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W Hogarth Collection (page 5)

William Hogarth, a renowned artist of the 18th century, left an indelible mark on the art world with his captivating and thought-provoking works

Background imageW Hogarth Collection: Sidrophel Examining the Kite Through His Telescope (Seventeen Small Illustrations for S

Sidrophel Examining the Kite Through His Telescope (Seventeen Small Illustrations for Samuel Butlers Hudibras, no. 10), 1721-26

Background imageW Hogarth Collection: Hudibras Wooing the Widow (Seventeen Small Illustrations for Samuel Butlers Hudibras

Hudibras Wooing the Widow (Seventeen Small Illustrations for Samuel Butlers Hudibras, no. 13), 1721-26

Background imageW Hogarth Collection: Hudibras Catechized (Seventeen Small Illustrations for Samuel Butlers Hudibras, no

Hudibras Catechized (Seventeen Small Illustrations for Samuel Butlers Hudibras, no. 14), 1721-26

Background imageW Hogarth Collection: Breaking the Legs (John Beaver, Roman Military Punishments, 1725), after 1725

Breaking the Legs (John Beaver, Roman Military Punishments, 1725), after 1725

Background imageW Hogarth Collection: Hanging by the Thumbs (Modern Military Punishments), after 1725. Creator: William Hogarth

Hanging by the Thumbs (Modern Military Punishments), after 1725. Creator: William Hogarth
Hanging by the Thumbs (Modern Military Punishments), after 1725

Background imageW Hogarth Collection: Cutting Off the Nose (Modern Military Punishments), after 1725. Creator: William Hogarth

Cutting Off the Nose (Modern Military Punishments), after 1725. Creator: William Hogarth
Cutting Off the Nose (Modern Military Punishments), after 1725

Background imageW Hogarth Collection: Issued Barley Instead of Wheat [first version] (John Beaver, Roman Military Punishme

Issued Barley Instead of Wheat [first version] (John Beaver, Roman Military Punishments, 1725), after 1725

Background imageW Hogarth Collection: Shameful Discharge (John Beaver, Roman Military Punishments, 1725), after 1725

Shameful Discharge (John Beaver, Roman Military Punishments, 1725), after 1725

Background imageW Hogarth Collection: Taking Away the Military Belt or Girdle (John Beaver, Roman Military Punishments, 17

Taking Away the Military Belt or Girdle (John Beaver, Roman Military Punishments, 1725), after 1725

Background imageW Hogarth Collection: Fustigatio (John Beaver, Roman Military Punishments, 1725), after 1725

Fustigatio (John Beaver, Roman Military Punishments, 1725), after 1725

Background imageW Hogarth Collection: Cassandra, Frontispiece, Vol. 5, 1725. Creator: William Hogarth

Cassandra, Frontispiece, Vol. 5, 1725. Creator: William Hogarth
Cassandra, Frontispiece, Vol. 5, 1725

Background imageW Hogarth Collection: Cassandra, Frontispiece, Vol. 4, 1725. Creator: William Hogarth

Cassandra, Frontispiece, Vol. 4, 1725. Creator: William Hogarth
Cassandra, Frontispiece, Vol. 4, 1725

Background imageW Hogarth Collection: Cassandra, Frontispiece, Vol. 2:, 1725. Creator: William Hogarth

Cassandra, Frontispiece, Vol. 2:, 1725. Creator: William Hogarth
Cassandra, Frontispiece, Vol. 2:, 1725

Background imageW Hogarth Collection: Cassandra, Frontispiece, Vol. 1, 1725. Creator: William Hogarth

Cassandra, Frontispiece, Vol. 1, 1725. Creator: William Hogarth
Cassandra, Frontispiece, Vol. 1, 1725

Background imageW Hogarth Collection: The New Metamorphosis, Plate 4: Invidiosa Releases Fantasio, 1724

The New Metamorphosis, Plate 4: Invidiosa Releases Fantasio, 1724

Background imageW Hogarth Collection: The New Metamorphosis: Frontispiece, Vol. 1, 1724. Creator: William Hogarth

The New Metamorphosis: Frontispiece, Vol. 1, 1724. Creator: William Hogarth
The New Metamorphosis: Frontispiece, Vol.1, 1724

Background imageW Hogarth Collection: The New Metamorphosis, Plate 6: The Story of Cupid and Psyche, 1724

The New Metamorphosis, Plate 6: The Story of Cupid and Psyche, 1724

Background imageW Hogarth Collection: The New Metamorphosis, Plate 7: The Cardinal, a Hermit and Donna Angela Holding Fantasio

The New Metamorphosis, Plate 7: The Cardinal, a Hermit and Donna Angela Holding Fantasio, 1724

Background imageW Hogarth Collection: The New Metamorphosis, Plate 5: Fantasio, Transformed into a Lapdog

The New Metamorphosis, Plate 5: Fantasio, Transformed into a Lapdog, in the with Donna Theresa, 1724

