Virgil Collection (page 4)

Ms 306. Virgil, Opera, f. 53v. Illuminated initial [A] in foliate design at the beginning of the Aeneid
5979500 Ms 306. Virgil, Opera, f.53v. Illuminated initial [A] in foliate design at the beginning of the Aeneid, inhabited with portrait of Virgil holding a book and quill

Virgil silencing Plutus engraving

The Stygian Lake
" The Stygian Lake, with the Ireful Sinners, Dante and Virgil enter the fifth circle of Hell and come to the Stygian marsh or Styx

Beatrice and Virgil
" Beatrice and Virgil a scene from Dantes inferno. Engraving from 1870. Engraving by Gustave Dore, Photo by D Walker."

Beatrice and Virgil engraving 1870
The Dore Gallery by Edmund Ollier - Cassel, Petter and Galpin (London-New York) 1870

Aeneas and the Sibyl of Caumae, 1874-c. 1919 (w / c on vellum)
1195394 Aeneas and the Sibyl of Caumae, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo © Christies Images

Poet's Pitcher, 1875/86. Creator: Union Porcelain Works
Poet's Pitcher, 1875/86. Parian ware jug with relief design featuring poets in profile: Dante, Shakespeare, Ossian, Milton, Virgil and Homer. Designed by Karl L. H. Muller

Dantes Bark, 1840 / 60. Creator: After Eugene Delacroix
Dantes Bark, 1840/60

Virgil Reading the "Aeneid"to Augustus, Octavia, and Livia, 1790 / 93
Virgil Reading the " Aeneid" to Augustus, Octavia, and Livia, 1790/93

Les Voluptueux, 1889. Creator: Prouve, Victor (1858-1943)
Les Voluptueux, 1889. Found in the Collection of the Musee des Beaux-Arts, Nancy

John Milton, Age 21, 1747. Creator: George Vertue
John Milton, Age 21, 1747

Venus and Aeneas, 1874-c. 1919 (w / c on vellum)
1195384 Venus and Aeneas, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

Laocoon and His Sons (marble)
3433290 LaocoAon and His Sons (marble) by Roman, (2nd century BC); Musei e Gallerie Pontificie, Musei Vaticani, Vatican City; (add.info.: LaocoAon, son of Acoetes, was a Trojan priest who)

Neptune stilling the waves (colour litho)
3634491 Neptune stilling the waves (colour litho) by English School, (19th century); Private Collection; (add.info.: Neptune stilling the waves)

Vulcan and the Cyclopes (colour litho)
3634480 Vulcan and the Cyclopes (colour litho) by English School, (19th century); Private Collection; (add.info.: Vulcan and the Cyclopes)

Camilla and the son of Aunus (colour litho)
3634474 Camilla and the son of Aunus (colour litho) by English School, (19th century); Private Collection; (add.info.: Camilla and the son of Aunus)

Goblet, c. 1475-1500 (glass, enameled and gilded)
3614037 Goblet, c.1475-1500 (glass, enameled and gilded) by Italian School; 17.5 high cm; Metropolitan Museum of Art, New York

The Divine Comedy, by Dante: The Giant Antaeus
3779869 The Divine Comedy, by Dante: The Giant Antaeus. by Dore, Gustave (1832-83); (add.info.: The Divine Comedy, by Dante: The Giant Antaeus stoops down and lifts up Dante and Virgil)

Illustration for John Drydens translation of Virgils Aeneid (engraving)
5221996 Illustration for John Drydens translation of Virgils Aeneid (engraving) by European School, (19th century); Private Collection; (add.info)

Illustration for John Drydens translation of Virgils Aeneid (engraving)
5221950 Illustration for John Drydens translation of Virgils Aeneid (engraving) by European School, (19th century); Private Collection; (add.info)

Illustration for John Drydens translation of Virgils Aeneid (engraving)
5221941 Illustration for John Drydens translation of Virgils Aeneid (engraving) by European School, (19th century); Private Collection; (add.info)

Cyclops from Thorntons Virgil, c 1810 (engraving)
5236598 Cyclops from Thorntons Virgil, c 1810 (engraving) by English School, (19th century); Private Collection; (add.info.: Cyclops from Thorntons Virgil, c 1810)

Virgil, Roman poet (litho)
5997109 Virgil, Roman poet (litho) by European School, (19th century); Private Collection; (add.info.: Virgil (70-19 BC), Roman poet

Interior of an Hostelry (engraving)
668474 Interior of an Hostelry (engraving) by French School, (19th century); Private Collection; (add.info.: Interior of an Hostelry.-Fac-simile of a Woodcut in a folio edition of Virgil)

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno
995604 The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the Divine Comedy by Dante Alighieri, 1838 (engraving) by Blake

The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV
995601 The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the Divine Comedy by Dante Alighieri, 1954 (engraving) by Blake

The Circle of the Traitors: Dantes Foot striking Bocca degli Abbate, Inferno
995618 The Circle of the Traitors: Dantes Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the Divine Comedy by Dante Alighieri, c.1827-38 (engraving) by Blake

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno
995608 The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the Divine Comedy by Dante Alighieri, 1827 (engraving) by Blake

