Typeface Collection (page 2)

FORD MERCURY AD, 1946. American magazine advertisement, 1946, for Ford Mercury automobiles

CIRCUS POSTER, c1890. American circus poster, c1890, for Sells Brothers Circus, featuring elephant races

WORLD WAR II POSTER, 1941. Defense! Long Island Women - Home Defense Day. American poster announcing activities related to civil defense held at Adelphi College in Garden City, New York, 3 May 1941

OIL CRISIS, 1979. Cars lined up for gas at a service station in Maryland at the time of the oil crisis, 15 June 1979. Photographed by Warren K. Leffler

Gowns - A Study, by Lady Beatrice Graham, 1907. Artist: Soldan & Co
Gowns - A Study, by Lady Beatrice Graham, 1907. Printed with Mander Brothers inks. From The British Printer Vol. XX. [Raithby, Lawrence & Co. Ltd, London and Leicester, 1907]

WILLIAM III & QUEEN MARY. King William III of England, holding the Bill of Rights in his hand, and Queen Mary II. Woodcut from an 18th century English childrens history of England

NEWFOUNDLAND FISHERY, 1738. Fishing for, curing and drying codfish in Newfoundland. Color English engraving, 1738

CIRCUS POSTER, c1899. American poster, c1899, for Forepaugh & Sells Brothers Circus, featuring acrobats jumping over a group of elephants

First issue Then Swanska Argus, 1732
XJF3037923 First issue Then SwAÔé¼nska Argus, 1732 by Swedish School, (18th century); Private Collection; (add.info.: Then SwAÔé¼nska Argus was written entirely by the Swedish poet, Olof von Dalin)

A 1934 Trans-World Airlines poster introducing the new Douglas DC-2 on transcontinental routes
TRANS-WORLD AIRLINES 1934. A 1934 Trans-World Airlines poster introducing the new Douglas DC-2 on transcontinental routes

FORT NIAGARA, 1759. The French surrender of Fort Niagara, on the eastern shore of the Niagara River, to British forces led by Sir William Johnson during the French and Indian War, 26 July 1759

ENGLAND: FOX HUNT, 1832. Going to cover. Line engraving, English, 1832

GARGANTUA CIRCUS POSTER. Gargantua the Great on an American circus poster, 1938

The first European typographic competition in Barcelona, May 30, 1878, published in the Spanish magazine "La
AIS5361056 The first European typographic competition in Barcelona, May 30, 1878, published in the Spanish magazine "La Ilustracion Espanola y Americana"

Writing method by Dubus and Lemaire, c.1880-1900 (printing)
8712997 Writing method by Dubus and Lemaire, c.1880-1900 (printing); 22 x 17 cm; Private Collection; (add.info.: in "Writing method in relation to the teaching of reading by F)

Monoceros, Canis Minor and Atelier Typographique, c.1825 (card, paper, tissue )
7340894 Monoceros, Canis Minor and Atelier Typographique, c.1825 (card, paper, tissue ) by Hall, Sydney (fl.1826); 20.3x14 cm; National Maritime Museum, London

Mexican pictorial writing, from "The National Encyclopaedia: A Dictionary of Universal Knowledge"
6428149 Mexican pictorial writing, from "The National Encyclopaedia: A Dictionary of Universal Knowledge", published c. 1890 (engraving); Photo © Ken Welsh. All rights reserved 2024.

Page of a manuscript representing the allegories of Dialectics (associated with Zarathustra (Zarathushtra)
BEN5464500 Page of a manuscript representing the allegories of Dialectics (associated with Zarathustra (Zarathushtra, Zarathushtra)

For the guild of literature and art (litho)
8675835 For the guild of literature and art (litho) by English School, (19th century); Private Collection; (add.info.: For the guild of literature and art)

Fronstispiece to Marco Polo's Il Milione, 1503 (woodblock)
8678253 Fronstispiece to Marco Polo's Il Milione, 1503 (woodblock) by European School, (16th century); (add.info.: Santaella edition, 1503 The Travels of Marco Polo); Fototeca Gilardi.

Fronstispiece to Marco Polo's Il Milione, 1503 (woodblock)
8678254 Fronstispiece to Marco Polo's Il Milione, 1503 (woodblock) by European School, (16th century); (add.info.: Santaella edition, 1503 The Travels of Marco Polo); Fototeca Gilardi.

