Ukiyo E Collection (page 5)

Poem by Motoyoshi Shinnō, 1835-1836 (colour woodcut)
8603874 Poem by Motoyoshi Shinnō, 1835-1836 (colour woodcut) by Hokusai, Katsushika (1760-1849); 40.1 x 55.3 cm; Ashmolean Museum, University of Oxford

A snowy morning at Koishikawa, 1830-1835 (colour woodcut)
8603871 A snowy morning at Koishikawa, 1830-1835 (colour woodcut) by Hokusai, Katsushika (1760-1849); 40.5 x 55.7 cm; Ashmolean Museum, University of Oxford

Table with flower-patterned table-cloth, jewels and scythe, end of 19th century (colour woodblock print)
8603869 Table with flower-patterned table-cloth, jewels and scythe, end of 19th century (colour woodblock print) by Hokusai, Katsushika (1760-1849); 40.3 x 27.7 cm; Ashmolean Museum

The Holy Horse-Grass, 1822 (colour woodblock print)
8603859 The Holy Horse-Grass, 1822 (colour woodblock print) by Hokusai, Katsushika (1760-1849); 40.3 x 27.7 cm; Ashmolean Museum, University of Oxford

Fukui Bridge in Echizen Province, 1833 (colour woodcut)
8603857 Fukui Bridge in Echizen Province, 1833 (colour woodcut) by Hokusai, Katsushika (1760-1849); 40.4 x 55.6 cm; Ashmolean Museum, University of Oxford, UK; Image © Ashmolean Museum

Two women dancing in front of a scroll with fans and a hobby horse, 1798 (colour woodblock print)
8603849 Two women dancing in front of a scroll with fans and a hobby horse, 1798 (colour woodblock print) by Hokusai, Katsushika (1760-1849); 27.7 x 40.5 cm; Ashmolean Museum, University of Oxford

A group of travelling entertainers, 1803 (colour woodblock print)
8603854 A group of travelling entertainers, 1803 (colour woodblock print) by Hokusai, Katsushika (1760-1849); 27.7 x 40.5 cm; Ashmolean Museum, University of Oxford

Two women in front of a screen depicting Mount Fuji, 1805 ( colour woodcut)
8603850 Two women in front of a screen depicting Mount Fuji, 1805 ( colour woodcut) by Hokusai, Katsushika (1760-1849); 40.4 x 27.8 cm; Ashmolean Museum, University of Oxford

Scenes from the war between Japan and Korea, end of 18th-first half of 19th century (ink and wash on paper)
8603816 Scenes from the war between Japan and Korea, end of 18th-first half of 19th century (ink and wash on paper) by Hokusai, Katsushika (1760-1849); 38 x 28 cm; Ashmolean Museum

Geography. Japan. Crossing of a river in Odawara (10th station). Woodcut by Hiroshige in
3434289 Geography. Japan. Crossing of a river in Odawara (10th station). Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)

Geography. Japan. Hara, Mount Fuji in the Morning (13th station). Woodcut by Hiroshige in
3434283 Geography. Japan. Hara, Mount Fuji in the Morning (13th station). Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)

Kanadehon Chūshingura Act II, 1800 (colour woodcut)
8603872 Kanadehon Chūshingura Act II, 1800 (colour woodcut) by Hokusai, Katsushika (1760-1849); 40.4 x 55.8 cm; Ashmolean Museum, University of Oxford

Fuji from Kanaya on the Tōkaidō Road, 1831-1834 (colour woodcut)
8603870 Fuji from Kanaya on the Tōkaidō Road, 1831-1834 (colour woodcut) by Hokusai, Katsushika (1760-1849); 40.4 x 55.7 cm; Ashmolean Museum, University of Oxford

Kanadehon Chushingura Act III, 1800 (colour woodcut)
8603862 Kanadehon Chushingura Act III, 1800 (colour woodcut) by Hokusai, Katsushika (1760-1849); 40.5 x 55.7 cm; Ashmolean Museum, University of Oxford, UK; Image © Ashmolean Museum

Scenes from the war between Japan and Korea, end of 18th-first half of 19th century (ink and wash on paper)
8603836 Scenes from the war between Japan and Korea, end of 18th-first half of 19th century (ink and wash on paper) by Hokusai, Katsushika (1760-1849); 38 x 28 cm; Ashmolean Museum

Scenes from the war between Japan and Korea, end of 18th-first half of 19th century (ink and wash on paper)
8603813 Scenes from the war between Japan and Korea, end of 18th-first half of 19th century (ink and wash on paper) by Hokusai, Katsushika (1760-1849); 38 x 28 cm; Ashmolean Museum

Geography. Japan. Bridge. Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)
3434293 Geography. Japan. Bridge. Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834). Postcard, Japan, c.1900 (postcard) by Hiroshige

Geography. Japan. The Morning glow at the Nihonbashi (1st station). Woodcut by Hiroshige in
3434285 Geography. Japan. The Morning glow at the Nihonbashi (1st station). Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)

