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Winnebago Collection

"Exploring the Rich Heritage of the Winnebago Tribe through Art and History" Step into a world where the captivating culture of the Winnebago Indians comes to life

Background imageWinnebago Collection: Winnebago Indians playing Checkers, 1842 (oil on canvas)

Winnebago Indians playing Checkers, 1842 (oil on canvas)
712105 Winnebago Indians playing Checkers, 1842 (oil on canvas) by Deas, Charles (1818-67); 32x37 cm; Private Collection; American, out of copyright

Background imageWinnebago Collection: Dave Lee Travis, BBC Radio One DJ prepares to take his show on the road

Dave Lee Travis, BBC Radio One DJ prepares to take his show on the road, pictured with his Winnebago, a mobile home on wheels, 6th December 1980

Background imageWinnebago Collection: Wah-kon-ze-kaw, The Snake, 1828. Creator: George Catlin

Wah-kon-ze-kaw, The Snake, 1828. Creator: George Catlin
Wah-kon-ze-kaw, The Snake, 1828

Background imageWinnebago Collection: Won-de-tow-a, The Wonder, 1835. Creator: George Catlin

Won-de-tow-a, The Wonder, 1835. Creator: George Catlin
Won-de-tow-a, The Wonder, 1835

Background imageWinnebago Collection: Du-cor-re-a, Chief of the Tribe, and His Family, (1830?) Creator: George Catlin

Du-cor-re-a, Chief of the Tribe, and His Family, (1830?) Creator: George Catlin
Du-cor-re-a, Chief of the Tribe, and His Family, (1830?)

Background imageWinnebago Collection: Span-e-o-nee-kaw, The Spaniard, 1828. Creator: George Catlin

Span-e-o-nee-kaw, The Spaniard, 1828. Creator: George Catlin
Span-e-o-nee-kaw, The Spaniard, 1828

Background imageWinnebago Collection: Gathering Wild Rice - Winnebago, 1861 / 1869. Creator: George Catlin

Gathering Wild Rice - Winnebago, 1861 / 1869. Creator: George Catlin
Gathering Wild Rice - Winnebago, 1861/1869. on the Fox river, Wisconsin

Background imageWinnebago Collection: View of Chicago in 1837, 1861 / 1869. Creator: George Catlin

View of Chicago in 1837, 1861 / 1869. Creator: George Catlin
View of Chicago in 1837, 1861/1869. Winnebago Indians dancing

Background imageWinnebago Collection: Hairy Bear, Winnebagoes, from the American Indian Chiefs series (N2) for Allen &

Hairy Bear, Winnebagoes, from the American Indian Chiefs series (N2) for Allen &
Hairy Bear, Winnebagoes, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands, 1888

Background imageWinnebago Collection: Big Snake, Winnebagoes, from the American Indian Chiefs series (N2) for Allen &

Big Snake, Winnebagoes, from the American Indian Chiefs series (N2) for Allen &
Big Snake, Winnebagoes, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands, 1888

Background imageWinnebago Collection: Winnebagoes, 1841. Artist: Myers and Co

Winnebagoes, 1841. Artist: Myers and Co
Winnebagoes, 1841. A print from Letters and Notes on the Manners, Customs and Condition of the North American Indians, by Wiley and Putnam, 161 Broadway, New York, 1841

Background imageWinnebago Collection: Winebago medicine bundles

Winebago medicine bundles
Winebago Native American medicine bundles that belonged to a medicine man

Background imageWinnebago Collection: Winnebago Tribe, North American Indian Double headed Drum

Winnebago Tribe, North American Indian Double headed Drum. Note the Bird, possibly and Eagle with an arrow leading to the heart

Background imageWinnebago Collection: Moaz-Kida= Shooting Cedar Winnebago Adolph F

Moaz-Kida= Shooting Cedar Winnebago Adolph F
Moaz-Kida= Shooting Cedar, Winnebago; Adolph F. Muhr (American, died 1913), Frank A. Rinehart (American, 1861 - 1928); 1899; Platinum print; 23.7 x 18.1 cm (9 5, 16 x 7 1, 8 in.)

Background imageWinnebago Collection: RED BIRD [WINNEBAGO]. Lithograph, 1836

RED BIRD [WINNEBAGO]. Lithograph, 1836

Background imageWinnebago Collection: Surrender of the Tennessee, Battle of Mobile Bay, illustration from Battles

Surrender of the Tennessee, Battle of Mobile Bay, illustration from Battles
BAL122914 Surrender of the Tennessee, Battle of Mobile Bay, illustration from Battles and Leaders of the Civil War, edited by Robert Underwood Johnson and Clarence Clough Buel (engraving)

Background imageWinnebago Collection: WINNEBAGO WIGWAM, c1900. A Winnebago Native American woman in Nebraska standing

