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Weave Collection (page 2)

"Weave: A Tapestry of Artistry and Tradition" From the vibrant Southwest to the enchanting landscapes of Africa

Background imageWeave Collection: Detail of a ceremonial costume from south Sumatra (gold & metallic thread)

Detail of a ceremonial costume from south Sumatra (gold & metallic thread)
LIT389571 Detail of a ceremonial costume from south Sumatra (gold & metallic thread) by Indonesian School; (add.info.: from the Regent Collection; ); Photo © Luca Tettoni; Indonesian

Background imageWeave Collection: Ceremonial Ikat with Wayang figures, Klungrung, Bali

Ceremonial Ikat with Wayang figures, Klungrung, Bali
LIT389572 Ceremonial Ikat with Wayang figures, Klungrung, Bali by Indonesian School; (add.info.: Ikat or Ikkat is the method of weaving that uses a resist dyeing process similar to tie-dye on either)

Background imageWeave Collection: The Stockinger, 1911 (oil on board)

The Stockinger, 1911 (oil on board)
3744040 The Stockinger, 1911 (oil on board) by Farmer, Walter (1887-1947); 38.1x27.9 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Background imageWeave Collection: Hinggi, from Sumba, Indonesia (textile)

Hinggi, from Sumba, Indonesia (textile)
LIT389578 Hinggi, from Sumba, Indonesia (textile) by Indonesian School; (add.info.: Ikat, or Ikkat, is a dyeing technique used to pattern textiles that employs a resist dyeing process similar to)

Background imageWeave Collection: Contemporary Khmer textiles (textile)

Contemporary Khmer textiles (textile)
LIT389558 Contemporary Khmer textiles (textile) by Cambodian School; Photo © Luca Tettoni; Cambodian, out of copyright

Background imageWeave Collection: Ikat with Wayang figures, Klungkrung, Bali (textile)

Ikat with Wayang figures, Klungkrung, Bali (textile)
LIT389579 Ikat with Wayang figures, Klungkrung, Bali (textile) by Indonesian School; (add.info.: Ikat or Ikkat is the method of weaving that uses a resist dyeing process similar to tie-dye on either)

Background imageWeave Collection: Jar with Basketweave Pattern, Three Kingdoms period (A. D. 220-265), 2nd century A. D

Jar with Basketweave Pattern, Three Kingdoms period (A. D. 220-265), 2nd century A. D
Jar with Basketweave Pattern, Three Kingdoms period (A.D. 220-265), 2nd century A.D

Background imageWeave Collection: Clawed Arm Defense, Italy, mid-19th century in the early 17th centlury style

Clawed Arm Defense, Italy, mid-19th century in the early 17th centlury style

Background imageWeave Collection: Coverlet, 1935 / 1942. Creator: Howard H. Sherman

Coverlet, 1935 / 1942. Creator: Howard H. Sherman
Coverlet, 1935/1942

Background imageWeave Collection: Handwoven Coverlet, 1936. Creator: Howard H. Sherman

Handwoven Coverlet, 1936. Creator: Howard H. Sherman
Handwoven Coverlet, 1936

Background imageWeave Collection: Woven Coverlet, c. 1936. Creator: Dorothy Posten

Woven Coverlet, c. 1936. Creator: Dorothy Posten
Woven Coverlet, c. 1936

Background imageWeave Collection: Miniature Basket, c. 1936. Creator: Grace Halpin

Miniature Basket, c. 1936. Creator: Grace Halpin
Miniature Basket, c. 1936

Background imageWeave Collection: Handwoven Carpet, c. 1936. Creator: Jules Lefevere

Handwoven Carpet, c. 1936. Creator: Jules Lefevere
Handwoven Carpet, c. 1936

Background imageWeave Collection: Handwoven Coverlet, c. 1938. Creator: Magnus S. Fossum

Handwoven Coverlet, c. 1938. Creator: Magnus S. Fossum
Handwoven Coverlet, c. 1938

Background imageWeave Collection: Handwoven Coverlet, c. 1937. Creator: Maud M Holme

Handwoven Coverlet, c. 1937. Creator: Maud M Holme
Handwoven Coverlet, c. 1937

Background imageWeave Collection: Woven Coverlet (Detail), c. 1937. Creator: Magnus S. Fossum

Woven Coverlet (Detail), c. 1937. Creator: Magnus S. Fossum
Woven Coverlet (Detail), c. 1937

Background imageWeave Collection: Woven Coverlet, c. 1937. Creator: Magnus S. Fossum

Woven Coverlet, c. 1937. Creator: Magnus S. Fossum
Woven Coverlet, c. 1937

Background imageWeave Collection: Handwoven Table Cover, c. 1940. Creator: Maud M Holme

