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Van Dyck Collection (page 6)

"Van Dyck: A Master of Baroque Portraiture and Historical Scenes" Anthony van Dyck, a renowned Flemish Baroque artist

Background imageVan Dyck Collection: William II, Prince of Orange, and his Bride, Mary Stuart, 1641 (c1927). Artist: Anthony van Dyck

William II, Prince of Orange, and his Bride, Mary Stuart, 1641 (c1927). Artist: Anthony van Dyck
William II, Prince of Orange, and his Bride, Mary Stuart, 1641 (c1927). William II (1626-1650), Prince of Orange, reigned over the United Provinces of the Netherlands from 1647 to 1650

Background imageVan Dyck Collection: General view of the garden front of the house of James R Van Dyck, Hackensack, New Jersey, 1922

General view of the garden front of the house of James R Van Dyck, Hackensack, New Jersey, 1922. From The Architectural Forum Volume XXXVI. [Rogers and Manson, New York, 1922]

Background imageVan Dyck Collection: Tilly 1559-1632. - Stich nach dem Gemalde von A. van Dyck, 1934

Tilly 1559-1632. - Stich nach dem Gemalde von A. van Dyck, 1934
Tilly 1559-1632.1934. Jean Conte de Tilly (1559-1632), General of the army of the Holy Roman Empire. From Die Groszen der Weltgelchichte. [Ecktein-Halpaus, Dresden, 1934]

Background imageVan Dyck Collection: Anton van Dyck 1599-1641. - Selbstbildnis, 1934

Anton van Dyck 1599-1641. - Selbstbildnis, 1934
Anton van Dyck 1599-1641. 1934. Sir Anthony van Dyck (1599-1641), Flemish Baroque artist who became the leading court painter in England, after enjoying great success in Italy and Flanders

Background imageVan Dyck Collection: William Russel Earl of Bedford, c1742. Artist: Jacobus Houbraken

William Russel Earl of Bedford, c1742. Artist: Jacobus Houbraken
William Russel Earl of Bedford, c1742. English politician who sat in the House of Commons from 1640 until 1641, fought in the Parliamentarian army

Background imageVan Dyck Collection: The Holy Family, c1624. Artist: Anthony van Dyck

The Holy Family, c1624. Artist: Anthony van Dyck
The Holy Family, c1624. From The Connoisseur Volume XXV. [The Connoisseur Ltd. London, 1909]

Background imageVan Dyck Collection: Portrait of Alexander Triest, Baro D Auweghem, c1630. Artist: Anthony van Dyck

Portrait of Alexander Triest, Baro D Auweghem, c1630. Artist: Anthony van Dyck
Portrait of Alexander Triest, Baro D Auweghem, c1630. From The Connoisseur Volume XXIII. [The Connoisseur Ltd. London, 1909]

Background imageVan Dyck Collection: The Virgin with Donors, c1630. Artist: Anthony van Dyck

The Virgin with Donors, c1630. Artist: Anthony van Dyck
The Virgin with Donors, c1630. Painting held in the Musee du Louvre, Paris. From The Connoisseur Volume XLI. [The Connoisseur Ltd. London, 1915]

Background imageVan Dyck Collection: Portrait of Vandyck, 1635. Artist: Anthony van Dyck

Portrait of Vandyck, 1635. Artist: Anthony van Dyck
Portrait of Vandyck, 1635. From The Print-Collectors Handbook, by Alfred Whitman. [George Bell & Sons, London, 1901]

Background imageVan Dyck Collection: Mary Ruthven, c1635. Artists: Otto Limited, Anthony van Dyck

Mary Ruthven, c1635. Artists: Otto Limited, Anthony van Dyck
Mary Ruthven, c1635. Painting held at The Alte Pinakothek, Munich. From The Connoisseur Volume 103. [Otto Limited, London, 1939]

Background imageVan Dyck Collection: Portrait of the Abbe Scaglia, 1634. Artist: Anthony van Dyck

Portrait of the Abbe Scaglia, 1634. Artist: Anthony van Dyck
Portrait of the Abbe Scaglia, 1634. From The Connoisseur Volume 94, edited by Edward Wenham. [International Studio, London, 1934-35]

Background imageVan Dyck Collection: James Stuart, Duke Of Richmond And Lennox With His Attributes, 1634. Artist: Anthony van Dyck

James Stuart, Duke Of Richmond And Lennox With His Attributes, 1634. Artist: Anthony van Dyck
James Stuart, Duke Of Richmond And Lennox With His Attributes, 1634. James Stewart, 1st Duke of Richmond, 4th Duke of Lennox KG (1612?1655), Scottish nobleman

Background imageVan Dyck Collection: The Balbi Children, c1625. Artist: Anthony van Dyck

