William Henry Collection (page 6)

Temple Bar from the Strand, London, 1873. Artist: William Henry Haines
Temple Bar from the Strand, London, 1873. A street scene including horse-drawn carriages

Christs Hospital, London, c1740. Artist: William Henry Toms
Bird s-eye view of Christs Hospital, London, c1740

St Bartholomews Hospital, London, c1740. Artist: William Henry Toms
Prospective view of St Bartholomews Hospital, London, c1740

View of the London Hospital in Whitechapel Road, 1753. Remains of the civil war fortifications can be seen to the right. Herds of cattle with horse-drawn carts

St Ethelburga-the-Virgin within Bishopsgate, London, 1736. Artist: William Henry Toms
St Ethelburga-the-Virgin within Bishopsgate, London, 1736. West view of St Ethelburga-the-Virgin, with a butchers shop, outside of which a man is chopping meat

The dragon sank towards him, opening its terrible jaws, 1910. A scene from the legend of Cuchulain, Champion of Ireland. A print from Hero Myths and Legends of the British Race by MI Ebbutt, 1910

William Henry Harrison, 9th President of the United States of America, (1901). Artist
William Henry Harrison, 9th President of the United States of America, (1901). Harrison (1773-1841) was 68 when he was elected president

British fishermen, 1805. Artist: William Henry Pyne
British fishermen, 1805. From Costumes of Great Britain by William Henry Pyne

Yeoman of the Kings Guard, 1805. Artist: William Henry Pyne
Yeoman of the Kings Guard, 1805. From Costume of Great Britain by William Henry Pyne

Prison ships, 1805. Artist: William Henry Pyne
Prison ships, 1805. Prison ships, or hulks, were a common form of prison accommodation in Britain in the 18th and 19th centuries. From Costume of Great Britain, published by William Miller, 1805

St Jamess Palace, London, 1819. Artist: Richard Reeve
St Jamess Palace, London, 1819. Situated on the Mall just to the north of St Jamess Park, St Jamess Palace was commissioned by Henry VIII

The Open Door, March, 1843. Artist: William Henry Fox Talbot
The Open Door, March, 1843

Kitchen, St Jamess Palace, London, 1819. Artist: William James Bennett
Kitchen, St Jamess Palace, London, 1819. From The History of the Royal Residences by William Henry Pyne (1769-1843)

William Shakespeare, 1794-1813. Artist: Ireland, William Henry, (?) (1777-1835)
William Shakespeare, 1794-1813. Found in the collection of Harvard University, Cambridge

Jean-Paul Marat (1743-1793), physician, scientist and political theorist, c1830. Artist: WH Egleton
Jean-Paul Marat (1743-1793), physician, scientist and political theorist, c1830. Marat is best known for his role as a radical journalist and politician during the French Revolution

Loves Missive, c1840, (c1915). Artist: William Henry Hunt
Loves Missive, c1840, (c1915). From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Entrance to the Highlands near Newburgh, 1883. Artist: G. Wyand
Entrance to the Highlands near Newburgh, 1883. After William Henry Bartlett (1809-1854). From America Illustrated, edited by J. David Williams. [DeWolfe, Fiske & Company, Boston, 1883]

WH Fox Talbot, British photography pioneer, 1901. William Henry Fox Talbot (1800-1877) is best known for his development of the calotype

The Defeat, 1834, (1935). Artist: William Henry Hunt
The Defeat, 1834, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

The Attack, 1834, (1935). Artist: William Henry Hunt
The Attack, 1834, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Portrait of Shakespeare, 1790s, (1910). Artist: William Henry Ireland
Portrait of Shakespeare, 1790s, (1910). Forgery, purporting to be a self-portrait of Shakespeare by William Henry Ireland

Royal Sailors Rest, Portsmouth, 1901. Artist: William Henry Waterfield
Royal Sailors Rest, Portsmouth, 1901. From The Sunday Strand Vol. IV, [George Newnes Ltd, London, 1901]

Scene from Sugar-loaf Mountain, c1840. Artist: James-Baylie Allen
Scene from Sugar-loaf Mountain, c1840. Sugarloaf Mountain in Rio de Janeiro, Brazil, is at the mouth of Guanabara Bay on a peninsula of the Atlantic Ocean

Der-El-Kamar, and the Palaces of Beteddein, 1837. Artist: Thomas Abiel Prior
Der-El-Kamar, and the Palaces of Beteddein, 1837. After William Henry Bartlett (1858-1932). From Syria, The Holy Land, Asia Minor &c. Illustrated, by J. Carne

The Plains of Lower Wallachia, c1840. Artist: JC Armytage
The Plains of Lower Wallachia, c1840. After William Henry Bartlett (1809-1854). [James S. Virtue, London, c1840]

Sulina, Mouth of the Danube, c1838. Artist: Robert Wallis
Sulina, Mouth of the Danube, c1838. After William Henry Bartlett (1809-1854). [James S. Virtue, London, c1838]

Osborne House, 1859. Artists: Edward Paxman Brandard, William Henry Bartlett
Osborne House, 1859. Former royal residence in East Cowes, Isle of Wight, United Kingdom. The house was built between 1845 and 1851 for Queen Victoria and Prince Albert as a summer home

Bristol (from Rownham Ferry), 1859. Artist: Samuel Bradshaw
Bristol (from Rownham Ferry), 1859. The Rownham Ferry was a boat service across the River Avon in Bristol, England. After William Henry Bartlett (1809-1854)

