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White Collar Collection

"White Collar: A Glimpse into the World of Businessmen Through Art" In this captivating collection of artworks

Background imageWhite Collar Collection: Businessmen smoking cigarettes and smiling

Businessmen smoking cigarettes and smiling

Background imageWhite Collar Collection: Business man walking in Tokyo, Japan

Business man walking in Tokyo, Japan

Background imageWhite Collar Collection: George Coldham, Town Clerk of Nottingham, c. 1810 (oil on canvas)

George Coldham, Town Clerk of Nottingham, c. 1810 (oil on canvas)
3744488 George Coldham, Town Clerk of Nottingham, c.1810 (oil on canvas) by Artaud, William (1763-1823); 86.4x66 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Background imageWhite Collar Collection: James Lister (oil on canvas)

James Lister (oil on canvas)
3822352 James Lister (oil on canvas) by Horner, Joshua (1812-84) (attr.to); 74x61 cm; Calderdale Museums Service, West Yorkshire

Background imageWhite Collar Collection: Self Portrait (oil on board)

Self Portrait (oil on board)
3822350 Self Portrait (oil on board) by Horner, John (1784-1867); 17.5x14 cm; Calderdale Museums Service, West Yorkshire, UK; eCalderdale Borough Council; British, out of copyright

Background imageWhite Collar Collection: Reverend John Lister, 1701 (oil on canvas, unglassed)

Reverend John Lister, 1701 (oil on canvas, unglassed)
3822150 Reverend John Lister, 1701 (oil on canvas, unglassed) by Unknown artist, (18th century); 71.1x59.1 cm; Calderdale Museums Service, West Yorkshire, UK; (add.info.: Rev)

Background imageWhite Collar Collection: Portrait on a Veranda, Spain, 1933 (oil on board)

Portrait on a Veranda, Spain, 1933 (oil on board)
TW426696 Portrait on a Veranda, Spain, 1933 (oil on board) by Segal, Arthur (1875-1944); 36.5x36.5 cm; Shipley Art Gallery, Gateshead, Tyne & Wear, UK; eTyne & Wear Archives & Museums; Romanian

Background imageWhite Collar Collection: Maurice Appert Seated, c. 1886-88 (conte crayon and gouache on paper)

Maurice Appert Seated, c. 1886-88 (conte crayon and gouache on paper)
LEF221009 Maurice Appert Seated, c.1886-88 (conte crayon and gouache on paper) by Seurat, Georges Pierre (1859-91); 30.7x24.1 cm; Private Collection; Photo eLefevre Fine Art Ltd

Background imageWhite Collar Collection: Blowing up the Pic Nic s, or Harlequin Quixotte attacking the Puppets

Blowing up the Pic Nic s, or Harlequin Quixotte attacking the Puppets
NCO191710 Blowing up the Pic Nic s, or Harlequin Quixotte attacking the Puppets, published by Hannah Humphrey in 1802 (hand-coloured etching with aquatint) by Gillray

Background imageWhite Collar Collection: Cotton Mather (oil on canvas)

Cotton Mather (oil on canvas)
PNP377418 Cotton Mather (oil on canvas) by American School; Private Collection; (add.info.: Cotton Mather (1663-1728), American Puritan Minister involved with the Salem witch trials of 1692;

Background imageWhite Collar Collection: Philip James Bailey, 1884 (oil on canvas)

Philip James Bailey, 1884 (oil on canvas)
3744501 Philip James Bailey, 1884 (oil on canvas) by Williams, John Edgar (fl.1846-1883); 76.2x63.5 cm; Nottingham City Museums and Galleries (Nottingham Castle); (add.info)

Background imageWhite Collar Collection: Mordaunt Ricketts, 1793 (oil on canvas)

Mordaunt Ricketts, 1793 (oil on canvas)
HEH416378 Mordaunt Ricketts, 1793 (oil on canvas) by Owen, William (1769-1825); 91.4x63.5 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Background imageWhite Collar Collection: Portrait of John Pym (oil on copper)

Portrait of John Pym (oil on copper)
HFA393550 Portrait of John Pym (oil on copper) by Bower, Edward (fl.1929-67) (follower of); 21x16.5 cm; Private Collection; (add.info.: Pym (1584-1643), English parliamentarian

