from St Jamess Church, Louth, Lincolnshire, 1904. The piece, dating from c1500, features carved depictions of King Henry VII and Elizabeth of York, separated by a Tudor rose

Initial letter C, 1563, (1843). Artist: Henry Shaw
Initial letter C, 1563, (1843). Queen Elizabeth, attended probably by three members of her privy council. From a woodcut used by John Daye the printer

Henry IV of England, 1860. Portrait of the king (1367-1413) holding a sceptre and Tudor rose, and below, a scene from the play Henry IV by Shakespeare

Armour Garniture of George Clifford (1558-1605), Third Earl of Cumberland, British, 1586
Armour Garniture of George Clifford (1558-1605), Third Earl of Cumberland, British, Greenwich, 1586

Portrait of Samuel Daniel (engraving) (b / w photo)
XJF271617 Portrait of Samuel Daniel (engraving) (b/w photo) by Cockson, Thomas (fl.1591-1636); 1.6 x 12.2 cm; National Portrait Gallery, London

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"The Tudor Rose: Symbolizing the Union of Lancaster and York" The Tudor Rose, also known as the Union of the Roses, represents a significant moment in British history. This plate engraving from 1589 depicts the merging of two powerful families - Lancaster and York. Charles Howard, First Earl of Nottingham, is portrayed in this artwork from William Segar's "Honor Military and Civill. " As an influential figure during Queen Elizabeth I's reign, Howard played a crucial role in defending England against foreign threats. Published on September 25th, "British Resentment or, the French Fairly Coopt at Louisbourg" captures a moment of tension between Britain and France. The rose symbolizes British pride and resilience amidst international conflicts. A captivating photochrom from c. 1890-1900 showcases a Yeoman Of The Guard adorned with their iconic Tudor Rose badges. These royal bodyguards have protected monarchs for centuries and continue to do so today. The reverse side of Henry VIII's seal reveals his affinity for symbolism through its depiction of the Tudor Rose in gold. This emblem signifies Henry's authority as king while representing unity within his realm. Reproduction wallpaper designed by S features delicate Fleur-de-Lis motifs intertwined with elegant Tudor Roses. Such designs adorned noble residences during this period, adding regal splendor to interiors. An exquisite wallpaper design created for the House of Lords Library exemplifies how even official spaces embraced the beauty of nature-inspired patterns like those incorporating Tudor Roses. Sudburys Hutch is an architectural gem found within St James's Church in Louth, Lincolnshire. Its intricate carvings include depictions of roses that pay homage to England's rich heritage under the Tudors. Henry Shaw's artistic talent shines through an initial letter C dating back to 1563. This ornate illustration incorporates elements such as foliage and flowers including our beloved emblem, the Tudor Rose.