Wang Gai Collection

Reminiscence of Jinling, 1686. Creator: Wang Gai
Reminiscence of Jinling, 1686. Qing dynasty (1644-1911)

Album of Landscapes: Leaf 7, 1677. Creator: Wang Gai (Chinese, active c. 1677-1705)
Album of Landscapes: Leaf 7, 1677

Album of Landscapes: Leaf 8, 1677. Creator: Wang Gai (Chinese, active c. 1677-1705)
Album of Landscapes: Leaf 8, 1677

Album of Landscapes: Leaf 5, 1677. Creator: Wang Gai (Chinese, active c. 1677-1705)
Album of Landscapes: Leaf 5, 1677

Album of Landscapes: Leaf 6, 1677. Creator: Wang Gai (Chinese, active c. 1677-1705)
Album of Landscapes: Leaf 6, 1677

Album of Landscapes: Leaf 3, 1677. Creator: Wang Gai (Chinese, active c. 1677-1705)
Album of Landscapes: Leaf 3, 1677

Album of Landscapes: Leaf 4, 1677. Creator: Wang Gai (Chinese, active c. 1677-1705)
Album of Landscapes: Leaf 4, 1677

Album of Landscapes, 1677. Creator: Wang Gai (Chinese, active c. 1677-1705)
Album of Landscapes, 1677

Album of Landscapes: Leaf 1, 1677. Creator: Wang Gai (Chinese, active c. 1677-1705)
Album of Landscapes: Leaf 1, 1677

Album of Landscapes: Leaf 2, 1677. Creator: Wang Gai (Chinese, active c. 1677-1705)
Album of Landscapes: Leaf 2, 1677

Album Landscapes 1677 Wang Gai Chinese active
Album of Landscapes, 1677. Wang Gai (Chinese, active c. 1677-1705). Album of eight leaves, ink or ink and light color on paper; each leaf: 20 x 22.3 cm (7 7/8 x 8 3/4 in.)

Album Landscapes Leaf 7 1677 Wang Gai Chinese
Album of Landscapes: Leaf 7, 1677. Wang Gai (Chinese, active c. 1677-1705). Album leaf, ink and light color on paper; each leaf: 20 x 22.3 cm (7 7/8 x 8 3/4 in.)

Album Landscapes Leaf 1 1677 Wang Gai Chinese
Album of Landscapes: Leaf 1, 1677. Wang Gai (Chinese, active c. 1677-1705). Album leaf, ink and light color on paper; each leaf: 20 x 22.3 cm (7 7/8 x 8 3/4 in.)

Album Landscapes Leaf 8 1677 Wang Gai Chinese
Album of Landscapes: Leaf 8, 1677. Wang Gai (Chinese, active c. 1677-1705). Album leaf, ink and light color on paper; each leaf: 20 x 22.3 cm (7 7/8 x 8 3/4 in.)

Album Landscapes Leaf 6 1677 Wang Gai Chinese
Album of Landscapes: Leaf 6, 1677. Wang Gai (Chinese, active c. 1677-1705). Album leaf, ink and light color on paper; each leaf: 20 x 22.3 cm (7 7/8 x 8 3/4 in.)

Album Landscapes Leaf 5 1677 Wang Gai Chinese
Album of Landscapes: Leaf 5, 1677. Wang Gai (Chinese, active c. 1677-1705). Album leaf, ink and light color on paper; each leaf: 20 x 22.3 cm (7 7/8 x 8 3/4 in.)

Album Landscapes Leaf 3 1677 Wang Gai Chinese
Album of Landscapes: Leaf 3, 1677. Wang Gai (Chinese, active c. 1677-1705). Album leaf, ink and light color on paper; each leaf: 20 x 22.3 cm (7 7/8 x 8 3/4 in.)

Album Landscapes Leaf 4 1677 Wang Gai Chinese
Album of Landscapes: Leaf 4, 1677. Wang Gai (Chinese, active c. 1677-1705). Album leaf, ink and light color on paper; each leaf: 20 x 22.3 cm (7 7/8 x 8 3/4 in.)

