Venetian School Collection (page 9)

The Grand Canal, Venice, looking East from the Palazzo Flangini to the Palazzo Venramin
991420 The Grand Canal, Venice, looking East from the Palazzo Flangini to the Palazzo Venramin Calergi, c.1742 (oil on canvas) by Bellotto

Portrait of a Cleric, bust-length wearing a black coat and cap, c. 1490 (oil on panel)
990146 Portrait of a Cleric, bust-length wearing a black coat and cap, c.1490 (oil on panel) by Venetian School, (15th century); 33.9x28.3 cm; Private Collection; (add.info.: Portrait of a Cleric)

The Grand Canal, Venice, with the Rialto Bridge from the South, (black chalk
827585 The Grand Canal, Venice, with the Rialto Bridge from the South, (black chalk, pen and brown ink) by Bellotto, Bernardo (1720-80); 21.7x38.4 cm; Private Collection; (add.info.: The Grand Canal)

The Square of Saint Mark s, Venice, 1742-44 (oil on canvas)
4073433 The Square of Saint Mark s, Venice, 1742-44 (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 114.6x153 cm; National Gallery of Art, Washington DC, USA; Italian

Unfaithfulness, c. 1575 (oil on canvas)
3700769 Unfaithfulness, c.1575 (oil on canvas) by Veronese, (Paolo Caliari) (1528-88); 189.9 A-- 189.9 cm; National Gallery, London

The Grand Canal above the Rialto, c. 1760 (oil on canvas)
3472218 The Grand Canal above the Rialto, c.1760 (oil on canvas) by Guardi, Francesco (1712-93); 53.3x85.7 cm; Metropolitan Museum of Art, New York, USA; Italian, out of copyright

Diana and her Dog, c. 1717-20 (oil on canvas)
5242281 Diana and her Dog, c.1717-20 (oil on canvas) by Ricci, Sebastiano (1658-1734); 74x55.6 cm; J. Paul Getty Museum, Los Angeles, USA; Italian, out of copyright

Piazza San Marco, c. 1780 (oil on canvas)
5320746 Piazza San Marco, c.1780 (oil on canvas) by Guardi, Francesco (1712-93); Private Collection; Italian, out of copyright

The rest on the flight into Egypt, early 16th century (pen & light-brown ink over black
5938177 The rest on the flight into Egypt, early 16th century (pen & light-brown ink over black chalk, on paper) by Palma, Jacopo (Il Vecchio) (c.1480-1528); 21.4x31.0 cm; Fitzwilliam Museum

The Grand Canal, Venice, above the Rialto bridge, before 1743 (oil on canvas)
5938099 The Grand Canal, Venice, above the Rialto bridge, before 1743 (oil on canvas) by Marieschi, Michele (1696-1743); 62x96.4 cm; Fitzwilliam Museum, University of Cambridge

A Poet
3119772 A Poet by Palma, Jacopo (Il Vecchio) (c.1480-1528); 83.8 x 63.5 cm cm; (add.info.: Portrait of a Poet, oil on canvas, by Palma il Vecchio (c. 1480 - July 1528)

Portrait of an Unknown Man (oil on canvas) (b / w photo)
ALI152196 Portrait of an Unknown Man (oil on canvas) (b/w photo) by Titian (Tiziano Vecellio) (c.1488-1576); Prado, Madrid, Spain; Alinari

The Last Supper
FTB60836 The Last Supper by Tintoretto, Jacopo Robusti (1518-94); San Marcuola, Venice, Italy; Italian, out of copyright

Concert in a Private House
FTB60689 Concert in a Private House by Italian School, (18th century); Casa Goldoni, Venice, Italy; Italian, out of copyright

An Anatomical Illustration of the Human Muscular System
985792 An Anatomical Illustration of the Human Muscular System, Against an Italian Landscape Background, 1543 (woodcut) by Titian (Tiziano Vecelli) (c.1488-1576) (circle of); 42.1x29 (folio)

Bacchus and Ceres, not after 1710 (oil on canvas)
5938164 Bacchus and Ceres, not after 1710 (oil on canvas) by Ricci, Sebastiano (1658-1734); 86.4x109.5 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Italian

St Jerome in the wilderness, 1562 (oil on canvas)
5938152 St Jerome in the wilderness, 1562 (oil on canvas) by Bassano, Jacopo (J. da Ponte) (1510-92) (workshop); 64.2x81.6 cm; Fitzwilliam Museum, University of Cambridge

Portrait of a Gentleman, 1512
BOO73042 Portrait of a Gentleman, 1512 by Capriolo, Domenico (1494-1528) (attr.to); 117x85 cm; State Hermitage Museum, St. Petersburg, Russia; Italian, out of copyright

Christ Among the Doctors, early 1540s (oil on canvas)
JFS81283 Christ Among the Doctors, early 1540s (oil on canvas) by Tintoretto, Jacopo Robusti (1518-94); 197x319 cm; Museo del Duomo, Milan, Italy; eJohn Ferro Sims; Italian, out of copyright

Portrait of Count Antonio Porcia, 1535-40 (oil on canvas)
BEN85559 Portrait of Count Antonio Porcia, 1535-40 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); Pinacoteca di Brera, Milan, Italy; Photo eRaffaello Bencini; Italian, out of copyright

Christ on the Cross with the Virgin, Saint John and Saint Dominic (oil on canvas)
ALI281522 Christ on the Cross with the Virgin, Saint John and Saint Dominic (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); San Domenico, Ancona, Italy; Alinari

The Baptism of Christ, c. 1512 (oil on canvas)
ALI326550 The Baptism of Christ, c.1512 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); 115x89 cm; Pinacoteca Capitolina, Palazzo Conservatori, Rome

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The Venetian School: A Glimpse into Renaissance Splendor Step into the enchanting world of the Venetian School, where artistry and beauty intertwine to create masterpieces that have captivated audiences for centuries. From the sensual allure of Titian's "Venus of Urbino" to the ethereal grace of Tiepolo's "The Immaculate Conception of the Virgin, " this artistic movement showcases a diverse range of talents and subjects. One cannot help but be mesmerized by Veronese's "Leda and the Swan, " a painting that exudes sensuality and intrigue. Paolo Veronese, with his impeccable attention to detail, transports us to a mythical realm where gods and mortals collide in an intoxicating dance. Living in a villa becomes an idyllic dream as we explore these artworks. The opulent lifestyle depicted within their walls is brought to life through vibrant colors, lavish interiors, and sumptuous landscapes, and is no wonder that Venice became synonymous with luxury during this period. Sultan Suleiman I the Magnificent gazes at us from Titian's brushstrokes, showcasing not only his mastery but also highlighting Venice's influence on global affairs during its golden age. This encounter between East and West serves as a testament to Venice's cosmopolitan nature. Religious devotion takes center stage in Lorenzo Lotto's "Altar of St. Lucia. " Through intricate details and emotive expressions, Lotto captures Saint Lucia before her judge, evoking both awe and reverence within our hearts. Anonymous artists leave their mark with enigmatic works such as "Woman with Unicorn. " Though shrouded in mystery, this painting invites us to contemplate its symbolism while marveling at its delicate execution. Titian returns once more with "The Tribute Money, " depicting Christ surrounded by disciples amidst breathtaking landscapes. His ability to capture light creates an almost divine atmosphere that elevates these scenes to a realm beyond reality.