Unction Collection

Inside the Church of the Holy Sepulchre, Jerusalem
View inside the Church of the Holy Sepulchre, Jerusalem, with the Stone of Unction on the left -- according to tradition, the body of Jesus was prepared for burial on this stone by Joseph of Arimathea

Chrismatory, France, possibly 17th century. Creator: Unknown
Chrismatory, France, possibly 17th century

Jerusalem, the Holy Sepulchre, the Stone of unction (b / w photo)
5214322 Jerusalem, the Holy Sepulchre, the Stone of unction (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Jerusalem, the Holy Sepulchre, the Stone of unction)

Extreme-onction (engraving)
3625739 Extreme-onction (engraving) by French School, (19th century); Private Collection; (add.info.: Extreme-onction. Illustration for La Bible Populaire, Nouveau Testament (Hachette, 1865)

Extreme Unction, from the Seven Sacraments, 1638-40 (oil on canvas)
1219596 Extreme Unction, from the Seven Sacraments, 1638-40 (oil on canvas) by Poussin, Nicolas (1594-1665); 95.5x121 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French

616798

Extreme Unction, from the Seven Sacraments, 1638-40 (oil on canvas)
1219597 Extreme Unction, from the Seven Sacraments, 1638-40 (oil on canvas) by Poussin, Nicolas (1594-1665); 95.5x121 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French

The anointing of Charles I (litho)
665046 The anointing of Charles I (litho) by Forestier, Amedee (1854-1930); Private Collection; (add.info.: The anointing of Charles I by George Abbot, Archbishop of Canterbury, at Westminster Abbey)

Extreme Unction, from the Seven Sacraments, 1638-40 (oil on canvas)
1219598 Extreme Unction, from the Seven Sacraments, 1638-40 (oil on canvas) by Poussin, Nicolas (1594-1665); 95.5x121 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French

Extreme Unction, from the Seven Sacraments, 1638-40 (oil on canvas)
1219594 Extreme Unction, from the Seven Sacraments, 1638-40 (oil on canvas) by Poussin, Nicolas (1594-1665); 95.5x121 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French

Extreme Unction, from the Seven Sacraments, 1638-40 (oil on canvas)
1219595 Extreme Unction, from the Seven Sacraments, 1638-40 (oil on canvas) by Poussin, Nicolas (1594-1665); 95.5x121 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French

The Anointing, 1922. Creator: Henry Traut
The Anointing, 1922. Players in the Oberammergau Passion Play. The play is performed every 10 years, on open-air stages, by the inhabitants of the village of Oberammergau in Bavaria, Germany

St Mary Magdalene, Salome and Mary Jacoby going to the tomb
Saint Mary Magdalene, Salome and Mary Jacoby going to the tomb to anoint Jesus body Codex of Predis (1476). Royal Library. Turin. Italy

Church Holy Sepulchre Stone Unction looking down
Church of the Holy Sepulchre, Stone of Unction looking down from Calvary. 1942, Jerusalem, Israel

Church Holy Sepulchre Stone Unction ascent Calvary
Church of the Holy Sepulchre. Stone of Unction showing ascent to Calvary. 1942, Jerusalem, Israel

Church Holy Sepulchre Interior church Stone Unction
Church of the Holy Sepulchre Interior of church showing Stone of Unction. 1934, Jerusalem, Israel

Stone Unction Holy Sepulchre 1839 David Roberts
Stone of Unction, Holy Sepulchre, 1839. David Roberts (British, 1796-1864). Color lithograph

Stone of Anointing, Church of the Holy Sepulchre, Jerusalem
The Stone of Anointing (also Stone of the Anointing or Stone of Unction ) within the Church of the Holy Sepulchre (Ecclesia Sancti Sepulchri)

Israel. Jerusalem. Church of the Holy Sepulchre. Stone of Amointing or Stone of Unction

Saint Nicholas Church. Fresco. Mystras
Islamic art. Ottoman style. Saint Nicholas Church (AGIOS NIKOLAOS). Detail of a fresco dated between XVII and XVIII centuries. Turkish period. MYSTRA. Province of Lakonia. Peloponeso

Henry II (1519-1559). King of France (1547-1559). Kings death. Colored engraving

Anointing of Louis XIV (1638-1715) at Reims on 7th June 1654 (engraving) (b / w photo)
XIR164574 Anointing of Louis XIV (1638-1715) at Reims on 7th June 1654 (engraving) (b/w photo) by Gaignieres, Francois Roger de (1642-1715); Bibliotheque Nationale, Paris

Coronation and unction of a king, from a French life of Edward the Confessor (d1066) of c1245. Probably portrait of Henry III of England crowned 1216 at Gloucester and 1220 at Westminster

Depiction sacraments of Extreme unction and Confession. From: Histoire gnrale des crmonies, moeurs, et coutumes religieuses de tous les peuples du monde. Date: 1741

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"Unction: A Sacred Ritual of Anointing and Healing" Inside the Church of the Holy Sepulchre in Jerusalem, a profound sense of reverence fills the air as worshippers gather to witness an ancient ritual known as unction. This sacred ceremony holds deep significance for Christians around the world, symbolizing both physical and spiritual healing. One iconic depiction portrays St Mary Magdalene, Salome, and Mary Jacoby making their way to the tomb where Jesus was laid after his crucifixion. Their purposeful steps echo with devotion and anticipation as they carry precious oils for anointing. Intriguingly, a 17th-century chrismatory from France captures our attention. Its mysterious creator remains unknown, yet its intricate design suggests a vessel meant for holding holy oils used during unction ceremonies. The craftsmanship speaks volumes about the importance placed on this sacrament throughout history. A black-and-white photograph transports us to Jerusalem's Holy Sepulchre, where we glimpse the Stone of Unction. This hallowed stone is believed to be where Jesus' body was prepared for burial—anointed with fragrant oils before being wrapped in linen cloths. An engraving depicting extreme unction further emphasizes its significance within religious practices. The image evokes solemnity as priests administer this sacrament to those nearing death, offering solace and spiritual comfort in their final moments. The oil paintings "Extreme Unction" by an unknown artist from 1638-40 capture poignant scenes from this sacred rite. Brushstrokes convey emotions ranging from hope to acceptance as individuals receive blessings through anointing—a tangible connection between heaven and earth. Even historical events find themselves intertwined with unction's narrative; lithographs depict Charles I receiving this sacrament during his final hours—a testament to its enduring presence throughout centuries past.