Virgile Collection

187864

187799

187796

Antaeus setting down Virgil and Dante in the Last Circle of Hell, c. 1910 (colour litho)
CHT247161 Antaeus setting down Virgil and Dante in the Last Circle of Hell, c.1910 (colour litho) by Rose, Robert Trail (b.1863); Private Collection; (add.info)

The Feast of Virgil at Mantua, 24 Vendemiaire, Year 6 (October 1797
STC101308 The Feast of Virgil at Mantua, 24 Vendemiaire, Year 6 (October 1797) engraved by Georges Malbeste (1754-1843) (aquatint) by Vernet

Ms 311 f. 122 v. Scenes from the Aeneid, by Virgil, 1472-73 (vellum)
HLK151281 Ms 311 f.122 v. Scenes from the Aeneid, by Virgil, 1472-73 (vellum) by Netherlandish School, (15th century); By kind permission of the Earl of Leicester

Dante and Virgil (70-19 BC) meet the souls imprisoned in the rocks
XIR204517 Dante and Virgil (70-19 BC) meet the souls imprisoned in the rocks, from The Divine Comedy by Dante Alighieri (1265-1321) (vellum) by Italian School

Bust of Virgil (70-19 BC) (stone) (b / w photo)
ALI215433 Bust of Virgil (70-19 BC) (stone) (b/w photo) by Roman; Musei Capitolini, Rome, Italy; (add.info.: located at the Sala dei Filosofi; ); Alinari

No. 1183-5 The Burning of the Ships, illustration for Virgils Aeneid
FIT88895 No.1183-5 The Burning of the Ships, illustration for Virgils Aeneid, 1874 (pencil) by Burne-Jones, Edward Coley (1833-98); 14.2x14 cm; Fitzwilliam Museum, University of Cambridge

Mosaic pavement from the Roman villa at Low Ham, illustrating the story of Dido
BAL5960 Mosaic pavement from the Roman villa at Low Ham, illustrating the story of Dido and Aeneas from Virgils Aeneid, c.350 AD (mosaic) (detail of 5959) by Roman

Dante and Virgil (70-19 BC) recognise Ulysees, from The Divine Comedy
XIR204515 Dante and Virgil (70-19 BC) recognise Ulysees, from The Divine Comedy by Dante Alighieri (1265-1321) (vellum) by Italian School, (14th century); Biblioteca Nazionale Marciana, Venice

Dido and Aeneas embracing, from the mosaic pavement in the Roman villa at Low Ham, c
497298 Dido and Aeneas embracing, from the mosaic pavement in the Roman villa at Low Ham, c.350 AD (mosaic) (detail of 5959) by Roman, (4th century AD); Somerset County Museum, Taunton Castle

Quos Ego, Neptune Calming the Storm, with borders showing further scenes from Virgil
EHL92801 Quos Ego, Neptune Calming the Storm, with borders showing further scenes from Virgils Aeneid, engraved by Marcantonio Raimondi (1480-1534) c.1515-16 (engraving)

Virgil (70-19 BC) (mosaic)
XIR159040 Virgil (70-19 BC) (mosaic) by Roman, (3rd century AD); Museo della Civilta Romana, Rome, Italy; out of copyright

Ms 493 fol. 15v The shepherd Menalcas and his unrequited love
XIR187865 Ms 493 fol.15v The shepherd Menalcas and his unrequited love, from The Eclogues by Virgil with a commentary by Servius, 1469 (vellum) by French School

Salon de 1861, Sculpture, Virgile (engraving)
3645170 Salon de 1861, Sculpture, Virgile (engraving) by French School, (19th century); Private Collection; (add.info.: Salon de 1861, Sculpture, Virgile)

The Apotheosis of Virgil, Wedgwood, c. 1776 (jasperware)
HMP250953 The Apotheosis of Virgil, Wedgwood, c.1776 (jasperware) by Flaxman, John (1755-1826); Harris Museum and Art Gallery, Preston, Lancashire

Ms 493 f. 9 The Celebration of the Child who will Restore the Golden Age on Earth
XIR187797 Ms 493 f.9 The Celebration of the Child who will Restore the Golden Age on Earth, from The Eclogues by Virgil with a commentary by Servius, 1469 (vellum) by French School

Ms 498 f. 3v Tityrus meets Meliboeus, from The Eclogues
XIR187795 Ms 498 f.3v Tityrus meets Meliboeus, from The Eclogues by Virgil with a commentary by Servius, 1469 (vellum) by French School, (15th century); Bibliotheque Municipale, Dijon

Venus asking Vulcan for the Armour of Aeneas (oil on canvas)
PWI91459 Venus asking Vulcan for the Armour of Aeneas (oil on canvas) by Dyck, Anthony van (1599-1641); 220x145 cm; Louvre, Paris, France; ePeter Willi; Flemish, out of copyright

Mosaic pavement from the Roman villa at Low Ham, illustrating the story of Dido
BAL5959 Mosaic pavement from the Roman villa at Low Ham, illustrating the story of Dido and Aeneas from Virgils Aeneid, c.350 AD (mosaic) by Roman, (4th century AD); Somerset County Museum