The Circle of the Traitors: Dantes Foot striking Bocca degli Abbate, Inferno
995603 The Circle of the Traitors: Dantes Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the Divine Comedy by Dante Alighieri, 1954 (engraving) by Blake

Laocoon
LLM460860 Laocoon by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: Laocoon. Illustration for Stories from Virgil by Alfred J Church (Seeley, 1882).); © Look and Learn

Dido and the False Ascanius
LLM460854 Dido and the False Ascanius by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: Dido and the False Ascanius)

Turnus over the bodies of Alma and Galaesus
LLM462296 Turnus over the bodies of Alma and Galaesus by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: Turnus over the bodies of Alma and Galaesus)

Aeneas and the body of Lausus
LLM462289 Aeneas and the body of Lausus by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: Aeneas and the body of Lausus)

Poseidon (engraving)
812878 Poseidon (engraving) by Cleyn, Francis (1582-1658); Private Collection; (add.info.: Poseidon. Print made by Wencelaus Hollar)

Evander and Aeneas at Palentium (engraving)
812873 Evander and Aeneas at Palentium (engraving) by Cleyn, Francis (1582-1658); Private Collection; (add.info.: Evander and Aeneas at Palentium. Print made by Wencelaus Hollar)

Virgil and Horace (engraving)
664398 Virgil and Horace (engraving) by English School, (19th century); Private Collection; (add.info.: Virgil and Horace. Illustration from Museum of Antiquity (Western Publishing House, 1880)

The land of the Cyclops (chromolitho)
2782965 The land of the Cyclops (chromolitho) by European School, (19th century); Private Collection; (add.info.: The land of the Cyclops. Liebig card, published in late 19th or early 20th century)

Boxing match between Entellus and Dares (chromolitho)
2782962 Boxing match between Entellus and Dares (chromolitho) by European School, (19th century); Private Collection; (add.info.: Boxing match between Entellus and Dares)

Jack Virgil - standing by the table - with his orchestra
Jack Virgil (standing by the table) with his orchestra playing in the Club Casa del Mar, just outside Los Angeles, 1928 Date: 1928

Virgil the Sorcerer, c. 1460-63 (engraving)
1216802 Virgil the Sorcerer, c.1460-63 (engraving) by Baldini, Baccio (c.1436-87); 29.2x42.6 cm; Minneapolis Institute of Arts, MN, USA; (add.info.: Publius Vergilius Maro (October 15)

The Parnassus, copy after Raphael (pen and brown ink over black chalk on white paper)
1216736 The Parnassus, copy after Raphael (pen and brown ink over black chalk on white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after); 292x458 cm; Ashmolean Museum

Aeneas and Anchises (marble) (see also 277549 & 277550)
ALI277548 Aeneas and Anchises (marble) (see also 277549 & 277550) by Bernini, Gian Lorenzo (1598-1680); Galleria Borghese, Rome, Lazio, Italy; Alinari

Aeneas and Anchises followed by Ascagne, by Pierre Lepautre (1660-1744)
XIR346076 Aeneas and Anchises followed by Ascagne, by Pierre Lepautre (1660-1744), Jardin des Tuileries, 1921-22 (b/w photo) by Giraudon, studio (1912-53); 264x114x110 cm; Paris

Landscape with Ascanius Shooting the Stag of Sylvia, 17th century (oil on canvas)
AMO98744 Landscape with Ascanius Shooting the Stag of Sylvia, 17th century (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 120x150 cm; Ashmolean Museum, University of Oxford

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"Virgil: A Journey Through Time and Artistic Interpretations" Step into the world of Virgil, a name that resonates through centuries of literature, art, and exploration. From Dante's Divine Comedy to Roman mosaics, this captivating figure has left an indelible mark on our cultural tapestry. In the frontispiece of Dante's Divine Comedy, we witness Virgil guiding Dante through the realms of Hell, Purgatory, and Heaven. Their partnership symbolizes wisdom leading humanity towards enlightenment. But Virgil's influence extends beyond literature. Nadia-Juliette Boulanger, a French music teacher known for her prodigious talent, draws inspiration from his timeless spirit as she imparts knowledge to future generations. Even in space exploration, Virgil finds his place. Astronaut Virgil "Gus" Grissom stands in the chow line at NASA - a modern-day embodiment of bravery and discovery echoing the ancient poet's adventurous spirit. Artists like Claude Lorrain capture pivotal moments in history with their brushstrokes. The arrival of Aeneas in Italy signifies the dawn of the Roman Empire - a testament to Virgil's role as a chronicler and shaper of civilization. As we delve deeper into mythological realms depicted by Shirley Markham's artwork or explore Roman beekeeping practices intertwined with Virgil's legacy; we uncover layers upon layers of symbolism and meaning. Charon ferries souls across Styx while Dante and Virgil cross paths with Bacchus himself – Dionysus personified – reminding us that even gods are not immune to human struggles such as temptation represented by wine. Through it all, one thing remains constant: Virgil is our guide through darkness. Whether traversing icy terrains or descending into hellish depths alongside Dante; he represents resilience against adversity and unwavering determination towards truth. So let us celebrate this enigmatic figure who transcends time and boundaries.