Vulnerability Collection (page 2)

Spirit of Night, (oil on board)
822680 Spirit of Night, (oil on board) by Hale, Philip Leslie (1865-1931); 101.6x216.4 cm; Private Collection; (add.info.: Spirit of Night. Philip Leslie Hale (1865-1931). Oil on board

Illustration for The Babes in the Wood (colour litho)
6023244 Illustration for The Babes in the Wood (colour litho) by Adams, Frank (1871-1944); Private Collection; (add.info)

Refugees from Pompeii, AD 79, 1873 (oil on canvas)
659852 Refugees from Pompeii, AD 79, 1873 (oil on canvas) by Topham, Francis William (1808-77); 123x186.7. cm; Private Collection; (add.info.: Refugees from Pompeii, AD 79)

Illustration for The Babes in the Wood (colour litho)
6023242 Illustration for The Babes in the Wood (colour litho) by Adams, Frank (1871-1944); Private Collection; (add.info)

Illustration for The Babes in the Wood (colour litho)
6023251 Illustration for The Babes in the Wood (colour litho) by Adams, Frank (1871-1944); Private Collection; (add.info)

Deer, 1912 (gouache, w / c & pencil on paper)
1196265 Deer, 1912 (gouache, w/c & pencil on paper) by Marc, Franz (1880-1916); 45.7x39.2 cm; Private Collection; Photo eChristies Images; German, out of copyright

Seated Child, 1916 (pencil on paper)
1196045 Seated Child, 1916 (pencil on paper) by Schiele, Egon (1890-1918); 44.6x29 cm; Private Collection; Photo eChristies Images; Austrian, out of copyright

A Rakes Progress VIII: The Rake in Bedlam, 1733 (oil on canvas)
SJS2005 A Rakes Progress VIII: The Rake in Bedlam, 1733 (oil on canvas) by Hogarth, William (1697-1764); 62.2x75 cm; Courtesy of the Trustees of Sir John Soanes Museum

A Rakes Progress VII: The Rake in Prison, 1733 (oil on canvas)
SJS2004 A Rakes Progress VII: The Rake in Prison, 1733 (oil on canvas) by Hogarth, William (1697-1764); 62.2x75 cm; Courtesy of the Trustees of Sir John Soanes Museum

A Rakes Progress IV: The Rake Arrested, Going to Court, 1733 (oil on canvas)
SJS2002 A Rakes Progress IV: The Rake Arrested, Going to Court, 1733 (oil on canvas) by Hogarth, William (1697-1764); 62.2x75 cm; Courtesy of the Trustees of Sir John Soanes Museum

The Birth and Infancy of Achilles (oil on canvas)
CH463072 The Birth and Infancy of Achilles (oil on canvas) by Testa, Pietro (Il Lucchesino) (1611-50); 99.1x136.5 cm; Private Collection; (add.info)

The Normans set off from Hastings to attack Harold, Bayeux Tapestry
XIR183139 The Normans set off from Hastings to attack Harold, Bayeux Tapestry (wool embroidery on linen) by Unknown Artist, (11th century); Musee de la Tapisserie, Bayeux

A Rakes Progress VI: The Rake at a Gaming House, 1733 (oil on canvas)
SJS72328 A Rakes Progress VI: The Rake at a Gaming House, 1733 (oil on canvas) by Hogarth, William (1697-1764); 62.2x75 cm; Courtesy of the Trustees of Sir John Soanes Museum

A Rakes Progress II: The Rakes Levee, 1733 (oil on canvas)
SJS72327 A Rakes Progress II: The Rakes Levee, 1733 (oil on canvas) by Hogarth, William (1697-1764); 62.2x75 cm; Courtesy of the Trustees of Sir John Soanes Museum

Illustration for The Babes in the Wood (colour litho)
6023245 Illustration for The Babes in the Wood (colour litho) by Adams, Frank (1871-1944); Private Collection; (add.info)

Illustration for The Babes in the Wood (colour litho)
6023250 Illustration for The Babes in the Wood (colour litho) by Adams, Frank (1871-1944); Private Collection; (add.info)

Jeanne Kefer, 1885 (oil on canvas)
3077163 Jeanne Kefer, 1885 (oil on canvas) by Khnopff, Fernand (1858-1921); 80x80 cm; J. Paul Getty Museum, Los Angeles, USA; (add.info.: Five-year-old daughter of the artists friend)

A little girl playing with her doll; two guns and a knapsack are next to her
GBW451458 A little girl playing with her doll; two guns and a knapsack are next to her on the ground, Reims, Marne, France, 1917 (autochrome) by Cuville

Illustration for The Babes in the Wood (colour litho)
6023243 Illustration for The Babes in the Wood (colour litho) by Adams, Frank (1871-1944); Private Collection; (add.info)

A Rakes Progress V: The Rake marrying an Old Woman, 1733 (oil on canvas)
SJS44935 A Rakes Progress V: The Rake marrying an Old Woman, 1733 (oil on canvas) by Hogarth, William (1697-1764); 62.2x75 cm; Courtesy of the Trustees of Sir John Soanes Museum

Blushing
Sylwester Zacheja

Masks
Lucyna Łazarska ( Lucynda Lu )

Alone
Yoga Aris Pirdaus

A Mother's Love
Gunarto Song

hurt
Bettina Tautzenberger

Freedom
Magdalena Russocka

With no answer
Magdalena Russocka

The tread
TONY GORAN

Roe deer (Capreolus capreolus) fawn, Vosges, France, June

Lanzas salamander (Salamandra lanzai), endemic to Cottian Alps, Monviso massif, Italy

