Ulysses Collection (page 6)

Ulysses asleep laid on his own Coast (colour litho)
3653377 Ulysses asleep laid on his own Coast (colour litho) by English School, (19th century); Private Collection; (add.info.: Ulysses asleep laid on his own Coast)

Ulysses at the Table of Circe (colour litho)
3653374 Ulysses at the Table of Circe (colour litho) by English School, (19th century); Private Collection; (add.info.: Ulysses at the Table of Circe)

Ulysses giving Wine to the Cyclops (colour litho)
3653372 Ulysses giving Wine to the Cyclops (colour litho) by English School, (19th century); Private Collection; (add.info.: Ulysses giving Wine to the Cyclops)

The Farewell of Telemachus and Eucharis, 1818 (oil on canvas)
3545833 The Farewell of Telemachus and Eucharis, 1818 (oil on canvas) by David, Jacques Louis (1748-1825); 88.3x103.2 cm; J

Grecian head dresses of the kind worn by Ulysses, Grecian helmets (engraving)
5200830 Grecian head dresses of the kind worn by Ulysses, Grecian helmets (engraving) by English School, (19th century); Private Collection; (add.info)

The meeting of Ulysses and Penelope, engraved by Francesco Bartolozzi
5889638 The meeting of Ulysses and Penelope, engraved by Francesco Bartolozzi, 1788 (stipple engraving) by Rigaud, John Francis (1742-1810); 43.2A--33.6 cm; Rijksmuseum, Amsterdam

Ulysses relating his wanderings to Penelope (engraving)
970920 Ulysses relating his wanderings to Penelope (engraving) by American School, (19th century) (after); Private Collection; (add.info.: Ulysses relating his wanderings to Penelope)

Penelope carrying the Bow of Ulysses to the Suitors (engraving)
973726 Penelope carrying the Bow of Ulysses to the Suitors (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Penelope carrying the Bow of Ulysses to the Suitors)

Ulysses preparing to fight with Irus (engraving)
973723 Ulysses preparing to fight with Irus (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Ulysses preparing to fight with Irus)

Ulysses conversing with Eumaeus (engraving)
973719 Ulysses conversing with Eumaeus (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Ulysses conversing with Eumaeus)

Circes Palace: They beheld their own faces dimly reflected
1192552 Circes Palace: They beheld their own faces dimly reflected, but very distorted by the gush and the motion of the water by Soper

Calypso, 1869 (oil on canvas)
487998 Calypso, 1869 (oil on canvas) by Lehmann, Henri (Karl Ernest Rudolf Heinrich Salem) (1814-82); 120.7x153 cm; Minneapolis Institute of Arts, MN

Boeotian black-figure skyphos, decorated with a scene of Odysseus being blown across
AMQ419829 Boeotian black-figure skyphos, decorated with a scene of Odysseus being blown across the sea by Boreas, from the workshop of the Mystae Painter, Thebes, Boeotia

Achilles Discovered (oil on canvas)
739597 Achilles Discovered (oil on canvas) by Kauffmann, Angelica (1741-1807); 102x127.5 cm; Private Collection; (add.info.: Achilles, disguised as a girl at the court of the king of Skyros)

The meeting of Ulysses and Telemachus (engraving)
2808045 The meeting of Ulysses and Telemachus (engraving) by English School, (19th century); Private Collection; (add.info.: The meeting of Ulysses and Telemachus.); © Look and Learn

Telemachus sitting in the courtyard (engraving)
2798912 Telemachus sitting in the courtyard (engraving) by Robinson, Charles (1870-1937); Private Collection; (add.info.: Telemachus sitting in the courtyard)

Penelope (engraving)
2798911 Penelope (engraving) by Robinson, Charles (1870-1937); Private Collection; (add.info.: Penelope. Illustration for The Adventures of Odysseus retold by Fs Marvin)

Odysseus discovered by Polyphemus (engraving)
2798904 Odysseus discovered by Polyphemus (engraving) by Robinson, Charles (1870-1937); Private Collection; (add.info.: Odysseus discovered by Polyphemus)