Background imageWhite Collar Collection: John Milton (oil on canvas)

John Milton (oil on canvas)
HEH416337 John Milton (oil on canvas) by Faithorne, William (1616-91) (after); 135.9x101.6 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Background imageWhite Collar Collection: Self portrait, c. 1904 (oil on canvas)

Self portrait, c. 1904 (oil on canvas)
CH426485 Self portrait, c.1904 (oil on canvas) by Cadell, Francis Campbell Boileau (1883-1937); 38.1x28 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

Background imageWhite Collar Collection: Mrs. Samuel P. (Sophia) St. John (oil on canvas)

Mrs. Samuel P. (Sophia) St. John (oil on canvas)
HEH372439 Mrs. Samuel P. (Sophia) St. John (oil on canvas) by Waldo, Samuel Lovett (1783-1861); 83.8x64.8 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Background imageWhite Collar Collection: Portrait of Professor Franciscus Van Schooten, 1656 (oil on canvas)

Portrait of Professor Franciscus Van Schooten, 1656 (oil on canvas)
2629044 Portrait of Professor Franciscus Van Schooten, 1656 (oil on canvas) by Koninck, Phillips de (1619-88); 102.5x87.5 cm; Private Collection; Photo eChristies Images; Dutch, out of copyright

Background imageWhite Collar Collection: John Eliot (oil on canvas)

John Eliot (oil on canvas)
HEH416364 John Eliot (oil on canvas) by English School, (17th century); 111.9x91.8 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Background imageWhite Collar Collection: Office Boys Sorting Mail in a Mailroom, 1951 (screen print)

Office Boys Sorting Mail in a Mailroom, 1951 (screen print)
2622541 Office Boys Sorting Mail in a Mailroom, 1951 (screen print) by American School, (20th century); Private Collection; (add.info)

Background imageWhite Collar Collection: Lord Denman, c. 1831-33 (oil on canvas)

Lord Denman, c. 1831-33 (oil on canvas)
3744487 Lord Denman, c.1831-33 (oil on canvas) by Barber, Thomas (1768-1843); 129.5x101.6 cm; Nottingham City Museums and Galleries (Nottingham Castle); (add.info.: Thomas Denman, 1st Baron Denman)

Background imageWhite Collar Collection: Blowing up the Pic Nics or Harlequin Quixotte attacking the Puppets, pub

Blowing up the Pic Nics or Harlequin Quixotte attacking the Puppets, pub
3051749 Blowing up the Pic Nics or Harlequin Quixotte attacking the Puppets, pub. 1804 (hand coloured engraving) by Gillray

Background imageWhite Collar Collection: Dr. Frederick Septimus Leighton (1800-92), c. 1850 (oil on canvas)

Dr. Frederick Septimus Leighton (1800-92), c. 1850 (oil on canvas)
LGH162582 Dr. Frederick Septimus Leighton (1800-92), c.1850 (oil on canvas) by Leighton, Frederic (1830-96); 76.5x63.5 cm; Leighton House Museum, Kensington & Chelsea, London

Background imageWhite Collar Collection: Henry Kirke White (oil on canvas)

Henry Kirke White (oil on canvas)
3744499 Henry Kirke White (oil on canvas) by Hoppner, John (1758-1810); 74.9x62.2 cm; Nottingham City Museums and Galleries (Nottingham Castle); (add.info)

Background imageWhite Collar Collection: Portrait of a gentleman, aged 28, 1632 (oil on canvas)

Portrait of a gentleman, aged 28, 1632 (oil on canvas)
2560007 Portrait of a gentleman, aged 28, 1632 (oil on canvas) by Peake, Robert (fl.1580-1626) (follower of); 80x62.8 cm; Private Collection; Photo eChristies Images; British, out of copyright