Fishing in Japan, 19th century (print)
7422803 Fishing in Japan, 19th century (print) by Japanese School, (19th century); (add.info.: Science. Zoology. Fishing in Japan. Illustration, Japan 19th cent.); © Archives Charmet

Empress Jingu and Her Minister Takenouchi no Sukune, 1801-1802 ( colour woodcut)
8603851 Empress Jingu and Her Minister Takenouchi no Sukune, 1801-1802 ( colour woodcut) by Hokusai, Katsushika (1760-1849); 40.4 x 27.6 cm; Ashmolean Museum, University of Oxford

Under the Wave off Kanagawa, 20th century (woodblock print)
8603876 Under the Wave off Kanagawa, 20th century (woodblock print) by Hokusai, Katsushika (1760-1849); 36.2 x 38.2 cm; Ashmolean Museum, University of Oxford

Segawa Kikinojō outside a house playing the part of a Hoso-ya courtesan, 1760-1778 (woodblock print)
8603856 Segawa Kikinojō outside a house playing the part of a Hoso-ya courtesan, 1760-1778 (woodblock print) by Hokusai, Katsushika (1760-1849); 40.5 x 27.8 cm; Ashmolean Museum

Arai, 1802 (colour woodcut)
8603841 Arai, 1802 (colour woodcut) by Hokusai, Katsushika (1760-1849); 27.5 x 40.4 cm; Ashmolean Museum, University of Oxford, UK; Image © Ashmolean Museum, University of Oxford

Ehon Suikoden (one page from book), 1829 (woodcut)
8603839 Ehon Suikoden (one page from book), 1829 (woodcut) by Hokusai, Katsushika (1760-1849); 22 x 14 cm; Ashmolean Museum, University of Oxford

Scenes from the war between Japan and Korea, end of 18th-first half of 19th century (ink and wash on paper)
8603820 Scenes from the war between Japan and Korea, end of 18th-first half of 19th century (ink and wash on paper) by Hokusai, Katsushika (1760-1849); 38 x 28 cm; Ashmolean Museum

Japanese man and woman in kimonos, 18th century (print)
3794020 Japanese man and woman in kimonos, 18th century (print) by Ishikawa Toyonobu (1711-85); (add.info.: Japanese man and woman dressed in kimonos)

Young Japanese woman in kimono, 18th century (print)
3794014 Young Japanese woman in kimono, 18th century (print) by Torii Kiyonobu I (1664-1729); (add.info.: Young Japanese woman in kimono - returning from the Ebisu festival)

Geography. Japan. Hakone Lake (10th station). Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)
3434284 Geography. Japan. Hakone Lake (10th station). Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)

A wayside scene, Oji, 1801-1804 (colour woodcut)
8603868 A wayside scene, Oji, 1801-1804 (colour woodcut) by Hokusai, Katsushika (1760-1849); 40.5 x 55.5 cm; Ashmolean Museum, University of Oxford

From Picture Book of the Sumida River. A Glance of Both Shores, 1796 ( colour woodcut)
8603865 From Picture Book of the Sumida River. A Glance of Both Shores, 1796 ( colour woodcut) by Hokusai, Katsushika (1760-1849); 40.5 x 55.6 cm; Ashmolean Museum, University of Oxford

Roben Falls at Oyama in Sagami Province, 1834-1835 (colour woodcut)
8603864 Roben Falls at Oyama in Sagami Province, 1834-1835 (colour woodcut) by Hokusai, Katsushika (1760-1849); 55.4 x 40.4 cm; Ashmolean Museum, University of Oxford

Fuji from Enoshima, 1830-1832 (colour woodcut)
8603861 Fuji from Enoshima, 1830-1832 (colour woodcut) by Hokusai, Katsushika (1760-1849); 40.6 x 55.7 cm; Ashmolean Museum, University of Oxford, UK; Image © Ashmolean Museum

Sekiya Villages on the Sumida River, 1830-1835 ( colour woodcut)
8603855 Sekiya Villages on the Sumida River, 1830-1835 ( colour woodcut) by Hokusai, Katsushika (1760-1849); 40.4 x 55.7 cm; Ashmolean Museum, University of Oxford, UK; Image © Ashmolean Museum

Fuji from the Tea-Fields of Katakura in Suruga, 1830-1832 (colour woodcut)
8603843 Fuji from the Tea-Fields of Katakura in Suruga, 1830-1832 (colour woodcut) by Hokusai, Katsushika (1760-1849); 40.5 x 56 cm; Ashmolean Museum, University of Oxford

Tempozan at the Mouth of the Aji River in Settsu Province, 1833 (colour woodcut)
8603863 Tempozan at the Mouth of the Aji River in Settsu Province, 1833 (colour woodcut) by Hokusai, Katsushika (1760-1849); 40.3 x 55.6 cm; Ashmolean Museum, University of Oxford