Odysseus and his father (engraving)
2798896 Odysseus and his father (engraving) by Robinson, Charles (1870-1937); Private Collection; (add.info.: Odysseus and his father)

The unhappy Greeks turned into Swine (engraving)
2792715 The unhappy Greeks turned into Swine (engraving) by English School, (19th century); Private Collection; (add.info.: The unhappy Greeks turned into Swine. Illustration for Chatterbox (1886)

Ulysses and His Companions escaping the Sirens, passing between Scylla and Charybdis. Date: circa 1790

Telemachus at the Palace of Menelaus (engraving)
2792703 Telemachus at the Palace of Menelaus (engraving) by English School, (19th century); Private Collection; (add.info.: Telemachus at the Palace of Menelaus. Illustration for Chatterbox (1886)

Ulysses resists the songs of the Sirens (fresco)
2910264 Ulysses resists the songs of the Sirens (fresco) by Roman, (1st century AD); (add.info.: Roman fresco panel from a painted wall: Ulysses resists the songs of the Sirens Roman)

The sirens, 1929 (litho)
3060298 The sirens, 1929 (litho) by Wyeth, Newell Convers (1882-1945); Private Collection; (add.info.: Published in The Odyssey of Homer by George Herbert Palmer in 1929; The Odyssey is one of two)

Proteus, the old man of the sea, 1929 (litho)
3060292 Proteus, the old man of the sea, 1929 (litho) by Wyeth, Newell Convers (1882-1945); Private Collection; (add.info)

Pronaos or vestibules of the Temple of Zeus
View of the front 1 and rear 2 pronaos or vestibule of the Temple of Zeus or Jupiter, Mount Olympus. Pronao anteriore del Tempio di Giove Olimpico

Polyphemus attacking sailors in their boat, 1855 (oil on canvas)
PWI82886 Polyphemus attacking sailors in their boat, 1855 (oil on canvas) by Decamps, Alexandre Gabriel (1803-60); 98x145 cm; Musee des Beaux-Arts, Rouen

Polyphemus the Cyclops, Roman mosaic, early 4th century AD (mosaic)
BAL67907 Polyphemus the Cyclops, Roman mosaic, early 4th century AD (mosaic) by Roman; Villa Romana del Casale, Piazza Armerina, Sicily, Italy; out of copyright

Return of Ulysses to Penelope, 1508-1509 (fresco)
FIA5378368 Return of Ulysses to Penelope, 1508-1509 (fresco) by Pinturicchio, Bernardino di Betto (c.1452-1513); 125x152 cm; National Gallery, London

Vase of the Antiquite representing Ulysses blinding the Cyclops Polyphemus
GIA4817240 Vase of the Antiquite representing Ulysses blinding the Cyclops Polyphemus. National Museum of Villa Giulia, Rome

Odyssee of Homere: "Ulysses sees Nausicaa, daughter of King Alcinoos
JLJ4677535 Odyssee of Homere: " Ulysses sees Nausicaa, daughter of King Alcinoos, playing a ball with his followers" Detail

Ulysses on the island of Phaecians. Painting by Jean Baptiste Pierre (1713-1789)
JLJ4674972 Ulysses on the island of Phaecians. Painting by Jean Baptiste Pierre (1713-1789), 18th century. Paris, Decorative Arts by Pierre, Jean Baptiste Marie (1713-89); Musee des Arts Decoratifs

Odyssee. Study for the "Apotheose of Homere"
JLJ4602391 Odyssee. Study for the " Apotheose of Homere" Allegory as a woman in a tunic sitting in profile reflecting one hand in front of her face and a spear in the other

Odyssee d Homere: Ulysses playing the trap of the song of the mermaids
XEE4417418 Odyssee d Homere: Ulysses playing the trap of the song of the mermaids. (Homers Odyssey: Odysseus avoiding the trap of the song of the mermaids)