Handwoven Table Cover, c. 1940. Creator: Maud M Holme
Handwoven Table Cover, c. 1940

Background imageWeave Collection: Still Life, a detail from the Lamentation, c. 1164 (fresco) (see 147466)

Still Life, a detail from the Lamentation, c. 1164 (fresco) (see 147466)
JB147467 Still Life, a detail from the Lamentation, c.1164 (fresco) (see 147466) by Byzantine School, (12th century); Monastery church of St Panteleimon, Nerezi

Background imageWeave Collection: Household utensils and weapons from the Mariannas Islands

Household utensils and weapons from the Mariannas Islands
STC209634 Household utensils and weapons from the Mariannas Islands, from Voyage autour du Monde (1817-20), by Louis Claude Desaulses de Freycinet (1779-1842)

Background imageWeave Collection: Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c

Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c. 1498 (fresco)
ALI246096 Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c.1498 (fresco) by Vinci, Leonardo da (1452-1519); Castello Sforzesco, Milan

Background imageWeave Collection: View of the village of Nikali, Thessaly, Greece, 1821

View of the village of Nikali, Thessaly, Greece, 1821
View of the village of Nikali, near Larissa, the capital of Thessaly, Greece. Villagers draw water from a well, a man plays a lute, women spin and weave. Copied from Edward Dodwells Views of Greece

Background imageWeave Collection: The Weaving Women, 1866 (woodcut)

The Weaving Women, 1866 (woodcut)
3726013 The Weaving Women, 1866 (woodcut) by Burne-Jones, Edward Coley (1833-98) (after); 10.4x15.8 cm; Private Collection; (add.info)

Background imageWeave Collection: Side chair, c. 1815-20 (rosewood)

Side chair, c. 1815-20 (rosewood)
2972969 Side chair, c.1815-20 (rosewood) by English School, (19th century); The Geffrye Museum of the Home, London, UK; (add.info.: One of a set of three chairs in imitation rosewood)

Background imageWeave Collection: Traditional customs, Portugal

Traditional customs, Portugal -- people in the open air, working on a large weaving frame. Inset top left is a large building, the Grand Hotel Central. Date: circa 1900s

Background imageWeave Collection: Sculpted frame (gilt wood)

Sculpted frame (gilt wood)
1069460 Sculpted frame (gilt wood) by American School; Dallas Museum of Art, Texas, USA; The Wendy and Emery Reves Collection; American, out of copyright

Background imageWeave Collection: Womens clothing 1929

Womens clothing 1929
Loose weaves a feature of new woollen. Early spring womens frocks made from trelya wool. 1929

Background imageWeave Collection: Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c

Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c
ALI161928 Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c.1498 (fresco) (b/w photo) by Vinci, Leonardo da (1452-1519); Castello Sforzesco, Milan

Background imageWeave Collection: The Origin of the Stocking Loom, 1847 (oil on canvas)

The Origin of the Stocking Loom, 1847 (oil on canvas)
3744202 The Origin of the Stocking Loom, 1847 (oil on canvas) by Elmore, Alfred W. (1815-81); 80x106.7 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Background imageWeave Collection: Mosaic floor from the Byzantine monastery of the fortress at Deir Qal a

Mosaic floor from the Byzantine monastery of the fortress at Deir Qal a
3287754 Mosaic floor from the Byzantine monastery of the fortress at Deir Qal a, 6th century AD (mosaic) by Byzantine; Samaritan Museum, Israel; (add.info.: This Byzantine monastery)

Background imageWeave Collection: Pictorial Carpet with metal wrapped thread, 17th century (silk)

Pictorial Carpet with metal wrapped thread, 17th century (silk)
3086874 Pictorial Carpet with metal wrapped thread, 17th century (silk) by Persian School, (17th century); 23.4x172.7 cm; Metropolitan Museum of Art, New York

Background imageWeave Collection: Ornamental square from a tunic (undyed linen & dyed wool)

Ornamental square from a tunic (undyed linen & dyed wool)
490924 Ornamental square from a tunic (undyed linen & dyed wool) by Egyptian, Byzantine Period, (5th century); 20.5x20 cm; Cleveland Museum of Art, OH

Background imageWeave Collection: Domestic goods from Timor, from Verhandelingen over de Natuurlijke Geschiedenis der

Domestic goods from Timor, from Verhandelingen over de Natuurlijke Geschiedenis der
STC209628 Domestic goods from Timor, from Verhandelingen over de Natuurlijke Geschiedenis der Nederlandsche overzeesche Bezittingen, Volume I, by Coenraad Jacob Temminck, engraved by J.M