Portsmouth Harbour & Spithead, 1859. Artist: Edward Paxman Brandard
Portsmouth Harbour & Spithead, 1859. Best known as home of the Royal Navy because of its strategic location on the south coast of England. After William Henry Bartlett (1809-1854)

The Pantheon, Rome, 1841. Artist: E Challis
The Pantheon, Rome, 1841. After William Henry Bartlett (1809?1854)

View of the Ruins of Fort Ticonderoga, 1859. Artist: Thomas Abiel Prior
View of the Ruins of Fort Ticonderoga, 1859. Fort Ticonderoga, formerly Fort Carillon, was a large 18th-century star fort built on Lake Champlain in northern New York in the United States

Winchester, from St. Giles Hill, 1859. Artist: Charles Cousen
Winchester, from St. Giles Hill. 1859. Panorama of the city of Winchester developed from the Roman town of Venta Belgarum, which in turn developed from an Iron Age oppidum

Yarmouth, with Nelsons Monument, 1859. Artist: H Griffiths
Yarmouth, with Nelsons Monument, 1859. Nelsons Monument is a commemorative column built in memorial of Admiral Horatio Nelson, on the Denes, Great Yarmouth, Norfolk, England

The Right Honourable Anne Isabella Lady Noel Byron, wife of poet George Gordon Byron, more commonly known as Lord Byron, 1834

The Tomb of Kosciusko, 1837. Artist: R Young
The Tomb of Kosciusko, 1837. The tomb of Tadeusz Kosciuszko (1746-1817), Polish army officer and statesman who gained fame both for his role in the American Revolution

Lannion, 1907. Artist: William Henry Charlton
Lannion, 1906. From The Studio Volume 41. [London Offices of the Studio, London, 1907]

Concarneau, c1906. Artist: William Henry Charlton
Concarneau, c1906. From The Studio Volume 41. [London Offices of the Studio, London, 1907]

Etaples, c1906. Artist: William Henry Charlton
Etaples, c1907. From The Studio Volume 41. [London Offices of the Studio, London, 1907]

Tour D Horloge, Dinan, c. 1907. Artist: William Henry Charlton
Tour D Horloge, Dinan, c.1907. From The Studio Volume 41. [London Offices of the Studio, London, 1907]

Canal Scene, Quimperle, c1907. Artist: William Henry Charlton
Canal Scene, Quimperle, c1907. From The Studio Volume 41. [London Offices of the Studio, London, 1907]

Montreuil-Sur-Mer, France, c1907. Artist: William Henry Charlton
Montreuil-Sur-Mer, France, c1907. From The Studio Volume 41. [London Offices of the Studio, London, 1907]

Quimper, c1908. Artist: William Henry Charlton
Quimper, c1908. From The Studio Volume 44. [London Offices of the Studio, London, 1908]

Allan Cunningham (1784-1842), Scottish poet and author, 1840. Artist: J Thomson
Allan Cunningham (1784-1842), Scottish poet and author, 1840. After Henry Room (1802?1850). From The Complete Works of Robert Burns, illustrated by W. H. Bartlett, T. Allom, and other artists

Robert Burns - Poet, 1840. Artist: John Rogers
Robert Burns - Poet, 1840. Robert Burns, Scottish poet. Burns (1759-1796) was a pioneer of the Romantic movement. After Alexander Nasmyth (1758-1840)

Portrait of the Artist, 19th century. Artist: William Henry Hunt
Portrait of the Artist, 19th century. From The Connoisseur Volume LXXXVIII, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1931]

Barracks at Woolwich, Kent, c1830. Artist: J Hinchliff
Barracks at Woolwich, Kent, c1830. Woolwich became home to the Royal Military Academy, the Royal Horse Artillery and the royal Artillery Barracks in the 18th century

Ness Sands Lighthouses, near Bristol, Goucestershire, 1841. Artist: Francis William Topham
Ness Sands Lighthouses, near Bristol, Gloucestershire, 1841

The Fish Market, Antwerp, Belgium, 19th century. Artist: J Rogers
The Fish Market, Antwerp, Belgium, 19th century

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"William Henry: Capturing the Essence of History through Art" Step into the world of William Henry, an artist who skillfully brought historical moments to life through his captivating artworks. From Folly Ditch to Jacobs Island in 1878, he transported viewers to forgotten corners of London's past, revealing its hidden stories and secrets. In Londonderry, Northern Ireland, in 1860, Henry painted Walkers Pillar with such precision that one could almost feel the breeze sweeping across this iconic landmark. But it wasn't just landscapes that fascinated him; he also delved into the realm of literature and poetry. The Genius of Poetry Finding Burns at the Plough depicted a poignant encounter between creativity and labor, showcasing Henry's ability to capture profound emotions on canvas. All Hallows-by-the-Tower Church stood tall in his artwork from 1736, displaying both architectural grandeur and religious significance. Henry was not afraid to tackle social issues either. His piece titled "The Modern Job. Or John Bull and his Comforts. " satirically critiqued societal norms during 1816. Meanwhile, The Great Khan at Damascus transported us back to ancient times in 1841 when cultures collided along historic trade routes. His travels took him further afield as well – Hadgi encamped near Antioch showcased pilgrims on their journey through Turkey's picturesque landscape in 1841. The Philistines took him. . Portrayed a biblical tale with haunting realism during the mid-19th century. Religion played a significant role throughout Henry's career too; Make not my Father's house an house of merchandise conveyed a powerful message about sacred spaces being exploited for profit during this same period. Macklins House allowed us a glimpse into Victorian society within Tavistock Row in 1881. Not limited by time or place alone, William Henry ventured even further back into history with Eleanor of Castile, Queen Consort of King Edward I.