Winged Lion Collection

Detail of the facade of St Mark's Basilica showing St. Mark patron apostle with angels and, underneath, the winged lion, Venice, Veneto, Italy

Interior view of St Marks Basilica, Venice, Veneto, Italy

The Symbols of the Four Evangelists, 1400-1404. Creator: Unknown
The Symbols of the Four Evangelists, 1400-1404. Page from "Tafel van den Kersten Ghelove" (Handbook of the Christian Faith) by Dutch Dominican theologian Dirc van Delf

Panegyric of Leonardo Loredan, 21 April, 1503. Creator: Unknown
Panegyric of Leonardo Loredan, 21 April, 1503. The Panegyricus Serenissimo Principi Leonardo Lauredano, anglicised as Panegyric to the Most Serene Prince Leonardo Loredan

The Dark Hours of Italy; The "Piazzetta", in front of the Doge's Palace.... 1917. Creator: Unknown
The Dark Hours of Italy; The "Piazzetta", in front of the Doge's Palace. Areas of Venice threatened, November 4, 1917, at the most critical moment of the Austro-German offensive, 1917

Capital with Winged Lion, 2nd century. Creator: Unknown
Capital with Winged Lion, 2nd century

Cartoon of Nicolaas Kromhout, 1710-1720. Creator: Anon
Cartoon of Nicolaas Kromhout, 1710-1720. Nicolaas Kromhout was a judge of Van Oldenbarnevelt. Donkey with cloak, hat and glasses in wreath of flowers and leaves

Last Judgment, 1611. Creator: Aert Pietersz
Last Judgment, 1611

Bass-relief with Winged Lion preserved in Zadar, Croatia Croatia High Relief. Date of Photograph:1950-1960. Date of Artwork:1000-1500

Bronze "Situla della Certosa" preserved in the Bologna Archaeological Museum with embossed decorated figures with military scenes and funerary rites located on the top

A table support (trapezophoron) in the House of Cornelius Rufus, in the archaeological site of Pompeii Pompeii Archaeological site, House of Cornelius Rufus Sculpture Roman Art, Europe

Metal ornaments, Germany, 19th century, (1898). Creator: Unknown
Metal ornaments, France and Germany, 19th century, (1898). Empire style fittings: Figs 1-23: Metal-Ornaments of furniture in the Kings Palace [New Palace

View of the Dogana, 1702, (1925). Creator: Peter Schenk
View of the Dogana, 1702, (1925). 18th century view of the Punta della Dogana, old customs building in Venice, Italy. On the right is the pillar with a winged lion, symbol of the city

Piazza San Marco (St. Mark's Square) & Church of San Giorgio Maggiore, Venice, Veneto, Italy

The sculpture of a winged lion on the dome of the historic " ConfiterAia del Molino", Balvanera, Buenos Aires, Argentina

The dome of the historic "Confiteria El Molino"
The dome of the historic " Confiteria El Molino" in the foreground and the grren dome of the National Argentine Congress in the background, Monserrat, Argentina

The winged lion has long been a traditional symbol of Venice. It is one symbol of Mark the Evangelist (the apostle), who is the citys patron saint - In the background the bell tower of the Basilica

Untitled (27), c. 1890. [Doges Palace, Venice]. Creator: Unknown
Untitled (27), c. 1890. [Lion of Venice and Doges Palace, Venice]. Photogravure, no. 27 from the portfolio " Calli, Canali e Isole della Laguna"

Untitled (31), c. 1890. [Doge and winged lion, facade of Doges Palace, Venice]. Photogravure, no. 31 from the portfolio " Calli, Canali e Isole della Laguna"

Festivals of Apostles, Evangelists, All Angels and All Saints (colour litho)
3626745 Festivals of Apostles, Evangelists, All Angels and All Saints (colour litho) by English School, (19th century); Private Collection; (add.info.: Festivals of Apostles, Evangelists)

Medallion of St. Mark the Evangelist, the Old Sacristy (plaster)
ALI161976 Medallion of St. Mark the Evangelist, the Old Sacristy (plaster) by Donatello, (c.1386-1466); San Lorenzo, Florence, Italy; Alinari

The Clock Tower, St. Marks Square (b / w photo)
MES408673 The Clock Tower, St. Marks Square (b/w photo) by Italian Photographer; Venice, Italy; (add.info.: Torre dell Orologio; built in 1496-99 by Mario Coducci (c.1440-1504)

View of the Ducal Palace and the Grand Canal, Venice, Italy (colour engraving)
REV287682 View of the Ducal Palace and the Grand Canal, Venice, Italy (colour engraving) by French School, (18th century); Private Collection; (add.info.: vue du Palais Ducal et du Grand Canal)

