White Colour Collection (page 16)

Graves, Antoinette, Miss, portrait photograph, 1913. Creator: Arnold Genthe
Graves, Antoinette, Miss, portrait photograph, 1913

Musica Futurista per Orchestra, 1912. Creators: Umberto Boccioni, Francesco Balilla Pratella
Musica Futurista per Orchestra, 1912. Futurist Music for Orchestra

A Man Seen from Behind [recto], c. 1555. Creator: Taddeo Zuccaro
A Man Seen from Behind [recto], c. 1555

Mythological Figures, c. 1561. Creator: Taddeo Zuccaro
Mythological Figures, c. 1561

Mountainous River Landscape with Bathers, 1752/1770. Creator: Francesco Zuccarelli
Mountainous River Landscape with Bathers, 1752/1770

Study in Black and Gold (Madge O'Donoghue), 1883/1884. Creator: James Abbott McNeill Whistler
Study in Black and Gold (Madge O'Donoghue), 1883/1884

Beach Scene, probably 1885. Creator: James Abbott McNeill Whistler
Beach Scene, probably 1885

Arrangement in Black - No.3, 1881. Creator: James Abbott McNeill Whistler
Arrangement in Black - No.3, 1881

The Holy Family with Saints [recto], c. 1616/1617. Creator: Hermann Weyer
The Holy Family with Saints [recto], c. 1616/1617

Death of Iphigenia (?), possibly c. 1758/1759. Creator: Benjamin West
Death of Iphigenia (?), possibly c. 1758/1759

The Flight into Egypt, c. 1800. Creator: Benjamin West
The Flight into Egypt, c. 1800

Aaron Converting His Staff into a Serpent, c. 1860s. Creator: Robert Walter Weir
Aaron Converting His Staff into a Serpent, c. 1860s

Railroad on the Dalles of the St. Louis, 1882. Creator: Alfred Waud
Railroad on the Dalles of the St. Louis, 1882

Dalles of St. Louis, early 1880s. Creator: Alfred Waud
Dalles of St. Louis, early 1880s

The March of Silenus [recto], c. 1715/1716. Creator: Jean-Antoine Watteau
The March of Silenus [recto], c. 1715/1716

A Man Reclining and a Woman Seated on the Ground, c. 1716. Creator: Jean-Antoine Watteau
A Man Reclining and a Woman Seated on the Ground, c. 1716

Two Studies of a Violinist Tuning His Instrument, 1717/1718. Creator: Jean-Antoine Watteau
Two Studies of a Violinist Tuning His Instrument, 1717/1718

The Cadet, late 19th century. Creator: Robert William Vonnoh
The Cadet, late 19th century

Man in Top Hat, Smoking a Cigar, late 19th century. Creator: Robert William Vonnoh
Man in Top Hat, Smoking a Cigar, late 19th century

Noah Leading the Animals into the Ark, 1774. Creator: Francois-Andre Vincent
Noah Leading the Animals into the Ark, 1774

Park of an Italian Villa, 1774/1775. Creator: Francois-Andre Vincent
Park of an Italian Villa, 1774/1775

A Muse, 1815/1818. Creator: John Vanderlyn
A Muse, 1815/1818

Miss Maude E. Williams; The author's reviewer, Chicago, 1907. Creator: Unknown
Miss Maude E. Williams; The author's reviewer, Chicago, 1907

[An unidentified friend of Emily Smith Mallard that she met at Talladega College], c1900. Creator: Unknown
[An unidentified friend of Emily Smith Mallard that she met at Talladega College], c1900

Federal Varieties, New York, 1936. Creator: Unknown
Federal Varieties, New York, 1936. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Vaudeville Revue, New York, [1930s]. Creator: Unknown
Vaudeville Revue, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Vaudeville Revue, New York, [1930s]. Creator: Unknown
Vaudeville Revue, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Vaudeville Show, New York, [1930s]. Creator: Unknown
Vaudeville Show, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Vaudeville, New York, [1930s]. Creator: Unknown
Vaudeville, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

