Vanities Collection

Beryl Wallace picked by The Dance Magazine as the typical Earl Carroll Girl (Floradora 1930 Model) - she was one of the leading performers of Earl Carrolls Vanities

A Vista of Extremities, the famous Albertina Rasch Girls
A Vista of Extremities! The famous Albertina Rasch Girls in one of their dances in The Victoria Vanities at the Victoria Palace Theatre, London, 1930. Date: 1930

Truth presenting a Mirror to the Vanities of the World, c. 1630 (oil on canvas)
3057898 Truth presenting a Mirror to the Vanities of the World, c.1630 (oil on canvas) by Tournier, Nicolas (1590-1638/9); 104x84 cm; Ashmolean Museum, University of Oxford

Truth presenting a Mirror to the Vanities of the World, c. 1625 (oil on canvas)
1129584 Truth presenting a Mirror to the Vanities of the World, c.1625 (oil on canvas) by Dutch School, (17th century); 104x84 cm; Ashmolean Museum, University of Oxford

Truth presenting a Mirror to the Vanities of the World, c. 1620-1630 (oil on canvas)
1217467 Truth presenting a Mirror to the Vanities of the World, c.1620-1630 (oil on canvas) by Northern European School (17th century); 104x84 cm; Ashmolean Museum, University of Oxford

Vanity Vanities 1839 Katsushika Hokusai eoeuY aiuae-A
Vanity of Vanities, 1839, Katsushika Hokusai ÞæøÚú¥ ÕîùµûÄ, Japanese, 1760-1849, Publisher: Hibino Yohachi, Japanese, unknown, Japan, Color woodblock print

Earl Carroll serves dinner to his dancing girls in a restaur
Earl Carroll producer of Earl Carrolls Vanities, serves dinner to his dancing girls in a restaurant, 1925 Date: 1925

Of folysshe beggers and of theyr vanytees, illustration from Alexander Barclay s
XJF486452 Of folysshe beggers and of theyr vanytees, illustration from Alexander Barclays English translation of The Ship of Fools, from an edition published in 1874 (engraving) by German School

Programme for Midnight Vanities at the Grosvenor
Programme cover for Midnight Vanities at the Grosvenor House, London, 1936 1936

All Professionally Made to Order for Quick Shipping

"Vanities: A Glimpse into the World of Glamour and Illusion" Step back in time to 1928, where the stage was adorned with Dancers of Variety, captivating audiences with their mesmerizing performances. Among them, Beryl Wallace stood out as a shining star, her talent recognized by The Dance Magazine. In another era, we find ourselves immersed in "A Vista of Extremities, " witnessing the renowned Albertina Rasch Girls gracefully moving across the canvas. This masterpiece titled "Truth presenting a Mirror to the Vanities of the World" transports us to c. 1630 when artists sought to capture society's obsession with appearances. Delving further into this theme, we encounter two additional artworks from c. 1625 and c. 1620-1630 that explore similar notions through oil on canvas masterpieces aptly named "Truth presenting a Mirror to the Vanities of the World. " These thought-provoking pieces invite introspection about our own preoccupations with vanity throughout history. As we traverse continents and cultures, Katsushika Hokusai's work catches our eye - "Vanity Vanities 1839. " Its intricate details beckon us closer as we contemplate how vanity transcends borders and stands as a universal human trait. Meanwhile, Earl Carroll invites us into his world where he serves dinner to his dancing girls at a restaurant. Their costumes designed by Charles Le Maire add an extra touch of allure and extravagance to this lavish scene. Turning our attention towards literature, Alexander Barclay's illustration from "Of folysshe beggers and of theyr vanytees" reminds us that even those who seemingly have nothing can still be ensnared by vanities' seductive grip. Finally, Midnight Vanities at Grosvenor takes center stage in this captivating programme. Imagining ourselves among its audience brings forth visions of opulent spectacles, where beauty and allure reign supreme.