WINNEBAGO WIGWAM, c1900. A Winnebago Native American woman in Nebraska standing in front of a long oval wigwam, covered with bark, with a child standing in the doorway. Photographed c1900

Background imageWinnebago Collection: WINNEBAGO GRAVES, 1920. Graves, in the form of small wooden huts, by the side of

WINNEBAGO GRAVES, 1920. Graves, in the form of small wooden huts, by the side of the road on the Winnebago Native American reseravtion at Thurston, Nebraska. Photographed by Frank H. Shoemaker, 1920

Background imageWinnebago Collection: LITTLE ELK, 1826. Hoowanneka, or Little Elk. Lithograph after a painting, 1826

LITTLE ELK, 1826. Hoowanneka, or Little Elk. Lithograph after a painting, 1826, by James Otto Lewis

Background imageWinnebago Collection: KING: WINNEBAGO, 1828. Hoowaunneka (Little Elk)

KING: WINNEBAGO, 1828. Hoowaunneka (Little Elk). Winnebago. Oil on wood, 1828, by Charles Bird King

Background imageWinnebago Collection: CENSUS TAKING: WISCONSIN. A U. S. Census taker records information about a Winnebago

CENSUS TAKING: WISCONSIN. A U. S. Census taker records information about a Winnebago
CENSUS TAKING: WISCONSIN. A U.S. Census taker records information about a Winnebago Native American family in Wisconsin. Photograph, c1911

Background imageWinnebago Collection: WINNEBAGO ENCAMPMENT. Encampment of Winnebago Native Americans near present-day Green Bay

WINNEBAGO ENCAMPMENT. Encampment of Winnebago Native Americans near present-day Green Bay, Wisconsin. Lithograph, 19th century

Background imageWinnebago Collection: WINNEBAGO MEDICINE MEN. Winnebago medicine men performing a dance inside a large tent

WINNEBAGO MEDICINE MEN. Winnebago medicine men performing a dance inside a large tent. Steel engraving, c1855, after Seth Eastman

Background imageWinnebago Collection: Red-Bird, a Winnebago

Red-Bird, a Winnebago. Print shows Red-Bird, a Winnebago, full-length portrait. Also shows another Native American seated on the ground. Date between 1848 and 1850

Background imageWinnebago Collection: Naw-kaw, a Winnebago chief

Naw-kaw, a Winnebago chief. Print shows Naw-Kaw, a Winnebago chief, three-quarter length portrait holding a peace pipe(?). Date c1836

Background imageWinnebago Collection: Jean Nicolet Monument at Menasha, Wisconsin

Jean Nicolet Monument at Menasha, Wisconsin
The Jean Nicolet Monument at Menasha, Wisconsin - erected by the Womans Club of Menasha in 1906. Close to this location, Jean Nicolet landed and was the first white man in Wisconsin

Background imageWinnebago Collection: Racial / Hairy Bear / Winneb

Racial / Hairy Bear / Winneb
Hairy Bear: Chief of the Winnebago tribe

Background imageWinnebago Collection: Racial / Big Snake / Winneba

Racial / Big Snake / Winneba
Big Snake: Chief of the Winnebago tribe


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"Exploring the Rich Heritage of the Winnebago Tribe through Art and History" Step into a world where the captivating culture of the Winnebago Indians comes to life. In George Catlin's masterpiece, "Winnebago Indians playing Checkers, " we witness their skillful gameplay, showcasing their strategic minds and competitive spirit. Meet Wah-kon-ze-kaw, also known as The Snake. This remarkable portrait by Catlin captures his dignified presence and offers a glimpse into his powerful persona. Similarly, Won-de-tow-a, aptly named The Wonder, mesmerizes us with his enigmatic gaze that holds countless untold stories. Du-cor-re-a stands tall as Chief of the Tribe in another striking painting by Catlin. His regal stance exudes authority while depicting his deep connection to his people. Accompanied by his family, this portrayal showcases their unity and resilience amidst challenging times. The Spaniard, Span-e-o-nee-kaw in native tongue, adds an intriguing twist to this narrative. A cultural fusion between European influence and indigenous roots is evident in this artwork—a testament to the diverse history of these tribes. Moving beyond portraits, we delve into scenes from everyday life within the tribe. "Gathering Wild Rice - Winnebago" transports us back to 1861 when sustenance was derived directly from nature itself—a reminder of their harmonious relationship with Mother Earth. Chicago's transformation over time is unveiled through Catlin's lens in "View of Chicago in 1837. " Witnessing this bustling cityscape allows us to appreciate how Native American tribes coexisted alongside rapid urbanization during that era. Hairy Bear and Big Snake take center stage among other notable figures from Allen & Co. 's American Indian Chiefs series (N2). These representations honor tribal leaders who played pivotal roles within their communities—symbols of strength and wisdom passed down through generations. Discovering the Winnebagoes' artistic expressions extends beyond paintings.