Fokker's parasol monoplane. No tension wires: great styg [?] capacity, 1919-1945. Creator: Reijer Stolk
Fokker's parasol monoplane. No tension wires: great styg [?] capacity, 1919-1945

Fokker aircraft, 1919-1945. Creator: Reijer Stolk
Fokker aircraft, 1919-1945. Silhouette of an airplane with text

Composition 2;The Second Commandment, 1918. Creator: Vilhelm Lundstrom
Composition 2;The Second Commandment, 1918

Goudy, Frederick, Mr. at his printing press, 1924 Mar. 15. Creator: Arnold Genthe
Goudy, Frederick, Mr. at his printing press, 1924 Mar. 15

Federal Varieties, New York, 1936. Creator: Unknown
Federal Varieties, New York, 1936. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Einmal Mensch…!, New York, 1936. Creator: Unknown
Einmal Menscha!, New York, 1936. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Class of 29, New York, 1936. Creator: Unknown
Class of 29, New York, 1936. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Bassa Moona, New York, 1936. Creator: Unknown
Bassa Moona, New York, 1936. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Vaudeville Show, New York, [1930s]. Creator: Unknown
Vaudeville Show, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Vaudeville Revue, New York, [1930s]. Creator: Unknown
Vaudeville Revue, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Vaudeville, New York, [1930s]. Creator: Unknown
Vaudeville, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Vaudeville Revue, New York, [1930s]. Creator: Unknown
Vaudeville Revue, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Vaudeville Show, New York, [1930s]. Creator: Unknown
Vaudeville Show, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Vaudeville, New York, [1930s]. Creator: Unknown
Vaudeville, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

We Live and Laugh, New York, [1930s]. Creator: Unknown
We Live and Laugh, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Tons of Money, New York, [1930s]. Creator: Unknown
Tons of Money, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

String Fever, New York, [1930s]. Creator: Unknown
String Fever, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Spring Frolic, New York, [1930s]. Creator: Unknown
Spring Frolic, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

The Old Maid, New York, [1935]. Creator: Unknown
The Old Maid, New York, [1935]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Tamed and How, New Rochelle, NY, [193-]. Creators: Unknown, Charles H Harrison
Tamed and How, New Rochelle, NY, [193-]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Mikado, New York, [1930s]. Creator: Unknown
Mikado, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Mikado, New York, [1930s]. Creator: Unknown
Mikado, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Hansel and Gretel, New York, [1930s]. Creator: Unknown
Hansel and Gretel, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

The Gondoliers, New York, [1930s]. Creator: Unknown
The Gondoliers, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Tamed and How 2, New Rochelle, NY, [193-]. Creators: Unknown, Charles H Harrison
Tamed and How 2, New Rochelle, NY, [193-]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

The Gondoliers, New York, [1930s]. Creator: Unknown
The Gondoliers, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Tamed and How 1, New Rochelle, NY, [193-]. Creators: Unknown, Charles H Harrison
Tamed and How 1, New Rochelle, NY, [193-]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

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"Typeface: A Journey Through Time and Design" Step into the world of typography as we explore the captivating history behind various typefaces. From iconic magazine covers like Ms. Magazine's groundbreaking first issue in 1972 to political posters challenging societal norms, typefaces have played a pivotal role in shaping our visual culture. Take a glimpse at the Labour Party poster from 1910, boldly confronting the House of Lords' rejection of the Peoples Budget. The power of typography is evident as it clears the way for change and progress. Travel back to 1879 with an exquisite wood engraving showcasing the development of Eddystone Lighthouse in the English Channel. Even through intricate strokes, typefaces communicate safety and guidance amidst treacherous waters. The vibrant circus poster from the roaring 1920s transports us to a time when bold fonts dazzled audiences, enticing them to experience thrilling spectacles under big tops. Typography becomes an art form that captures attention and ignites curiosity. Intriguingly, even menus hold stories within their carefully crafted letters. Titanic's ill-fated voyage is immortalized through its third-class passenger menu from April 14th, 1912 – a haunting reminder of tragedy intertwined with elegance. Witness how Swansons revolutionized mealtime with their TV dinner packaging resembling television sets in 1954. Typeface merges with innovation to create an unforgettable consumer experience. During World War II, Coca-Cola employed powerful typographic imagery on advertisements promoting peace amidst chaos – reminding us that words can heal wounds and unite nations during times of strife. Delve into Native American history as Chitimacha tribes participate in a peace pipe ceremony depicted in an enchanting copper engraving from French artist Antoine Simon Le Page du Pratz dating back to 1718. Typeface preserves cultural heritage across generations. Discover Betsy McCall's fashionable paper doll dresses showcased in McCalls magazine's September 1952 issue. Typeface breathes life into fashion, transforming mere paper into wearable art.