A woman playing with a small boy in front of a screen, 1790-1820 (colour woodblock print)
8603853 A woman playing with a small boy in front of a screen, 1790-1820 (colour woodblock print) by Hokusai, Katsushika (1760-1849); 14, 3 x 12, 7 cm; Ashmolean Museum, University of Oxford

Ancient View of the Eight-Part Bridge at Mikawa, 1834 (colour woodcut)
8603848 Ancient View of the Eight-Part Bridge at Mikawa, 1834 (colour woodcut) by Hokusai, Katsushika (1760-1849); 40.5 x 55.6 cm; Ashmolean Museum, University of Oxford

Noboto Bay, 1830-1832 (colour woodcut)
8603846 Noboto Bay, 1830-1832 (colour woodcut) by Hokusai, Katsushika (1760-1849); 40.5 x 55.7 cm; Ashmolean Museum, University of Oxford, UK; Image © Ashmolean Museum, University of Oxford

Ushibori, Hitachi Province, 1830-1835 ( colour woodcut)
8603844 Ushibori, Hitachi Province, 1830-1835 ( colour woodcut) by Hokusai, Katsushika (1760-1849); 40.5 x 55.7 cm; Ashmolean Museum, University of Oxford, UK; Image © Ashmolean Museum

Scenes from the war between Japan and Korea, end of 18th-first half of 19th century (ink and wash on paper)
8603822 Scenes from the war between Japan and Korea, end of 18th-first half of 19th century (ink and wash on paper) by Hokusai, Katsushika (1760-1849); 38 x 28 cm; Ashmolean Museum

Geography. Japan. Kanagawa (4th station). Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)
3434288 Geography. Japan. Kanagawa (4th station). Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)

Geography. Japan. River in winter. Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)
3434297 Geography. Japan. River in winter. Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834). Postcard, Japan, c.1900 (postcard) by Hiroshige

Geography. Japan. Temple. Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)
3434291 Geography. Japan. Temple. Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834). Postcard, Japan, c.1900 (postcard) by Hiroshige

Geography. Japan. Mount Fuji. Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)
3434292 Geography. Japan. Mount Fuji. Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834). Postcard, Japan, c.1900 (postcard) by Hiroshige

Geography. Japan. Yui, view of Fuji, snow covered, from Satta-toge, overlooking Saruga Bay. (17th station)
3434290 Geography. Japan. Yui, view of Fuji, snow covered, from Satta-toge, overlooking Saruga Bay. (17th station). Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)

Geography. The Morning glow at the Nihonbashi (55th station). Woodcut by Hiroshige in
3434287 Geography. The Morning glow at the Nihonbashi (55th station). Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)

A boy carrying a writing-book and ink-stone, end of 19th century (colour woodblock print)
8603867 A boy carrying a writing-book and ink-stone, end of 19th century (colour woodblock print) by Hokusai, Katsushika (1760-1849); 27.7 x 40.5 cm; Ashmolean Museum, University of Oxford

The Amida falls, in the far reaches of the Kiso Road, 1832 (colour woodcut)
8603858 The Amida falls, in the far reaches of the Kiso Road, 1832 (colour woodcut) by Hokusai, Katsushika (1760-1849); 55.2 x 40.4 cm; Ashmolean Museum, University of Oxford

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"Ukiyo-e: Capturing the Essence of Japanese Life" Step into the world of ukiyo-e, a captivating art form that flourished in Japan during the Edo period (1603-1868). These woodblock prints and paintings offer glimpses into everyday life, landscapes, and cultural traditions. One such print is "Shore of Tago Bay, Ejiri at Tokaido. " Created around 1830, it depicts a serene coastal scene along the famous Tokaido road. The artist skillfully captures the tranquility and beauty of nature. In "Fuji in Clear Weather, " part of the series "36 Views of Mount Fuji, " we witness an iconic symbol of Japan standing tall against a clear blue sky. This masterpiece by Katsushika Hokusai showcases his mastery in capturing both grandeur and subtlety. Moving on to oil on canvas, we encounter "Olive Orchard mid-June. " Painted in 1889 by an unknown artist, this piece transports us to a lush orchard filled with vibrant olive trees. It demonstrates how ukiyo-e artists were not limited to woodblock prints but also explored other mediums. Mori Tessan's "A Peacock" mesmerizes with its intricate details and vivid colors. This artwork showcases Tessan's ability to bring animals to life through his brushstrokes. "The Bridge with Wisteria or Kameido Tenjin Keidai" takes us back to Edo-era Tokyo. As plate 57 from Hiroshige's renowned series "100 Views of Edo, " it presents a picturesque scene where wisteria vines gracefully hang over a bridge—a true feast for the eyes. Another notable work is "The Running Well Teahouse, Otsu. " From Hiroshige's series called "The Fifty-Three Stations of the Tokaido, " this print immerses us in traditional Japanese architecture and the peacefulness of a teahouse.