The Balbi Children, c1625. Artist: Anthony van Dyck
The Balbi Children, c1625. Painting held at The National Gallery, London. From A History of Painting, Volume IV by Haldane MacFall. [T. C. and E. C. Jack, London & Edinburgh, 1911]

Background imageVan Dyck Collection: Charles I at the Hunt, c1635. Artist: Anthony van Dyck

Charles I at the Hunt, c1635. Artist: Anthony van Dyck
Charles I at the Hunt, c1635. Also known under its French title, Le Roi a la chasse. Original painting found in the Louvre, Paris. From World Famous Paintings edited by J Grieg Pirie [W.& G

Background imageVan Dyck Collection: Richard Boyle, 1st Earl of Burlington and 2nd Earl of Cork, 1892 (1934)

Richard Boyle, 1st Earl of Burlington and 2nd Earl of Cork, 1892 (1934). A Cavalier, Richard Boyle, 1st Earl of Burlington, 2nd Earl of Cork (1612-1698)

Background imageVan Dyck Collection: The Captain of the Guard, c1619-1541, (1937). Artist: Anthony van Dyck

The Captain of the Guard, c1619-1541, (1937). Artist: Anthony van Dyck
The Captain of the Guard. After an original work by Sir Anthony van Dyck (1599-1641). From The Studio Vol. 114 [At the Offices of the Studio Ltd. London, 1937]

Background imageVan Dyck Collection: Portrait of Lucas Vorsterman, 1627-1632 (1958)

Portrait of Lucas Vorsterman, 1627-1632 (1958). Etching. Vorsterman (1595-1675) was a Flemish Baroque engraver who worked with artists including Van Dyck and Rubens

Background imageVan Dyck Collection: Study for the greyhound in the portrait of the Duke of Richmond, c1634 (1900)

Study for the greyhound in the portrait of the Duke of Richmond, c1634 (1900). A print from The Magazine of Art, Cassell and Company, Limited, 1900

Background imageVan Dyck Collection: Anthony van Dyck, self-portrait with a sunflower, c1633-1641 (1900). Artist: OL Lacour

Anthony van Dyck, self-portrait with a sunflower, c1633-1641 (1900). Artist: OL Lacour
Anthony van Dyck, self-portrait with a sunflower, c1633-1641 (1900). Reprinted from The Magazine of Art, 1887. A print from The Magazine of Art, Cassell and Company, Limited, 1900

Background imageVan Dyck Collection: Sir Anthony van Dyck (1599-1641), Flemish painter, early 20th century

Sir Anthony van Dyck (1599-1641), Flemish painter, early 20th century

Background imageVan Dyck Collection: Portrait of Cornelis van der Geest, c1620, (1933). Artist: Anthony van Dyck

Portrait of Cornelis van der Geest, c1620, (1933). Artist: Anthony van Dyck
Portrait of Cornelis van der Geest, c1620, (1933). Cornelis van der Geest (1555-1638) was an Antwerp spice merchant and patron of the arts

Background imageVan Dyck Collection: The three sons of Charles I, King of England, 1630s. Artist: Anthony van Dyck

The three sons of Charles I, King of England, 1630s. Artist: Anthony van Dyck
The three sons of Charles I, King of England, 1630s. Portrait of the future King Charles II, future King James II, and Henry Stuart, Duke of Gloucester

Background imageVan Dyck Collection: Henrietta Maria of France (1609-1669), 1899. Artist: Hanfstaengel

Henrietta Maria of France (1609-1669), 1899. Artist: Hanfstaengel
Henrietta Maria of France (1609-1669), 1899. Henrietta Maria was the queen consort of King Charles I. They were married in 1625. From The Century Magazine, November 1899

Background imageVan Dyck Collection: A Senator of Antwerp, 1927. Artist: Anthony van Dyck

A Senator of Antwerp, 1927. Artist: Anthony van Dyck
A Senator of Antwerp, 1927. A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

Background imageVan Dyck Collection: Antoine Triest, Bishop of Ghent, 1927. Artist: Anthony van Dyck

Antoine Triest, Bishop of Ghent, 1927. Artist: Anthony van Dyck
Antoine Triest, Bishop of Ghent, 1927. A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

Background imageVan Dyck Collection: Queen Henrietta Maria and her dwarf Sir Jeffrey Hudson, c1633, (1927). Artist: Anthony van Dyck

Queen Henrietta Maria and her dwarf Sir Jeffrey Hudson, c1633, (1927). Artist: Anthony van Dyck
Queen Henrietta Maria and her dwarf Sir Jeffrey Hudson, c1633, (1927). A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