Odyssee of Homere: Eole, king of the island of Cyclops, donates to Ulysses the bag
XEE4417414 Odyssee of Homere: Eole, king of the island of Cyclops, donates to Ulysses the bag containing the winds allowing him to make them work for his own

Ulysses, Mercury and Circe. With the companions of Ulysses transformed into pigs
LRI4576462 Ulysses, Mercury and Circe. With the companions of Ulysses transformed into pigs (Painting, 1570-1572) by Straet, Jan van der (Joannes Stradanus) (1523-1605); Palazzo Vecchio, Florence

Ulysses and his companions transformed into pigs by the magician Circe - in "
GIA4731407 Ulysses and his companions transformed into pigs by the magician Circe - in " Cosmographia" by Sebastian Munster, Basel 1558 by Swiss School

Ulysses fists with beggar Iros (Iros) and wins the victory
GIA4779597 Ulysses fists with beggar Iros (Iros) and wins the victory. The pursuers enjoy dancing and music. Ilustration for the book XVIII of the Odyssee of Homere, in the Odyssee

Interview with Ulysses and Penelope, who finally recognized him for his true spousal
GIA4779548 Interview with Ulysses and Penelope, who finally recognized him for his true spousal. llustration for book XXIII of the Odyssee of Homere, in the Odyssee, published in Amsterdam in 1731

Ulysses and Circe the magician (painting, 1580-1585)
LRI4574689 Ulysses and Circe the magician (painting, 1580-1585) by Spranger, Bartholomaeus (1546-1611); Kunsthistorisches Museum, Vienna

Krater of Aristonothos: Ulysses and his companions blinding Giant Polyphemus
LRI4686945 Krater of Aristonothos: Ulysses and his companions blinding Giant Polyphemus. 650 BC (terracotta) by Aristonothos (fl)

Ulysses gives Chryseis to his father. Oil on canvas. Dim: 1, 19 x 1, 50m
JLJ4686723 Ulysses gives Chryseis to his father. Oil on canvas. Dim: 1, 19 x 1, 50m. Painting by Claude Gellee Dit Le Lorrain (1600-1682), 17th century

Ulysses and Circe. Painting by Bartholomeus Spranger (1546-1611), oil on canvas
LSE4316032 Ulysses and Circe. Painting by Bartholomeus Spranger (1546-1611), oil on canvas, 16th century. Kunsthistorisches Museum, Vienna, Austria

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"Ulysses: A Journey Through Time and Imagination" Step into the world of Ulysses, a captivating novel written by James Joyce. This literary masterpiece takes us on an odyssey through the depths of human experience, just like the mythical hero it is named after. Inspired by Greek mythology, Circe Invidiosa, a mesmerizing painting by John William Waterhouse, captures the essence of enchantment that permeates Ulysses' adventures. It echoes the magical encounters and transformative moments experienced by our protagonist. In JMW Turner's Ulysses Deriding Polyphemus, we witness Odysseus' cunning as he outwits the Cyclops with his quick thinking. Similarly, Joyce's Ulysses embodies resourcefulness and intellect in navigating life's challenges. Leopold Bloom emerges as a modern-day Odysseus in Myron C. Nutting's caricature. With wit and charm reminiscent of Homer's epic poem Odyssey, Bloom embarks on his own personal journey through Dublin streets. Ulyssess Grant stands tall in history alongside other great figures like General Lee and President Johnson. Grant symbolizes freedom and unity during turbulent times such as Lee's surrender at Appomattox Court House or when he fought for civil rights. Medea stealing the Golden Fleece mirrors Ulysses' pursuit of knowledge and self-discovery throughout his voyage. Both characters showcase determination to achieve their goals against all odds. Jacques Louis David portrays The Farewell of Telemachus and Eucharis—a poignant moment where love transcends distance—similar to how relationships are tested in Ulysses amidst societal constraints. Grant Cartoon satirically depicts former president Ulyssess S. Grant seeking an unprecedented third term—an allegory for his restless spirit always yearning for new horizons akin to Odysseus' wanderlust.