MS. 307, fol. 20r Illustration to Eclogue 5, Paris, c. 1410 (vellum)
HLK239483 MS. 307, fol.20r Illustration to Eclogue 5, Paris, c.1410 (vellum) by Lucon Master (fl.1390-1417); By kind permission of the Earl of Leicester

Dido building Carthage
3892951 Dido building Carthage by Turner, Joseph Mallord William (1775-1851); National Gallery, London, UK; (add.info.: Dido building Carthage or The Rise of the Carthaginian Empire)

The Study of Federigo da Montefeltro, Duke of Urbino (oil on panel)
AII80420 The Study of Federigo da Montefeltro, Duke of Urbino (oil on panel) by Joos van Gent (Joos van Wassenhove) (fl.1460-75); Palazzo Ducale, Urbino, Italy; (add.info.: clockwise from TL: Homer)

Dante and Virgil (70-19 BC) going to hell, from The Divine Comedy
XIR204518 Dante and Virgil (70-19 BC) going to hell, from The Divine Comedy by Dante Alighieri (1265-1321) (vellum) by Italian School, (14th century); Biblioteca Nazionale Marciana, Venice

The Sicilian Games, a scene from the Aeneid, part of the frieze in the camerino of Duke
BI90394 The Sicilian Games, a scene from the Aeneid, part of the frieze in the camerino of Duke Alfonso d Este at Ferrara (oil on canvas) by Dossi

Scenes from the Aeneid in the Salle des Gardes (photo)
XIR187875 Scenes from the Aeneid in the Salle des Gardes (photo) by Jallier, Noel (fl.1549); Chateau d Oiron, Loire Valley, France; (add.info.: frescoes depicting the scenes of the Eneide; ); French

Ms 493 f. 10v The Shepherds Dametas and Menalcas Challenging each other to a Musical
XIR187798 Ms 493 f.10v The Shepherds Dametas and Menalcas Challenging each other to a Musical Contest, from The Eclogues by Virgil with a commentary by Servius, 1469 (vellum) by French School

The Judgement of Paris and the Trojan War, 1540 (oil on panel) (for detail see 95096)
XIR97191 The Judgement of Paris and the Trojan War, 1540 (oil on panel) (for detail see 95096) by Gerung or Gerou, Matthias (c.1500-68/70); 103x151 cm; Louvre, Paris, France; German, out of copyright

Horace, Virgil and Varius at the house of Maecenas
XIR84901 Horace, Virgil and Varius at the house of Maecenas by Jalabert, Charles Francois (1819-1901); 230x290 cm; Musee des Beaux-Arts, Nimes, France; French, out of copyright

Landscape with Aeneas at Delos, 1672 (oil on canvas)
BAL61310 Landscape with Aeneas at Delos, 1672 (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 99.7x134 cm; National Gallery, London, UK; French, out of copyright

Virgil (70-19 BC) 1861 (marble)
XIR183303 Virgil (70-19 BC) 1861 (marble) by Thomas, Gabriel Jules (1824-1905); height: 183 cm; Musee d Orsay, Paris, France; French, out of copyright

Dante and Virgil (70-19 BC) from The Divine Comedy by Dante Alighieri (1265-1321) c
XIR207020 Dante and Virgil (70-19 BC) from The Divine Comedy by Dante Alighieri (1265-1321) c.1480 (pen & ink on paper) by Botticelli

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"Virgile: A Journey through Myth and Poetry" Step into the captivating world of Virgil, the renowned ancient Roman poet whose works have left an indelible mark on literature and art. From enchanting mosaics to vivid illustrations, his timeless tales continue to inspire generations. In "Antaeus setting down Virgil and Dante in the Last Circle of Hell, " a mesmerizing lithograph from 1910, we witness the meeting of two literary giants as they descend into the depths of despair. The scene is hauntingly beautiful, capturing their treacherous journey through Inferno with masterful precision. Travel back in time to "The Feast of Virgil at Mantua" in October 1797, where we find ourselves immersed in a celebration honoring this legendary poet. The vibrant colors and lively atmosphere transport us to a bygone era, paying homage to Virgil's enduring legacy. Delve further into his magnum opus with "Scenes from the Aeneid, " an exquisite vellum manuscript dating back to 1472-73. Each page tells a tale filled with heroism and tragedy, showcasing Virgil's unparalleled storytelling prowess. As Dante and Virgil encounter souls imprisoned within rocks, depicted in striking detail by an unknown artist, we are reminded of their profound exploration of human suffering. This poignant encounter serves as a powerful reminder that even great minds like theirs cannot escape the consequences of their actions. Gaze upon the stoic bust of Virgil captured in black-and-white photography; it exudes wisdom earned through years spent crafting verses that have stood the test of time. This stone sculpture immortalizes his likeness for future generations to admire. "The Burning of Ships, " an illustration inspired by Virgil's Aeneid No. 1183-5 transports us amidst chaos and destruction as flames engulf vessels on tumultuous seas. It symbolizes sacrifice made for love and destiny—a testament to Virgil's ability to evoke raw emotions through his words.