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White Colour Collection (page 97)

"Captivating in its Simplicity: The Allure of White Color" White, the color that embodies purity and serenity, has a timeless appeal that transcends cultures and eras

Background imageWhite Colour Collection: Galatea Figurehead, c. 1940. Creator: Mary E Humes

Galatea Figurehead, c. 1940. Creator: Mary E Humes
Galatea Figurehead, c. 1940

Background imageWhite Colour Collection: Childs Stocking, c. 1938. Creator: Cora Parker

Childs Stocking, c. 1938. Creator: Cora Parker
Childs Stocking, c. 1938

Background imageWhite Colour Collection: Crock, c. 1940. Creator: Isadore Goldberg

Crock, c. 1940. Creator: Isadore Goldberg
Crock, c. 1940

Background imageWhite Colour Collection: Pitcher, c. 1936. Creator: Frances Lichten

Pitcher, c. 1936. Creator: Frances Lichten
Pitcher, c. 1936

Background imageWhite Colour Collection: Picture Frame, 1935 / 1942. Creator: John Koehl

Picture Frame, 1935 / 1942. Creator: John Koehl
Picture Frame, 1935/1942

Background imageWhite Colour Collection: 3c Washington E Grill single, 1868. Creator: National Bank Note Company

3c Washington E Grill single, 1868. Creator: National Bank Note Company
3c Washington E Grill single, 1868. Perf 12; mint

Background imageWhite Colour Collection: Altimeter, Zeppelin, L-49. Creator: G Lufft

Altimeter, Zeppelin, L-49. Creator: G Lufft
Aluminum case, black face, luminous markings, scale 0-8 km

Background imageWhite Colour Collection: Fragment of an inlay, Ptolemaic Dynasty or Roman Period, 305 BCE-14 CE. Creator: Unknown

Fragment of an inlay, Ptolemaic Dynasty or Roman Period, 305 BCE-14 CE. Creator: Unknown
Fragment of an inlay, Ptolemaic Dynasty or Roman Period, 305 BCE-14 CE

Background imageWhite Colour Collection: Fragment of an inlay with a floral pattern, Ptolemaic Dynasty to Roman Period

Fragment of an inlay with a floral pattern, Ptolemaic Dynasty to Roman Period, 305 BCE-14 CE

Background imageWhite Colour Collection: Fragment of an inlay with fish design, Ptolemaic Dynasty to Roman Period, 305 BCE-19 CE

Fragment of an inlay with fish design, Ptolemaic Dynasty to Roman Period, 305 BCE-19 CE

Background imageWhite Colour Collection: Eye-bead, with a lateral bore; the eyelet broken off, New Kingdom, 1550-1307 BCE

Eye-bead, with a lateral bore; the eyelet broken off, New Kingdom, 1550-1307 BCE

Background imageWhite Colour Collection: Bead. One end chipped, Roman Period, 1st-2nd century. Creator: Unknown

Bead. One end chipped, Roman Period, 1st-2nd century. Creator: Unknown
Bead. One end chipped, Roman Period, 1st-2nd century

Background imageWhite Colour Collection: Rod with dragged pattern, New Kingdom, 1550-1307 BCE. Creator: Unknown

Rod with dragged pattern, New Kingdom, 1550-1307 BCE. Creator: Unknown
Rod with dragged pattern, New Kingdom, 1550-1307 BCE

Background imageWhite Colour Collection: Eye-bead pendant, New Kingdom, 1550-1196 BCE. Creator: Unknown

Eye-bead pendant, New Kingdom, 1550-1196 BCE. Creator: Unknown
Eye-bead pendant, New Kingdom, 1550-1196 BCE

Background imageWhite Colour Collection: Pair of domestic geese, Possibly Ming dynasty, 1368-1644. Creator: Unknown

Pair of domestic geese, Possibly Ming dynasty, 1368-1644. Creator: Unknown
Pair of domestic geese, Possibly Ming dynasty, 1368-1644

Background imageWhite Colour Collection: Bead, New Kingdom, 1550-1196 BCE. Creator: Unknown

Bead, New Kingdom, 1550-1196 BCE. Creator: Unknown
Bead, New Kingdom, 1550-1196 BCE

Background imageWhite Colour Collection: Bead. Chipped and irregular, 1st century. Creator: Unknown

Bead. Chipped and irregular, 1st century. Creator: Unknown
Bead. Chipped and irregular, 1st century

Background imageWhite Colour Collection: Pendant in the form of a double dragon, Eastern Zhou dynasty, 475-221 B. C. E

Pendant in the form of a double dragon, Eastern Zhou dynasty, 475-221 B. C. E
Pendant in the form of a double dragon, Eastern Zhou dynasty, 475-221 B.C.E