Background imageWeave Collection: Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c

Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c. 1498 (fresco)
ALI246097 Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c.1498 (fresco) by Vinci, Leonardo da (1452-1519); Castello Sforzesco, Milan

Background imageWeave Collection: Illustration of a woven basket for transporting plants, from the artist

Illustration of a woven basket for transporting plants, from the artist
BMR169017 Illustration of a woven basket for transporting plants, from the artists notebook made during the expeditions of Jean-Francois Gallup de la Perouse (1741-88) (pen & ink and w/c on paper)

Background imageWeave Collection: Aba Texture

Aba Texture
Mohammadreza Momeni

Background imageWeave Collection: Sea storm

Sea storm
Fiorenzo Carozzi

Background imageWeave Collection: The rice mill

The rice mill
Azim Khan Ronnie

Background imageWeave Collection: Net Weaver

Net Weaver
Shahabeddin Montazeri AFIAP

Background imageWeave Collection: Children playing in the rice mill

Children playing in the rice mill
Azim Khan Ronnie

Background imageWeave Collection: Playful Dalmatian Pups Date: 1950

Playful Dalmatian Pups Date: 1950

Background imageWeave Collection: COTTON WEAVING 1902

COTTON WEAVING 1902
Women weave at looms. Date: 1902

Background imageWeave Collection: BUCHANAN TARTAN / FORSYTH

BUCHANAN TARTAN / FORSYTH
The Buchanan Tartan Date: circa 1902

Background imageWeave Collection: EyeUbiquitous_10013169

EyeUbiquitous_10013169
India, Goa, Mapusa, Colourful woven textiles in rolls for sale in market

Background imageWeave Collection: Cannes, France - Boulevard de la Croisette

Cannes, France - Boulevard de la Croisette
Manufacture des Gobelins - a tapestry factory located in Paris, France, at 42 avenue des Gobelins, near the Les Gobelins metro station in the 13th arrondissement

Background imageWeave Collection: Madame Delfaus school of carpet making, Algiers, Algeria

Madame Delfaus school of carpet making, Algiers, Algeria
Children employed at Madame Delfaus school of carpet making at 84 Boulevard Valee, Algiers, Algeria, North Africa. Date: circa 1905

Background imageWeave Collection: The Weaver, Early 1930s. Artist: Kuptsov, Vasili Vasilyevich (1899-1935)

The Weaver, Early 1930s. Artist: Kuptsov, Vasili Vasilyevich (1899-1935)
The Weaver, Early 1930s. Found in the collection of the State Open-air Museum of History, Architecture and Art, Pskov

Background imageWeave Collection: Latin America, Panama, Panamanian arts & crafts. Traditional Embera Indian baskets

Latin America, Panama, Panamanian arts & crafts. Traditional Embera Indian baskets
Latin America, Panama, Panamanian arts & crafts.Traditional Embera Indian baskets. Property released



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"Weave: A Tapestry of Artistry and Tradition" From the vibrant Southwest to the enchanting landscapes of Africa, weaving has been an integral part of human culture for centuries. One such example is found in the heartland of America, where Navajo Indian Rugs are meticulously crafted. These woven fabrics showcase the rich heritage and craftsmanship of American Indian art. In Helston, Cornwall, a furry tradition takes center stage as locals don their finest attire during the annual Flora Dance. Adorned with colorful flowers and ribbons, this celebration brings together communities in a display of unity. Traveling back in time to 1937 France, an advertisement for Gorringes women's dyed fox collar coat captures the elegance and luxury associated with weaving. The intricate patterns reflect the mastery achieved by artisans from Auvergne Region's Haute-Loire Department since the 15th century. The invention of Jacquard loom in the 1880s revolutionized textile production worldwide. Amoskeag Corporation in Manchester, New Hampshire embraced this innovation, propelling them into becoming a leading force in fabric manufacturing. Venturing into Essaouira's medina in Morocco reveals carpets hanging outside shops like works of art on display. Each thread tells a story rooted deep within North African traditions—a testament to Africa's enduring influence on global weaving practices. Journeying further south to Botswana's Okavango Delta unveils Tubu Tree camp staff showcasing their creativity through reed baskets adorned with vivid colors. This glimpse into African craftsmanship highlights how local materials are transformed into functional yet beautiful objects. Weaving transcends textiles alone; it permeates various aspects of our lives. Even something as mundane as a plaster antiseptic pad holds microscopic threads intricately interlaced under SEM examination—proof that even small-scale weaves contribute significantly to our well-being. Central America beckons us next with Guatemala's typical textile—a vibrant patchwork of fabric scraps in a myriad of colors.