Background imageWhite Collar Collection: Two Women Wearing Suits

Two Women Wearing Suits

Background imageWhite Collar Collection: Man Standing on a Pedestal

Man Standing on a Pedestal

Background imageWhite Collar Collection: Frustrated Woman in Handcuffs

Frustrated Woman in Handcuffs

Background imageWhite Collar Collection: Blindfolded Woman at a Typewriter

Blindfolded Woman at a Typewriter

Background imageWhite Collar Collection: Woman Typing at a Desk

Woman Typing at a Desk

Background imageWhite Collar Collection: Man in Hot Water

Man in Hot Water

Background imageWhite Collar Collection: Businessman in Pieces

Businessman in Pieces

Background imageWhite Collar Collection: Three People Sitting at a Desk

Three People Sitting at a Desk

Background imageWhite Collar Collection: Man Surrounded with Paperwork

Man Surrounded with Paperwork

Background imageWhite Collar Collection: Businessman with a Deadline

Businessman with a Deadline

Background imageWhite Collar Collection: Man Sitting in an Armchair

Man Sitting in an Armchair

Background imageWhite Collar Collection: Businessman Sitting on an Egg

Businessman Sitting on an Egg

Background imageWhite Collar Collection: Springing Into The Air

Springing Into The Air

Background imageWhite Collar Collection: Catching Butterflies

Catching Butterflies

Background imageWhite Collar Collection: Worried Businessman Sitting at a Desk

Worried Businessman Sitting at a Desk

Background imageWhite Collar Collection: Businessman Taking Off Jacket

Businessman Taking Off Jacket

Background imageWhite Collar Collection: Man Wearing Fashion Suit

Man Wearing Fashion Suit

Background imageWhite Collar Collection: Young Man Fur Hat Holding Staff recto Study Head

Young Man Fur Hat Holding Staff recto Study Head
A Young Man with a Fur Hat Holding a Staff (recto); Study of the Head of a Man with a White Collar (verso); Jacob Adriaensz Backer (Dutch)

Background imageWhite Collar Collection: Self-Portrait curly hair white collar Bust 1630

Self-Portrait curly hair white collar Bust 1630
Self-Portrait with curly hair and white collar: Bust, c. 1630. Rembrandt van Rijn (Dutch, 1606-1669). Etching; sheet: 5.9 x 5.1 cm (2 5/16 x 2 in.)

Background imageWhite Collar Collection: A Man Wearing A Clerical Collar And Holding A Bible

A Man Wearing A Clerical Collar And Holding A Bible

Background imageWhite Collar Collection: Salesman showing couple some paperwork

Salesman showing couple some paperwork

Background imageWhite Collar Collection: Fat businessman, laughing, vintage

Fat businessman, laughing, vintage

Background imageWhite Collar Collection: Tom Allom (1804-1872)

Tom Allom (1804-1872)
Artist: Richmond, George - Title: Tom Allom (1804-1872) - Date: N/A - Original Medium and Size: Oil on Canvas 105.4 x 74.9



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"White Collar: A Glimpse into the World of Businessmen Through Art" In this captivating collection of artworks, we delve into the intriguing world of white-collar professionals. From businessmen smoking cigarettes and flashing smiles to portraits capturing their essence, each piece offers a unique perspective on this fascinating group. Le Boureau, plate 6 from French Habits published by Hannah Humphrey in 1798 (coloured etching) presents us with an enigmatic scene - businessmen engrossed in conversation while enjoying a smoke. Their relaxed demeanor hints at the confidence that comes with their profession. Moving forward in time, George Coldham's Town Clerk of Nottingham, c. 1810 (oil on canvas) portrays a distinguished figure immersed in his duties. The meticulous brushstrokes capture both his authority and dedication to his role within society. James Lister's self-portrait (oil on canvas) takes us behind closed doors as he gazes confidently at the viewer. His poised expression reflects the self-assurance often associated with those who navigate corporate landscapes. Reverend John Lister, 1701 (oil on canvas, unglassed), provides an interesting contrast as it showcases a man whose collar may be white but whose calling is spiritual rather than commercial. This inclusion reminds us that not all individuals bearing this label are solely focused on business pursuits. Portrait on a Veranda, Spain, 1933 (oil on board) transports us to sun-soaked terraces where businessmen find respite from their demanding lives. Here we witness them taking moments for themselves amidst picturesque surroundings – perhaps contemplating strategies or simply appreciating life's beauty beyond office walls. Maurice Appert Seated, c. 1886-88 (conte crayon and gouache on paper) captures another facet of these professionals' lives – introspection and contemplation amid solitude. The artist skillfully depicts Appert lost in thought; his expression revealing the weight of responsibility that often accompanies white-collar positions.