Background imageWhite Colour Collection: Door to Kitchen, Lake George, 1934. Creator: Alfred Stieglitz

Door to Kitchen, Lake George, 1934. Creator: Alfred Stieglitz
Door to Kitchen, Lake George, 1934. A work made of gelatin silver print

Background imageWhite Colour Collection: Untitled, c. 1850. Creator: Unknown

Untitled, c. 1850. Creator: Unknown
Untitled, c. 1850. A work made of cyanotype

Background imageWhite Colour Collection: House and Grape Leaves, 1934. Creator: Alfred Stieglitz

House and Grape Leaves, 1934. Creator: Alfred Stieglitz
House and Grape Leaves, 1934. A work made of gelatin silver print

Background imageWhite Colour Collection: Womans Shoe, c. 1937. Creator: Bessie Forman

Womans Shoe, c. 1937. Creator: Bessie Forman
Womans Shoe, c. 1937

Background imageWhite Colour Collection: Vase, c. 1938. Creator: Byron Dingman

Vase, c. 1938. Creator: Byron Dingman
Vase, c. 1938

Background imageWhite Colour Collection: Vase (Blue and White), c. 1936. Creator: Albert Eyth

Vase (Blue and White), c. 1936. Creator: Albert Eyth
Vase (Blue and White), c. 1936

Background imageWhite Colour Collection: Waistcoat, c. 1936. Creator: Bessie Forman

Waistcoat, c. 1936. Creator: Bessie Forman
Waistcoat, c. 1936

Background imageWhite Colour Collection: Table Cover (Chenille), c. 1936. Creator: Albert Eyth

Table Cover (Chenille), c. 1936. Creator: Albert Eyth
Table Cover (Chenille), c. 1936

Background imageWhite Colour Collection: Coverlet, c. 1940. Creator: Sarkis Erganian

Coverlet, c. 1940. Creator: Sarkis Erganian
Coverlet, c. 1940

Background imageWhite Colour Collection: Blue and White Homespun, c. 1937. Creator: William O. Fletcher

Blue and White Homespun, c. 1937. Creator: William O. Fletcher
Blue and White Homespun, c. 1937

Background imageWhite Colour Collection: Ornament: gourd-shaped bottle, Goryeo period, 12th-13th century. Creator: Unknown

Ornament: gourd-shaped bottle, Goryeo period, 12th-13th century. Creator: Unknown
Ornament: gourd-shaped bottle, Goryeo period, 12th-13th century

Background imageWhite Colour Collection: Untitled (Portrait of One Standing Woman and One Seated Woman), 1860s. Creator: Unknown

Untitled (Portrait of One Standing Woman and One Seated Woman), 1860s. Creator: Unknown
Untitled (Portrait of One Standing Woman and One Seated Woman), 1860s. Black-and-white portrait photograph of two women with medium-dark skin, one sitting and the other standing

Background imageWhite Colour Collection: Stoneware Jug, c. 1937. Creator: Annie B Johnston

Stoneware Jug, c. 1937. Creator: Annie B Johnston
Stoneware Jug, c. 1937

Background imageWhite Colour Collection: Luohan with a White Monkey, Late Ming or early Qing dynasty, 17th century

Luohan with a White Monkey, Late Ming or early Qing dynasty, 17th century

Background imageWhite Colour Collection: A White Horse, Ming dynasty, 14th-15th century. Creator: Unknown

A White Horse, Ming dynasty, 14th-15th century. Creator: Unknown
A White Horse, Ming dynasty, 14th-15th century

Background imageWhite Colour Collection: Ring, Eastern Zhou dynasty, 5th-4th century BCE. Creator: Unknown

Ring, Eastern Zhou dynasty, 5th-4th century BCE. Creator: Unknown
Ring, Eastern Zhou dynasty, 5th-4th century BCE

Background imageWhite Colour Collection: Hollyhocks and Ducks, Ming dynasty, 1368-1644. Creator: Unknown

Hollyhocks and Ducks, Ming dynasty, 1368-1644. Creator: Unknown
Hollyhocks and Ducks, Ming dynasty, 1368-1644

Background imageWhite Colour Collection: Photographic print of Mr. and Mrs. Jackson and another woman in front of car, 1926

Photographic print of Mr. and Mrs. Jackson and another woman in front of car, 1926
Two women and a man standing in front of a dark-colored, 4-door automobile. The woman at the proper left is wearing a wide-brimmed hat, large studded earrings, a corsage

Background imageWhite Colour Collection: Metal Lantern, c. 1936. Creator: Edward L Loper