She Stoops to Conquer, New York, [1930s]. Creator: Unknown
She Stoops to Conquer, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Tamed and How, New Rochelle, NY, [193-]. Creators: Unknown, Charles H Harrison
Tamed and How, New Rochelle, NY, [193-]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Circus, New York, [1935]. Creator: Unknown
Circus, New York, [1935]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Battle Hymn, New York, [1936]. Creator: Unknown
Battle Hymn, New York, [1936]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Hansel and Gretel, New York, [1930s]. Creator: Unknown
Hansel and Gretel, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

The Gondoliers, New York, [1930s]. Creator: Unknown
The Gondoliers, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Bassa Moona, New York, [1930s]. Creator: Unknown
Bassa Moona, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Bassa Moona, New York, [1930s]. Creator: Unknown
Bassa Moona, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Tamed and How 2, New Rochelle, NY, [193-]. Creators: Unknown, Charles H Harrison
Tamed and How 2, New Rochelle, NY, [193-]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Tamed and How 1, New Rochelle, NY, [193-]. Creators: Unknown, Charles H Harrison
Tamed and How 1, New Rochelle, NY, [193-]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Easter Festival, New York, [1930s]. Creator: Unknown
Easter Festival, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Up We Go, New York, [1930s]. Creator: Unknown
Up We Go, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

The Barker, New York, [193-]. Creator: Unknown
The Barker, New York, [193-]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Portrait de Madame Edouard Hervé, 1884. Creator: Alexandre Cabanel
Portrait de Madame Edouard Herve, 1884

Market woman, Brazil, (1854-1890?). Creator: Unknown
Market woman, Brazil, (1854-1890?)

It Can't Happen Here, Yonkers, NY, [193-]. Creator: Unknown
It Can't Happen Here, Yonkers, NY, [193-]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935

Federal Varieties, Yonkers, NY, [193-]. Creator: Unknown
Federal Varieties, Yonkers, NY, [193-]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Street Scene 2, Syracuse, NY, 1936. Creator: Unknown
Street Scene 2, Syracuse, NY, 1936. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Street Scene 1, Syracuse, NY, 1936. Creator: Unknown
Street Scene 1, Syracuse, NY, 1936. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

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"Captivating in its Simplicity: The Allure of White Color" White, the color that embodies purity and serenity, has a timeless appeal that transcends cultures and eras. From the iconic Chatham Lighthouse standing tall against the azure sky in Cape Cod, Massachusetts to Miss Jane Bowles' ethereal beauty captured by Sir Joshua Reynolds in 1775, white color has left an indelible mark on art and nature. In Charles Wellington Furse's masterpiece "Diana of the Uplands, " white drapery cascades around the goddess-like figure, symbolizing her divine grace. Meanwhile, Joseph Edward Southall's "The Old Fisherman" portrays a weathered soul adorned in shades of white as he battles with nature's elements. Even centuries ago, artists like Paolo Uccello understood the power of white. In his epic painting "The Battle of San Romano, " gleaming armor and fluttering banners evoke a sense of valor amidst chaos. Similarly, Taki Katei's delicate brushstrokes bring harmony to his enchanting piece "Flowers and Birds. " White also finds its place beyond canvas strokes. Albert Joseph Moore captures intimate moments with his work "Reading Aloud, " where soft light illuminates figures draped in pristine garments while they indulge in literature’s embrace. Literature too embraces this hue; Alexander Pushkin weaves tales through Tatyana's portrait from Eugene Onegin—a vision clad in innocence yet harboring untold depths within her snowy attire. Stepping away from artistry but not grandeur is Leonardo da Vinci's topographic view showcasing Arezzo’s countryside—white hues harmonize with natural landscapes creating an awe-inspiring vista. Travel takes us to breathtaking destinations like deserted beaches at sunrise over the Indian Ocean or historical seafronts such as Hamilton in Bermuda—both enhanced by pure-white sands or charming colonial architecture bathed under gentle sunlight.