Green Turtle (Chelonia mydas) hatchling swims towards the deep part of the sea to escape from possible predators, Anse de Mais, West Grande Terre, Aldabra, Indian Ocean

European hedgehog (Erinaceus europaeus) hand reared orphan held in human hands, Jarfalla, Sweden. August. Model released

Lioness (Panthera leo) and Thomsons gazelles (Eudorcas thomsonii) silhouetted at sunset, Masai-Mara game reserve, Kenya

The Judgement of Death, early 15th century. Artist: Master of the Rohan Hours
The Judgement of Death, early 15th century. A dead man comes face to face with his God. St Michael the Archangel is expelling Lucifer from Heaven (top left). From the Rohan Hours

The Adoration of the Trinity (The Landauer Altarpiece), 1511. Artist: Albrecht Durer
The Adoration of the Trinity (The Landauer Altarpiece), 1511. This picture shows the Holy Trinity in glory, worshipped by all the saints

Christ on the cross, crucifix, 14th century
Christ on the Cross, crucifix, 14th century. From the National Museum of Machasdo de Castro, Coimbra, Portugal

Crucifixion, 16th century. Artist: Gaudenzio Ferrari
Crucifixion, 16th century. Fresco in the Basilica of St Mary of the Graces, Milan, Italy

Crucifixion, 1500. Artist: Dionisy
Crucifixion, 1500. From the Tretiakov Gallery, Moscow

Crucifixion, early 16th century. Artist: Gerard David
Crucifixion, early 16th century. From the Metropolitan Museum, New York

Mond Crucifixion, c1530. Artist: Raphael
Mond Crucifixion (Altarpiece: The Crucified Christ with the Virgin Mary, Saints and Angels ), c1530. The Virgin Mary and St John the Apostle stand on either side of the cross

Pieta of Saint-Germain-des-Pres, c1500. The scene is the deposition of the cross. The Virgin Mary supports the body of Christ on her lap. Behind her is St John the Apostle

Jesus on the Mount of Olives, 16th century. Artist: Pieter Coecke van Aelst
Jesus on the Mount of Olives, 16th century. From the Hermitage Museum, St Petersburg, Russia

Beginning of the Battle of the Little Big Horn, Montana, USA, 25 June 1876, (c1900). Artist: Amos Bad Heart Buffalo
Beginning of the Battle of the Little Big Horn, Montana, USA, 25 June 1876, (c1900). Also known as Custers last stand. The Plains Indians defeated the US 7th Cavalry under General Custer

The Death of the Woman of Darius, 1785. Artist: Louis Jean Francois Lagrenee
The Death of the Woman of Darius, 1785. The death of Statira, the wife of Darius III of Persia, in the captivity of Alexander the Great in 331 BC. From the Musee du Louvre, Paris, France

Sacrifice of Iphigenia, 1735. Artist: Giovanni Battista Tiepolo
Sacrifice of Iphigenia, 1735. Artemis, the Greek goddess of hunting, watches the preparations for the sacrifice of Iphigenia, daughter of Agamemnon, that she has demanded

The Martyrdom of St Agatha, c1756. Artist: Giovanni Battista Tiepolo
The Martyrdom of St Agatha, c1756. From the Staatliche Museen, Berlin, Germany

Jacob Fights the Angel, 1660. Artist: Rembrandt Harmensz van Rijn
Jacob Fights the Angel, 1660. From the Gemaldegalerie, Staatliche Museen, Berlin

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"Exploring the Fragility of the Human Spirit: A Glimpse into Vulnerability" In a world filled with masterpieces capturing various facets of life, art has long been a mirror reflecting our vulnerabilities. From Rembrandt's poignant "The Return of the Prodigal Son" to Leon-Maxime Faivre's touching "Deux meres (Two Mothers), " these timeless creations remind us that vulnerability is an intrinsic part of being human. As we delve deeper into this captivating journey, Utagawa Kuniyoshi's "Nichiren Calming the Storm" reveals vulnerability in its rawest form. The tempestuous waves symbolize life's challenges, while Nichiren embodies resilience amidst adversity. This artwork serves as a reminder that they are be transformed into strength. Peter Paul Rubens' masterpiece, "Le Coup de Lance, " portrays vulnerability through sacrifice and suffering. The wounded figure represents humanity at its most fragile state, reminding us of our shared susceptibility to pain and hardship. Venturing beyond traditional art forms, we encounter real-life instances where vulnerability takes center stage. A Vietnamese man entering a tunnel epitomizes courage in times of uncertainty—a powerful testament to how embracing they are lead to growth and transformation. Nature too offers glimpses into vulnerable moments—whether it be a lioness tenderly caring for her cub in Kenya or witnessing the gracefulness of a great white shark swimming beneath ocean depths off Guadalupe Island. These creatures exemplify both strength and fragility coexisting harmoniously within their existence. Yet, vulnerability extends far beyond wildlife; it also encompasses human emotions and relationships. With each beat captured by falling hearts in "Falling for You, " female vulnerability becomes palpable—an ode to love's delicate dance between trust and surrender. Even endangered species like young White rhinoceros blindfolded inside reinforced steel bomas highlight society's responsibility towards protecting those who cannot protect themselves.