Album Landscapes Leaf 2 1677 Wang Gai Chinese
Album of Landscapes: Leaf 2, 1677. Wang Gai (Chinese, active c. 1677-1705). Album leaf, ink and light color on paper; each leaf: 20 x 22.3 cm (7 7/8 x 8 3/4 in.)

Landscape after Xia Gui (active ca. 1195-1230), from the Mustard Seed Garden Manual of Painting, First edition, 1679

Leaf from the Mustard Seed Garden Manual of Painting (Jieziyuan huazhuan), probably 1878 edition

Old Tree, Bamboo, and Rock by Su Shi (1037-1101), as interpreted by Xu Wei (1521-1593), from the Mustard Seed Garden Manual of Painting, First edition, 1679

Landscape after Wang Wei (699-759), from the Mustard Seed Garden Manual of Painting, First edition, 1679

Landscape by Ke Jiusi (1290-1343), from the Mustard Seed Garden Manual of Painting, First edition, 1679

Landscape after Wen Tong (1018-1079), from the Mustard Seed Garden Manual of Painting, First edition, 1679

Huang Gongwangs (1269-1354) Emerald Streams and Verdant Cliffs, as interpreted by Sheng Dan (active 17th century), from the Mustard Seed Garden Manual of Painting, First edition, 1679

Cloudy Mountains by Gao Kegong (1248-1310) in the manner of Mi Fu (1051-1107), from the Mustard Seed Garden Manual of Painting, First edition, 1679

Landscape after Fan Kuan (active ca. 990-1030), from the Mustard Seed Garden Manual of Painting, First edition, 1679

Landscape after Gao Kegong (1248-1310), studying the method of Mi Fu (1051-1107), from the Mustard Seed Garden Manual of Painting, First edition, 1679

Old Trees by Li Cheng (919-967), as interpreted by Kuncan (1612-1673), from the Mustard Seed Garden Manual of Painting, First edition, 1679

Snowy Peaks Touching the Heavens, in the manner of Snow-covered Inn by Jing Hao (active ca. 870-ca. 930), from the Mustard Seed Garden Manual of Painting, First edition, 1679

Landscape after Ma Yuan (active ca. 1190-1225), from the Mustard Seed Garden Manual of Painting, First edition, 1679

Landscape after Wu Zhen (1280-1354), from the Mustard Seed Garden Manual of Painting, First edition, 1679

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"Wang Gai: A Master of Landscapes in the 17th Century" Step back in time to Jinling, 1686, where the talented artist Wang Gai left his mark on the art world. Known for his exquisite landscapes, Wang Gai's creations transport us to a realm of serenity and beauty. In leaf 7 of his renowned "Album of Landscapes, " we witness nature at its finest. The delicate strokes capture the essence of mountains and rivers, inviting us to immerse ourselves in their tranquil embrace. Leaf 8 continues this journey with its ethereal depiction of rolling hills and cascading waterfalls. Leaf 5 transports us further into Wang Gai's artistic vision as he masterfully portrays serene lakes reflecting towering peaks. In leaf 6, we are treated to a mesmerizing scene where misty clouds dance above majestic cliffs, evoking a sense of awe-inspiring grandeur. Wang Gai's talent shines through in every stroke showcased in leafs 3 and These landscapes reveal an intricate balance between bold brushwork and subtle details that bring life to each element within the composition. His masterpiece "Album of Landscapes" is a testament to his skillful craftsmanship. Leaf by leaf, it unveils breathtaking vistas that captivate our imagination and transport us into another world entirely. From tranquil gardens adorned with vibrant flowers (as seen in leafs 1 and 2) to sweeping panoramas inspired by Xia Gui's legacy – Wang Gai leaves no stone unturned when it comes to capturing nature's splendor. As we explore these artworks from the Mustard Seed Garden Manual of Painting (Jieziyuan huazhuan), we can't help but feel a deep connection with ancient Chinese culture. Through Wang Gai's brushstrokes, we glimpse into a time long gone yet forever preserved within these timeless landscapes.