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Utagawa 1797 1858 Collection

Utagawa (1797-1858) was a renowned Japanese ukiyo-e artist who left an indelible mark on the art world

Background imageUtagawa 1797 1858 Collection: Panorama of the Eight Views of Kanazawa under a Full Moon (Buyo Kanazawa hassho yakei), 1857

Panorama of the Eight Views of Kanazawa under a Full Moon (Buyo Kanazawa hassho yakei), 1857. Private Collection

Background imageUtagawa 1797 1858 Collection: The Ishibe station on the Tokaido. Interior of an inn with travelers... Between 1840 and 1847

The Ishibe station on the Tokaido. Interior of an inn with travelers... Between 1840 and 1847
The Ishibe station on the Tokaido. Interior of an inn with travelers bathing and having tea, Between 1840 and 1847. Private Collection

Background imageUtagawa 1797 1858 Collection: The Fox-woman Kuzunoha Leaving Her Child, Abe no Seimei, 1847

The Fox-woman Kuzunoha Leaving Her Child, Abe no Seimei, 1847. Creator: Hiroshige, Utagawa (1797-1858)
The Fox-woman Kuzunoha Leaving Her Child, Abe no Seimei, 1847. Private Collection

Background imageUtagawa 1797 1858 Collection: Cranes. Creator: Hiroshige, Utagawa (1797-1858)

Cranes. Creator: Hiroshige, Utagawa (1797-1858)
Cranes. Private Collection

Background imageUtagawa 1797 1858 Collection: The Temple of the Golden Pavilion. From the series Famous Views of Kyoto, 1834

The Temple of the Golden Pavilion. From the series Famous Views of Kyoto, 1834. Private Collection

Background imageUtagawa 1797 1858 Collection: Oi. From the series The Sixty-nine Stations of the Kisokaido Road, 1836-1837

Oi. From the series The Sixty-nine Stations of the Kisokaido Road, 1836-1837
Oi. From the series The Sixty-nine Stations of the Kisokaido Road (Kisokaido rokujukyu tsugi no uchi), 1836-1837. Private Collection

Background imageUtagawa 1797 1858 Collection: Clear breeze at Awazu. From the series Eight Views of Omi (Omi hakkei no uchi), 1834

Clear breeze at Awazu. From the series Eight Views of Omi (Omi hakkei no uchi), 1834. Private Collection

Background imageUtagawa 1797 1858 Collection: Training movements of the sumo wrestlers, 1874

Training movements of the sumo wrestlers, 1874. Private Collection

Background imageUtagawa 1797 1858 Collection: Nihonbashi (from the Fifty-Three Stations of the Tokaido Highway), 1833

Nihonbashi (from the Fifty-Three Stations of the Tokaido Highway), 1833. Private Collection

Background imageUtagawa 1797 1858 Collection: Shono (from the Fifty-Three Stations of the Tokaido Highway), 1833-1834

Shono (from the Fifty-Three Stations of the Tokaido Highway), 1833-1834. Private Collection

Background imageUtagawa 1797 1858 Collection: Mount Tateyama in Etchu Province (Etchu Tateyama), 1858

Mount Tateyama in Etchu Province (Etchu Tateyama), 1858. Private Collection

Background imageUtagawa 1797 1858 Collection: Kawazu Saburo Sukemichi against Matano Goro Kagehisa (from the series Illustrated Tale of the Soga)

Kawazu Saburo Sukemichi against Matano Goro Kagehisa (from the series Illustrated Tale of the Soga B)
Kawazu Saburo Sukemichi against Matano Goro Kagehisa (from the series Illustrated Tale of the Soga Brothers (Soga monogatari zue, 1843-1847. Private Collection

Background imageUtagawa 1797 1858 Collection: Two wrestlers crossing the Okitsu River near Okitsu, 1830s

Two wrestlers crossing the Okitsu River near Okitsu, 1830s. Private Collection

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Background imageUtagawa 1797 1858 Collection: Yokkaichi (from the Fifty-Three Stations of the Tokaido Highway) by Hiroshige, Utagawa (1797-1858)

Yokkaichi (from the Fifty-Three Stations of the Tokaido Highway) by Hiroshige, Utagawa (1797-1858) / Suntory Museum of Art / 1833-1834 / Japan / Colour woodcut / Landscape / / The Oriental Arts

Background imageUtagawa 1797 1858 Collection: Cherry Trees in Rain on the Sumida River Embankment. (Sumida zutsumi uchu no sakura) by Hiroshige

Cherry Trees in Rain on the Sumida River Embankment. (Sumida zutsumi uchu no sakura) by Hiroshige, Utagawa (1797-1858) / Private Collection / 1835-1839 / Japan / Colour woodcut / Landscape / 22x34

Background imageUtagawa 1797 1858 Collection: Cherry blossoms along Sumida River. (Sumida tsutsumi hanami no zu) by Hiroshige, Utagawa (1797-1858)

Cherry blossoms along Sumida River. (Sumida tsutsumi hanami no zu) by Hiroshige, Utagawa (1797-1858) / Private Collection / Between 1848 and 1854 / Japan / Colour woodcut / Landscape / 24

Background imageUtagawa 1797 1858 Collection: Cherry blossoms in full bloom along Sumida River. (Bokusui tsutsumi hanazakari no zu)

Cherry blossoms in full bloom along Sumida River. (Bokusui tsutsumi hanazakari no zu) by Hiroshige, Utagawa (1797-1858) / Private Collection / 1881 / Japan / Colour woodcut / Landscape / 34, 9x72

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Utagawa (1797-1858) was a renowned Japanese ukiyo-e artist who left an indelible mark on the art world. His works captured the essence of Japan's landscapes, culture, and traditions with remarkable precision and beauty. In "The Temple of the Golden Pavilion, " part of his series Famous Views of Kyoto from 1834, Utagawa immortalized this iconic temple in exquisite detail. The painting transports viewers to its serene surroundings, evoking a sense of tranquility. Another masterpiece by Utagawa is "Oi" from The Sixty-nine Stations of the Kisokaido Road series (1836-1837). This artwork showcases Oi Station along the historic road, offering a glimpse into daily life during that era. With "Clear breeze at Awazu" from Eight Views of Omi (Omi hakkei no uchi), Utagawa captures nature's harmony. The gentle breeze rustles through vibrant foliage as it brushes against Awazu Bridge—a scene that exudes serenity and peace. Not limited to landscapes alone, Utagawa also depicted cultural events like sumo wrestling. In his piece "Training movements of sumo wrestlers" (1874), he skillfully portrays their strength and agility while showcasing Japan's traditional sport. Utagawa's talent extended beyond capturing scenes; he also illustrated stories such as Illustrated Tale of the Soga B. One notable example is "Kawazu Saburo Sukemichi against Matano Goro Kagehisa. " These illustrations bring ancient tales to life with intricate details and expressive characters. His contributions weren't confined to single artworks but encompassed entire series like Fifty-Three Stations of the Tokaido Highway (1833) and Shono (1833-1834). Through these collections, Utagawa showcased various locations along these famous routes—each painting telling its own story within a broader narrative.