Metal Lantern, c. 1936. Creator: Edward L Loper
Metal Lantern, c. 1936

Background imageWhite Colour Collection: Pantalettes, c. 1938. Creator: Marie Famularo

Pantalettes, c. 1938. Creator: Marie Famularo
Pantalettes, c. 1938

Background imageWhite Colour Collection: Padded Coverlet, c. 1937. Creator: Edward L Loper

Padded Coverlet, c. 1937. Creator: Edward L Loper
Padded Coverlet, c. 1937

Background imageWhite Colour Collection: Lace on Wax Doll, c. 1936. Creator: Edward L Loper

Lace on Wax Doll, c. 1936. Creator: Edward L Loper
Lace on Wax Doll, c. 1936

Background imageWhite Colour Collection: Embroidered Linen Collar, c. 1936. Creator: Marie Famularo

Embroidered Linen Collar, c. 1936. Creator: Marie Famularo
Embroidered Linen Collar, c. 1936

Background imageWhite Colour Collection: Dress, 1935 / 1942. Creator: Betty Fuerst

Dress, 1935 / 1942. Creator: Betty Fuerst
Dress, 1935/1942

Background imageWhite Colour Collection: Shoe, c. 1937. Creator: Bessie Forman

Shoe, c. 1937. Creator: Bessie Forman
Shoe, c. 1937

Background imageWhite Colour Collection: Infants Cap, c. 1938. Creator: Marie Famularo

Infants Cap, c. 1938. Creator: Marie Famularo
Infants Cap, c. 1938

Background imageWhite Colour Collection: Dress, 1935 / 1942. Creator: Bessie Forman

Dress, 1935 / 1942. Creator: Bessie Forman
Dress, 1935/1942

Background imageWhite Colour Collection: Burmese Lace Makers, 1908 (oil on canvas)

Burmese Lace Makers, 1908 (oil on canvas)
1199563 Burmese Lace Makers, 1908 (oil on canvas) by Hornel, Edward Atkinson (1864-1933); 76x63.5 cm; Private Collection; (add.info.: Hornel)

Background imageWhite Colour Collection: The Garden; Le Jardin, c. 1913 (oil on canvas)

The Garden; Le Jardin, c. 1913 (oil on canvas)
825719 The Garden; Le Jardin, c.1913 (oil on canvas) by Lebasque, Henri (1865-1937); 90x110.5 cm; Private Collection; (add.info.: The Garden; Le Jardin. Henri Lebasque (1865-1937). Oil on canvas

Background imageWhite Colour Collection: Portrait of Mrs White (nee Watford), full length in a White Silk Dress

Portrait of Mrs White (nee Watford), full length in a White Silk Dress
1765049 Portrait of Mrs White (nee Watford), full length in a White Silk Dress, 1809 (oil on canvas) by Dawe, George (1781-1829); 223.5x138.5 cm; Private Collection; (add.info)



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"Captivating in its Simplicity: The Allure of White Color" White, the color that embodies purity and serenity, has a timeless appeal that transcends cultures and eras. From the iconic Chatham Lighthouse standing tall against the azure sky in Cape Cod, Massachusetts to Miss Jane Bowles' ethereal beauty captured by Sir Joshua Reynolds in 1775, white color has left an indelible mark on art and nature. In Charles Wellington Furse's masterpiece "Diana of the Uplands, " white drapery cascades around the goddess-like figure, symbolizing her divine grace. Meanwhile, Joseph Edward Southall's "The Old Fisherman" portrays a weathered soul adorned in shades of white as he battles with nature's elements. Even centuries ago, artists like Paolo Uccello understood the power of white. In his epic painting "The Battle of San Romano, " gleaming armor and fluttering banners evoke a sense of valor amidst chaos. Similarly, Taki Katei's delicate brushstrokes bring harmony to his enchanting piece "Flowers and Birds. " White also finds its place beyond canvas strokes. Albert Joseph Moore captures intimate moments with his work "Reading Aloud, " where soft light illuminates figures draped in pristine garments while they indulge in literature’s embrace. Literature too embraces this hue; Alexander Pushkin weaves tales through Tatyana's portrait from Eugene Onegin—a vision clad in innocence yet harboring untold depths within her snowy attire. Stepping away from artistry but not grandeur is Leonardo da Vinci's topographic view showcasing Arezzo’s countryside—white hues harmonize with natural landscapes creating an awe-inspiring vista. Travel takes us to breathtaking destinations like deserted beaches at sunrise over the Indian Ocean or historical seafronts such as Hamilton in Bermuda—both enhanced by pure-white sands or charming colonial architecture bathed under gentle sunlight.