Background imageW Hogarth Collection: Masquerades and Operas, 1724. Creator: William Hogarth

Masquerades and Operas, 1724. Creator: William Hogarth
Masquerades and Operas, 1724

Background imageW Hogarth Collection: Fodina argentea Sahlensis - A Silver Mine at Sala - II (Aubry de La Mottrayes '

Fodina argentea Sahlensis - A Silver Mine at Sala - II (Aubry de La Mottrayes " Travels throughout Europe, Asia and into Part of Africa... " London, 1724, vol. II, pl. 33, no. 2), 1723-24

Background imageW Hogarth Collection: Map of Stockholm (Aubry de La Mottrayes 'Travels throughout Europe

Map of Stockholm (Aubry de La Mottrayes "Travels throughout Europe
Map of Stockholm (Aubry de La Mottrayes " Travels throughout Europe, Asia and into Part of Africa... " London, 1724, vol. II, pl. 32), 1723-24

Background imageW Hogarth Collection: Fodina argentea Sahlensis - A Silver Mine at Sala - I (from Aubry de La Mottrayes '

Fodina argentea Sahlensis - A Silver Mine at Sala - I (from Aubry de La Mottrayes " Travels throughout Europe, Asia and into Part of Africa... " London, 1724, vol. II, pl. 33, no)

Background imageW Hogarth Collection: Parke of the Artillary (Aubry de La Mottrayes 'Travels throughout Europe

Parke of the Artillary (Aubry de La Mottrayes "Travels throughout Europe
Parke of the Artillary (Aubry de La Mottrayes " Travels throughout Europe, Asia and into Part of Africa... " London, 1724, vol. II, pl. 26B), 1723-24

Background imageW Hogarth Collection: A Turkish Bath (Aubry de La Mottrayes 'Travels throughout Europe

A Turkish Bath (Aubry de La Mottrayes "Travels throughout Europe
A Turkish Bath (Aubry de La Mottrayes " Travels throughout Europe, Asia and into Part of Africa... " London, 1724, vol. I, pl. 10), 1723-24

Background imageW Hogarth Collection: The Lottery, after 1724. Creator: William Hogarth

The Lottery, after 1724. Creator: William Hogarth
The Lottery, after 1724

Background imageW Hogarth Collection: The South Sea Scheme, 1722. Creator: William Hogarth

The South Sea Scheme, 1722. Creator: William Hogarth
The South Sea Scheme, 1722

Background imageW Hogarth Collection: The Mystery of Masonry Brought to Light by the Go... [first published December 1724]

The Mystery of Masonry Brought to Light by the Go... [first published December 1724]
The Mystery of Masonry Brought to Light by the Gormagons, [first published December 1724] later reissue

Background imageW Hogarth Collection: Fodina ferrea Danmorensis - A Danish Iron Mine (Aubry de La Mottrayes '

Fodina ferrea Danmorensis - A Danish Iron Mine (Aubry de La Mottrayes " Travels throughout Europe, Asia and into Part of Africa... " London, 1724, vol. II, pl. 35), 1723-24

Background imageW Hogarth Collection: The Lottery, [after 1724]. Creator: Unknown

The Lottery, [after 1724]. Creator: Unknown
The Lottery, [after 1724]

Background imageW Hogarth Collection: A Lapland Hut (Aubry de La Mottrayes 'Travels throughout Europe

A Lapland Hut (Aubry de La Mottrayes "Travels throughout Europe
A Lapland Hut (Aubry de La Mottrayes " Travels throughout Europe, Asia and into Part of Africa... " London, 1724, vol. II, pl. 38), 1723-24

Background imageW Hogarth Collection: A Greek Patriarchal Crown - Tiara Patriarchalis Graeca (Aubry de La Mottrayes '

A Greek Patriarchal Crown - Tiara Patriarchalis Graeca (Aubry de La Mottrayes " Travels throughout Europe, Asia and into Part of Africa... " London, 1724, vol. I, plate 9), 1723-24

Background imageW Hogarth Collection: Procession through the Hippodrome, Constantinople (Aubry de La Mottrayes '

Procession through the Hippodrome, Constantinople (Aubry de La Mottrayes " Travels throughout Europe, Asia and into Part of Africa... " London, 1724, vol. I, plate 15), 1723-24

Background imageW Hogarth Collection: Charles XII at Bender (Aubry de La Mottrayes 'Travels throughout Europe

Charles XII at Bender (Aubry de La Mottrayes "Travels throughout Europe
Charles XII at Bender (Aubry de La Mottrayes " Travels throughout Europe, Asia and into Part of Africa... " London, 1724, vol. II, pl. 30), 1723-24

Background imageW Hogarth Collection: The Seraglio (Aubry de La Mottrayes 'Travels throughout Europe

The Seraglio (Aubry de La Mottrayes "Travels throughout Europe
The Seraglio (Aubry de La Mottrayes " Travels throughout Europe, Asia and into Part of Africa... " London, 1724, vol. I, pl. 18), 1723-24

