Westernart Collection (page 30)

Head of a Young Man Gazing Upwards, c. 1497-1504 (pen and brown ink over metal point
1216703 Head of a Young Man Gazing Upwards, c. 1497-1504 (pen and brown ink over metal point on cream paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 8.9x6.2 cm; Ashmolean Museum

Group of four standing Soldiers (silverpoint on a blue-grey preparation on off-white
1216700 Group of four standing Soldiers (silverpoint on a blue-grey preparation on off-white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 21.3x22.3 cm; Ashmolean Museum

Jehovah in a flaming Cloud attended by Angels (recto) (pen
1216696 Jehovah in a flaming Cloud attended by Angels (recto) (pen and brown ink on off-white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 27.1x40.1 cm; Ashmolean Museum

Study of a Man rising from the Ground (black chalk on off-white paper)
1216690 Study of a Man rising from the Ground (black chalk on off-white paper) by Buonarroti, Michelangelo (1475-1564); 21.6x26.6 cm; Ashmolean Museum, University of Oxford

Study of a Winged Monster, c. 1525 (red & black chalk on paper)
1216688 Study of a Winged Monster, c.1525 (red & black chalk on paper) by Buonarroti, Michelangelo (1475-1564); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

View of the city of Perugia, with the penitent St Jerome in the foreground
1216682 View of the city of Perugia, with the penitent St Jerome in the foreground, 1504 (pen and brown ink on white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520)

Reverend James Douglas (1753-1819) (oil on canvas)
1216674 Reverend James Douglas (1753-1819) (oil on canvas) by Phillips, Thomas (1770-1845) (attr.to); 75x57 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; British, out of copyright

Justice, late 17th century (oil on canvas)
1216668 Justice, late 17th century (oil on canvas) by Franco-Flemish School, (17th century); 123x102 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Anonymous)

An Old Woman holding a Heart: Envy, c. 1642 (oil on copper)
1216664 An Old Woman holding a Heart: Envy, c.1642 (oil on copper) by Ange, Jacque de l (fl.1637-1642) (attributed to); 36x28 cm; Ashmolean Museum, University of Oxford

Bust of Miss Mundy (plaster)
1216662 Bust of Miss Mundy (plaster) by Chantrey, Francis Legatt (1781-1841); 66.2x41x21 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Miss Mundy)

Bust of Thomas Johnes of Hafod, MP, FRS, 1811 (plaster)
1216660 Bust of Thomas Johnes of Hafod, MP, FRS, 1811 (plaster) by Chantrey, Francis Legatt (1781-1841); 70x46x29 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Thomas Johnes of Hafod)

Bust of William Sharp, 1813 (plaster)
1216658 Bust of William Sharp, 1813 (plaster) by Chantrey, Francis Legatt (1781-1841); 59.3x33x24 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: William Sharp (1749-1824) English artist

Design for a Triumphal Archway (pen & ink with chalk on paper)
956788 Design for a Triumphal Archway (pen & ink with chalk on paper) by Bandinelli, Baccio (1488-1560); 50x36.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian

Excursion to Mont Avila, Venezuela (pencil with pen & ink on paper)
1065136 Excursion to Mont Avila, Venezuela (pencil with pen & ink on paper) by Pissarro, Camille (1830-1903); 26.9x37.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French

Portrait of the Artist, 17th century (coloured chalks on paper)
AMO123473 Portrait of the Artist, 17th century (coloured chalks on paper) by Bernini, Gian Lorenzo (1598-1680); 27.5x21.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian

Englands Ark Secured and the Enemies to the Parliament and Kingdom Overwhelmed
AMO146335 Englands Ark Secured and the Enemies to the Parliament and Kingdom Overwhelmed, 1645-46 (engraving) (b/w photo) by English School, (17th century); Ashmolean Museum, University of Oxford

Giacomo Doria, c. 1530-35 (oil on canvas)
AMO146200 Giacomo Doria, c.1530-35 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); 115x98 cm; Ashmolean Museum, University of Oxford

Studies of Two Young Boys with faint indications of a female figure
1076602 Studies of Two Young Boys with faint indications of a female figure, 1852 (pencil with pen & ink on paper) by Pissarro, Camille (1830-1903); 19.9x28.2 cm; Ashmolean Museum

Drawing of a marble Cycladic Figure, Syros 1809 (w / c on paper)
1123099 Drawing of a marble Cycladic Figure, Syros 1809 (w/c on paper) by Burgon, Thomas (1787-1858); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; British, out of copyright

Evening: Cloud on Mount Rigi, seen from Zug, c. 1841 (w / c on paper)
1109136 Evening: Cloud on Mount Rigi, seen from Zug, c.1841 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 21.8x26.7 cm; Ashmolean Museum, University of Oxford

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"Exploring the Timeless Beauty of Western Art" Immerse yourself in the captivating world of Western art through a diverse collection of masterpieces. From the delicate strokes of red chalk on paper in "Ideal Head, c. 1518-20" to the vibrant oil on canvas capturing introspection in "Convent Thoughts, 1850-51, " each artwork tells a unique story. Step into a realm where everyday objects come alive with astonishing realism. Marvel at the meticulous details captured in "Still Life of Asparagus, 1699, " as oil on paper laid on panel brings forth an exquisite portrayal. Witness nature's grandeur unfold before your eyes with "Study of Gneiss Rock, Glenfinlas, 1853-54, " depicted using pen, wash & gouache on paper. Delve into intricate studies showcasing both precision and creativity. Admire the delicate watercolor strokes combined with pencil detailing in "Velvet Crab, 1870-1. " Be enchanted by the whimsical charm emanating from "Design for a fan: The pea stakers, 1890, " created with gouache over black chalk on coarse brown paper. Experience human form immortalized through various mediums and perspectives. Observe grace and strength intertwined as you explore "Study of a male nude posed against a wall seen in profile. " Let your gaze be drawn towards divine beauty embodied by an angelic harpist within "Design for stained glass in Lyndhurst Church. " Travel back through time as historical landscapes unfold their secrets. Transport yourself to Chepstow Monmouthshire circa late eighteenth century with its enchanting allure brought to life through watercolor touched with pen techniques. Discover hidden depths within portraiture as emotions are etched onto canvases. Uncover Elizabeth Woodville's regal presence captured flawlessly amidst rich hues and textures in her portrait dating back to c. 1500.