Background imageVan Dyck Collection: Dorothy Sidney (nee Percy), Countess of Leicester (c1598-1659), 1824. Artist: TA Dean

Dorothy Sidney (nee Percy), Countess of Leicester (c1598-1659), 1824. Artist: TA Dean
Dorothy Sidney (nee Percy), Countess of Leicester (c1598-1659), 1824. Dorothy Sidney was the oldest daughter of Henry Percy, 9th Earl of Northumberland, and Lady Dorothy Devereux

Background imageVan Dyck Collection: Portrait of Cornelius Van der Geest, c1620, (1938). Artist: Anthony van Dyck

Portrait of Cornelius Van der Geest, c1620, (1938). Artist: Anthony van Dyck
Portrait of Cornelius Van der Geest, c1620. Cornelis van der Geest (1555-1638) was a successful Antwerp spice merchant, and patron of the arts. Painting held in The National Gallery, London

Background imageVan Dyck Collection: Gerard Terburg, 1913. Artist: Anthony van Dyck

Gerard Terburg, 1913. Artist: Anthony van Dyck
Gerard Terburg, 1913. Gerard ter Borch (or Terburg) (1617-1681), Dutch subject painter, was born in the province of Overijssel, the Netherlands

Background imageVan Dyck Collection: Study for the St Sebastian, 1913. Artist: Anthony van Dyck

Study for the St Sebastian, 1913. Artist: Anthony van Dyck
Study for the St Sebastian, 1913. A print from The Art of the Great Masters, by Frederic Lees, Sampson Low, Marston and Co, London, 1913

Background imageVan Dyck Collection: Study for the painting of the engraver, Peter De Jode the Younger, 1913. Artist: Anthony van Dyck

Study for the painting of the engraver, Peter De Jode the Younger, 1913. Artist: Anthony van Dyck
Study for the painting of the engraver, Peter De Jode the Younger, 1913. A print from The Art of the Great Masters, by Frederic Lees, Sampson Low, Marston and Co, London, 1913

Background imageVan Dyck Collection: The Vandyke Room, Windsor Castle

The Vandyke Room, Windsor Castle. Illustration from The Life & Times of Queen Victoria, by Robert Wilson, Vol III

Background imageVan Dyck Collection: Charles V, King of Spain and Holy Roman Emperor, (1816). Artist: Richard Earlom

Charles V, King of Spain and Holy Roman Emperor, (1816). Artist: Richard Earlom
Charles V, King of Spain and Holy Roman Emperor, (1816). Crowned King Charles I of Spain in 1516, he was the founder of the Habsburg dynasty. He became Holy Roman Emperor in 1519

Background imageVan Dyck Collection: Study of a Head, 17th century (1882)

Study of a Head, 17th century (1882). A print from The Magazine of Art Vol V, Cassell, Peter, Galpin and Company, Limited, 1882

Background imageVan Dyck Collection: The three elder children of Charles I, c1640s, (19th century). Artist: J Burnett

The three elder children of Charles I, c1640s, (19th century). Artist: J Burnett
The three elder children of Charles I, c1640s, (19th century). Portrait of King Charles II (right), King James II (centre), and Mary, Princess Royal (left), as children

Background imageVan Dyck Collection: Thomas Wentworth, 1st Earl of Strafford (1593-1641), 19th century. Artist: W Holl

Thomas Wentworth, 1st Earl of Strafford (1593-1641), 19th century. Artist: W Holl
Thomas Wentworth, 1st Earl of Strafford (1593-1641), English statesman, 19th century. Wentworth was a major figure in the period leading up to the English Civil War

Background imageVan Dyck Collection: Gustavus Adolphus, King of Sweden, (1903)

Gustavus Adolphus, King of Sweden, (1903). A print from The Worlds History, A Survey of Mans Record, by Dr H F Helmolt, Volume II, William Heinemann, London, 1903

Background imageVan Dyck Collection: Albrecht von Wallenstein, Bohemian soldier and politician, (1903)

Albrecht von Wallenstein, Bohemian soldier and politician, (1903). Wallenstein (1583-1634) commanded the Catholic imperial armies during the Thirty Years War (1618-1648)

Background imageVan Dyck Collection: James Stuart, Duke of York, (1822). Artist: Edward Smith

James Stuart, Duke of York, (1822). Artist: Edward Smith
James Stuart, Duke of York, (1822). Portrait of King James II (1633-1701) as a child. James was the second surviving son of King Charles I, and became king on the death of his brother, Charles II

Background imageVan Dyck Collection: Portrait of a Man, 17th century, (1912). Artist: C Hutin

Portrait of a Man, 17th century, (1912). Artist: C Hutin
Portrait of a Man, 17th century, (1912). A print from The Connoisseur, (London, 1912)