Background imageW Hogarth Collection: A Native Dance (Aubry de La Mottrayes 'Travels throughout Europe

A Native Dance (Aubry de La Mottrayes "Travels throughout Europe
A Native Dance (Aubry de La Mottrayes " Travels throughout Europe, Asia and into Part of Africa... " London, 1724, vol. I, pl. 11), 1723-24

Background imageW Hogarth Collection: A Chorus of Singers, or The Oratorio, December 1732. Creator: William Hogarth

A Chorus of Singers, or The Oratorio, December 1732. Creator: William Hogarth
A Chorus of Singers, or The Oratorio, December 1732

Background imageW Hogarth Collection: The Laughing Audience, December 1733. Creator: William Hogarth

The Laughing Audience, December 1733. Creator: William Hogarth
The Laughing Audience, December 1733

Background imageW Hogarth Collection: Scholars at a Lecture, March 3, 1736. Creator: William Hogarth

Scholars at a Lecture, March 3, 1736. Creator: William Hogarth
Scholars at a Lecture, March 3, 1736

Background imageW Hogarth Collection: The Bench, September 1758. Creator: William Hogarth

The Bench, September 1758. Creator: William Hogarth
The Bench, September 1758

Background imageW Hogarth Collection: The Beggars Opera, Act III, July 1, 1790. Creator: William Blake

The Beggars Opera, Act III, July 1, 1790. Creator: William Blake
The Beggars Opera, Act III, July 1, 1790

Background imageW Hogarth Collection: The Beggars Opera, Act III, 1790. Creator: William Blake

The Beggars Opera, Act III, 1790. Creator: William Blake
The Beggars Opera, Act III, 1790

Background imageW Hogarth Collection: Portrait of William Huggins, translator of Ariosto, 1760. Creator: Thomas Major

Portrait of William Huggins, translator of Ariosto, 1760. Creator: Thomas Major
Portrait of William Huggins, translator of Ariosto, 1760

Background imageW Hogarth Collection: Royal Masquerade Somerset House, October 21, 1805. Creator: Thomas Cook

Royal Masquerade Somerset House, October 21, 1805. Creator: Thomas Cook
Royal Masquerade Somerset House, October 21, 1805

Background imageW Hogarth Collection: Marriage A-la-Mode, Plate V, April 1745. Creator: Simon Francois Ravenet

Marriage A-la-Mode, Plate V, April 1745. Creator: Simon Francois Ravenet
Marriage A-la-Mode, Plate V, April 1745. After William Hogarth

Background imageW Hogarth Collection: Marriage A-la-Mode, Plate IV, April 1, 1745. Creator: Simon Francois Ravenet

Marriage A-la-Mode, Plate IV, April 1, 1745. Creator: Simon Francois Ravenet
Marriage A-la-Mode, Plate IV, April 1, 1745. After William Hogarth

Background imageW Hogarth Collection: Taste in High Life, May 1, 1798. Creator: Samuel Phillips

Taste in High Life, May 1, 1798. Creator: Samuel Phillips
Taste in High Life, May 1, 1798. After William Hogarth

Background imageW Hogarth Collection: Satan, Sin and Death (Paradise Lost, Book II), May 1, 1788. Creator: Samuel Ireland

Satan, Sin and Death (Paradise Lost, Book II), May 1, 1788. Creator: Samuel Ireland
Satan, Sin and Death (Paradise Lost, Book II), May 1, 1788. After Charles Townley. After William Hogarth



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William Hogarth, a renowned artist of the 18th century, left an indelible mark on the art world with his captivating and thought-provoking works. One of his most iconic pieces is "Gin Lane, " created in 1751. This powerful image depicts the devastating consequences of excessive gin consumption during that time. In another masterpiece titled "Revelling with Harlots, " plate III of A Rakes Progress from 1735, Hogarth explores the downfall of a young man who indulges in a life filled with debauchery and immoral behavior. The series continues in Plate I, June 25, 1735, where we witness the protagonist's journey into ruin. Hogarth's social commentary extends to other aspects of society as well. In "The Bruiser" from August 1, 1763, he portrays a violent sport known as bare-knuckle boxing prevalent during that era. "The Stage Coach or Country Inn Yard" from 1747 captures the bustling atmosphere at an inn yard during coach travel days. It offers us a glimpse into daily life and transportation methods back then. Hogarth's keen eye for detail is evident in his work "View of David Loudons Bun House. " This painting showcases Pimlico Road in Chelsea, London—a snapshot frozen in time that allows us to envision what this area looked like centuries ago. "The Lord Mayors Procession" (1897) may not be directly attributed to Hogarth but serves as evidence that his influence transcended generations. Unknown artists were inspired by his style when creating this piece depicting an important event in London's history. In March 1738, Hogarth presented "Night, " one part of his series called The Four Times of Day. Through this artwork, he skillfully portrays various scenes set at different times—nighttime being particularly atmospheric and mysterious.