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William Bernard Collection

William Bernard Cooke, a renowned artist from Ilfracomb, North Devon in the early 19th century, left an indelible mark on the art world with his exquisite creations

Background imageWilliam Bernard Collection: Ilfracomb, North Devon, c1818. Creator: William Bernard Cooke

Ilfracomb, North Devon, c1818. Creator: William Bernard Cooke
Ilfracomb, North Devon, c1818. Engraving after Ilfracombe, North Devon: Storm and Shipwreck, painting by JMW Turner, c1813-1816

Background imageWilliam Bernard Collection: The London Stone, Cannon Street, City of London, 1806. Artist: William Bernard Cooke

The London Stone, Cannon Street, City of London, 1806. Artist: William Bernard Cooke
The London Stone, Cannon Street, City of London, 1806

Background imageWilliam Bernard Collection: The Nelson at the Royal Dockyard, Woolwich, London, 1815

The Nelson at the Royal Dockyard, Woolwich, London, 1815. The Nelson in dry dock undergoing repairs

Background imageWilliam Bernard Collection: Beaumont Lodge, Lord Ashbrooke, 1810. Artist: William Bernard Cooke

Beaumont Lodge, Lord Ashbrooke, 1810. Artist: William Bernard Cooke
Beaumont Lodge, Lord Ashbrooke, 1810. The estate lies by the River Thames, In 1805 the Beaumont property was bought for about £ 14, 000 by Viscount Ashbrook, a friend of George IV

Background imageWilliam Bernard Collection: Lady Howes Villa, 1809. Artist: William Bernard Cooke

Lady Howes Villa, 1809. Artist: William Bernard Cooke
Lady Howes Villa, 1809. After Samuel Owen (1768-1857). [Vernor, Hood & Sharpe, Poultry & W. Cooke, London, 1809]

Background imageWilliam Bernard Collection: Lady Sullivans Villa, 1809. Artist: William Bernard Cooke

Lady Sullivans Villa, 1809. Artist: William Bernard Cooke
Lady Sullivans Villa, 1809. After Samuel Owen (1768-1857). [Vernor, Hood & Sharpe, Poultry & W. Cooke, London, 1809]

Background imageWilliam Bernard Collection: Eton Bridge, 1809. Artist: William Bernard Cooke

Eton Bridge, 1809. Artist: William Bernard Cooke
Eton Bridge, 1809. After Samuel Owen (1768-1857). [Vernor, Hood & Sharpe, London, 1809]

Background imageWilliam Bernard Collection: Bisham Abbey, 1810. Artist: William Bernard Cooke

Bisham Abbey, 1810. Artist: William Bernard Cooke
Bisham Abbey, 1810. After Samuel Owen. [Vernor Hood & Sharpe, Poultry, & W. Cooke, London, 1810]

Background imageWilliam Bernard Collection: Eddystone Light-House, 1836. Artist: William Bernard Cooke

Eddystone Light-House, 1836. Artist: William Bernard Cooke
Eddystone Light-House, 1836. Built by the English civil engineer John Smeaton (1724-1792) beginning in 1756, this was the third lighthouse to be sited on Eddystone Rocks

Background imageWilliam Bernard Collection: Sunninghill Park, Berkshire, 1813. Artist: William Bernard Cooke

Sunninghill Park, Berkshire, 1813. Artist: William Bernard Cooke
Sunninghill Park, Berkshire, 1813. The seat of GH Crutchley Esq

Background imageWilliam Bernard Collection: The Castle of Beaucaire and a bridge of boats over the Rhone, France, 1824

The Castle of Beaucaire and a bridge of boats over the Rhone, France, 1824. Artist: William Bernard Cooke
The Castle of Beaucaire and a bridge of boats over the Rhone, France, 1824

Background imageWilliam Bernard Collection: Dudgrove double lock above Lechlade, Thames and Severn Canal, 1814. Artist: William Bernard Cooke

Dudgrove double lock above Lechlade, Thames and Severn Canal, 1814. Artist: William Bernard Cooke
Dudgrove double lock above Lechlade, Thames and Severn Canal, 1814. Dudgrove, about 3/4 mile from the Thames, was the second pound lock on the canal from where it connected with the river


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William Bernard Cooke, a renowned artist from Ilfracomb, North Devon in the early 19th century, left an indelible mark on the art world with his exquisite creations. Born around 1818, Cooke's talent and passion for painting were evident from an early age. One of his notable works is "Jael and Sisera - Judges Chapter 4, " painted by Thomas Goff Lupton in 1825. This masterpiece showcases Cooke's ability to capture intense emotions and dramatic scenes with precision. In 1806, Cooke immortalized The London Stone located at Cannon Street in the City of London. His attention to detail brings this historical landmark to life, showcasing his exceptional skills as an artist. Cooke also depicted significant naval moments such as "The Nelson at the Royal Dockyard" in Woolwich, London (1815). Through this artwork, he pays homage to Admiral Lord Nelson and commemorates his contributions to British naval history. Beaumont Lodge owned by Lord Ashbrooke became another subject of Cooke's artistic endeavors in 1810. With delicate brushstrokes and vibrant colors, he captured the grandeur of this majestic estate. Lady Howes Villa (1809) and Lady Sullivans Villa (1809) are two more how Cooke skillfully portrayed architectural beauty through his paintings. These artworks serve as a testament to his ability to bring buildings alive on canvas. Eton Bridge (1809), Bisham Abbey (1810), Sunninghill Park in Berkshire (1813), and The Castle of Beaucaire over the Rhone River in France (1824) are further testaments to William Bernard Cooke's versatility as an artist. From picturesque landscapes to iconic structures abroad, he effortlessly transported viewers into different worlds through his artistry. Finally, one cannot overlook Cooke's depiction of Eddystone Light-House completed in 1836.