Background imageVan Dyck Collection: Philip, Earl of Pembroke, c1630s, (1912). Artist: Anthony van Dyck

Philip, Earl of Pembroke, c1630s, (1912). Artist: Anthony van Dyck
Philip, Earl of Pembroke, c1630s, (1912). A print from The Connoisseur, (London, 1912)

Background imageVan Dyck Collection: Robert Bertie, 1st Earl of Lindsey, (1827). Artist: TA Dean

Robert Bertie, 1st Earl of Lindsey, (1827). Artist: TA Dean
Robert Bertie, 1st Earl of Lindsey, (1583-1642), 1827. Bertie (1583-1642) was General-in-chief of the Royalists at the Battle of Edgehill

Background imageVan Dyck Collection: Montagu Bertie, 2nd Earl of Lindsey, (1826). Artist: TA Dean

Montagu Bertie, 2nd Earl of Lindsey, (1826). Artist: TA Dean
Montagu Bertie, 2nd Earl of Lindsey, (1826). Portrait of the Earl (1608-1666), a royalist soldier, in armour and lace cuffs

Background imageVan Dyck Collection: Sir Kenelm Digby, English scientist and diplomat (1825). Artist: R Cooper

Sir Kenelm Digby, English scientist and diplomat (1825). Artist: R Cooper
Sir Kenelm Digby, English scientist and diplomat (1825). Digby (1603-1665) was a courtier, philosopher, diplomat and scientist during the reign of Charles I

Background imageVan Dyck Collection: Lucy Hay, Countess of Carlisle, English socialite, (1825). Artist: TA Dean

Lucy Hay, Countess of Carlisle, English socialite, (1825). Artist: TA Dean
Lucy Hay, Countess of Carlisle, English socialite, (1825). The Countess (1599-1660) was involved in intrigues during the English Civil War, and may have spied for both sides simultaneously

Background imageVan Dyck Collection: Richard Weston, 1st Earl of Portland, (1825). Artist: G Kellaway

Richard Weston, 1st Earl of Portland, (1825). Artist: G Kellaway
Richard Weston, 1st Earl of Portland, (1825). Weston (1577-c1634) was an ambassador during the reign of King James I. He held the offices of Chancellor of the Exchequer and Lord Treasurer of England

Background imageVan Dyck Collection: Henry Percy, 9th Earl of Northumberland, (1824). Artist: John Samuel Agar

Henry Percy, 9th Earl of Northumberland, (1824). Artist: John Samuel Agar
Henry Percy, 9th Earl of Northumberland, (1824). Percys (1564-1632) estates of Petworth House and Syon House were acquired on his marriage to Dorothy Devereux, the sister of Robert Devereux

Background imageVan Dyck Collection: William Russell, 1st Duke of Bedford, British soldier, (1825). Artist: TA Dean

William Russell, 1st Duke of Bedford, British soldier, (1825). Artist: TA Dean
William Russell, 1st Duke of Bedford, British soldier, (1825). Russell (1616-1700) fought at the Battle of Edgehill on 23 October 1642 on the Parliamentary side



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"Van Dyck: A Master of Baroque Portraiture and Historical Scenes" Anthony van Dyck, a renowned Flemish Baroque artist, left an indelible mark on the art world with his exquisite paintings. His talent for capturing the essence of his subjects is evident in works such as "Queen Henrietta Maria with Sir Jeffrey Hudson, " where he portrays the queen's regal grace alongside her dwarf companion. In "Philip, Lord Wharton, " Van Dyck showcases his ability to convey nobility and power through portraiture. Lord Wharton's commanding presence is brought to life with intricate details and rich colors, showcasing Van Dyck's mastery of technique. The House of Habsburg recognized Van Dyck's artistic prowess, commissioning him for their ceiling painting depicting the "Patronage of the Arts. " This grand piece exemplifies Van Dyck's ability to create elaborate compositions that celebrate history and culture. Not limited to portraits alone, it also delved into religious themes like "Saint Sebastian prepared for Martyrdom. " The intense emotion captured in this oil-on-canvas masterpiece reveals his skill in conveying both physical pain and spiritual strength, not afraid to use art as a means of political commentary either. In an engraving titled "France, thy parliament will cut off thy head too, " he expresses dissent against tyranny during a tumultuous period in European history. As a leading court painter in England, Van Dyck immortalized himself through self-portraits like "Portrait of Anthony van Dyck. " Through these introspective works, we catch glimpses into the artist's own personality and creative spirit. His influence extended beyond self-portraits; followers sought to emulate his style as seen in pieces like "Portrait of a Man" by one such follower. The attention to detail and refined brushwork pay homage to Van Dyck’s legacy.