A Regatta with the Dogess Moresina Grimani in the Bucintoro (engraving) (b / w photo)
TPG188408 A Regatta with the Dogess Moresina Grimani in the Bucintoro (engraving) (b/w photo) by Italian School, (16th century); Museo Correr, Venice

Scala dei Giganti and the Palazzo Ducale (b / w photo)
MES408671 Scala dei Giganti and the Palazzo Ducale (b/w photo) by Italian Photographer; Venice, Italy; (add.info.: Ducal Palace built c.1390-24; staircase built for coronation ceremony of Doges;)

St Mark the Evangelist, 1883 (stained glass)
BIR186113 St Mark the Evangelist, 1883 (stained glass) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; English, out of copyright

St. Mark, 1411 (marble)
BAT152121 St. Mark, 1411 (marble) by Donatello, (c.1386-1466); Orsanmichele Church and Museum, Florence, Tuscany, Italy; (add.info)

St Mark the Evangelist, panel D of the North Doors of the Baptistery of San Giovanni
BEN131526 St Mark the Evangelist, panel D of the North Doors of the Baptistery of San Giovanni, 1403-24 (bronze) by Ghiberti, Lorenzo (1378-1455); 52x45 cm; Baptistery, Florence

Angels, from the Apocalypse Tapestry of Angers, 1373-87 (tapestry)
902047 Angels, from the Apocalypse Tapestry of Angers, 1373-87 (tapestry) by Bataille, Nicolas (fl. 1363-1400); Musee des Tapisseries, Angers

Saint Mark writing his gospel, winged lion at the right, 1531-76

Owake! what ho! Brabantio! thieves! thieves!: plate 1 from Othello (Act 1, Scene 1), 1844

The Molo, Venice, Looking West, ca. 1709. Creator: Luca Carlevarijs
The Molo, Venice, Looking West, ca. 1709

Lion of St Mark, 1931, (wood engraving)

Venetian castle Gate to Coron
Illustration of a Venetian Gate to Coron

Ionian Isles, 1838. From A Display of the Naval Flags of All Nations. Collected from the Best Authorities. [Fisher, Son, & Co. London, 1838]

Assyrian winged lion bas-relief
Carving of a winged lion in battle at the entrance to an Assyrian temple. Photogravure reproduction of a 19th-century photograph

Winged lion fountain in front of azulejos tiles on the Do Carmo church dating from the 18th century, Oporto, Portugal, Europe

Winged Lions Hold Up A Beautiful Planter Of Vines And Flowers In The Avenue Gardens, Regents Park; London, England

Triumph of Religion, 1686 (oil on canvas)
XIR159303 Triumph of Religion, 1686 (oil on canvas) by Le Brun, Charles (1619-90) (studio of ); 53x43 cm; Louvre, Paris, France; French, out of copyright

Ornamental design front chest winged lion bear
Artokoloro

St Mark seated unfurled scroll hands winged lion
Artokoloro

San Marco column and San Marco campanile (St. Marks bell tower), Venice, UNESCO World Heritage Site, Veneto, Italy, Europe

Winged lion and clock tower, St. Marks Square, Venice, UNESCO World Heritage Site, Veneto, Italy, Europe

Detail of St. Marks Basilica, Piazza San Marco (St. Marks Square), Venice, Veneto, Italy, Europe

Carved winged lion of St. Mark above gate of the citadel, Famagusta, north of the island, Cyprus, Europe

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The winged lion, a symbol deeply rooted in the history and culture of Venice, takes center stage in various iconic locations across the city. From the grand interior view of St Mark's Basilica to the bustling Piazza San Marco, this majestic creature captivates all who lay eyes upon it. Metal ornaments dating back to the 19th century showcase intricate designs featuring the winged lion, created by an unknown artist whose talent has stood the test of time. Similarly, Peter Schenk's masterpiece from 1702 provides a breathtaking view of The Dogana adorned with this powerful symbol. As one gazes up at the dome of Confiteria El Molino or explores Basilica San Marco on St Mark's Square they can greeted by a sculpture depicting a magnificent winged lion. Its presence evokes a sense of awe and reverence for Venice's rich heritage. Throughout history, artists have immortalized this emblematic figure in their works. An untitled piece from 1890 showcases its prominence on Doge's Palace facade while another artwork portrays festivals celebrating apostles, evangelists, angels, and saints - all united under the watchful eye of the winged lion. Even within religious contexts such as medallions found in The Old Sacristy or depictions of St Mark as an evangelist, this mythical creature plays a significant role. It serves as a reminder that Venice is not only renowned for its canals but also for its deep spiritual connection. The winged lion holds more than just symbolic value; it represents resilience and strength ingrained within Venetian identity. As visitors explore these historical sites or stumble upon metal ornaments scattered throughout Germany from over a century ago - they are reminded that even through changing times and shifting landscapes - some things remain constant: like Venice's unwavering bond with its beloved guardian -the majestic winged lion.