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Woodcutter Collection (page 2)

"The Woodcutter's Journey: A Glimpse into the Life of a Timeless Craftsman" Step back in time to 1820, as depicted in Patrick Nasmyth's masterpiece "A Woodmans Cottage

Background imageWoodcutter Collection: Ritorno dal bosco (Return From The Forest), 1890 (oil on canvas)

Ritorno dal bosco (Return From The Forest), 1890 (oil on canvas)
7431591 Ritorno dal bosco (Return From The Forest), 1890 (oil on canvas) by Segantini, Giovanni (1858-99); Segantini Museum

Background imageWoodcutter Collection: Woodcutters, late 1840s, (c1915). Artist: Constant Troyon

Woodcutters, late 1840s, (c1915). Artist: Constant Troyon
Woodcutters, late 1840s, (c1915). The painting is part of the collection of the Royal Academy of Arts, London. From International Art: Past and Present by Alfred Yockney

Background imageWoodcutter Collection: An Unexpected Cut, 1874. Artist: Joseph Swain

An Unexpected Cut, 1874. Artist: Joseph Swain
An Unexpected Cut, 1874. With a felled tree entitled Irish Established Church behind him, Mr Gladstone, the Liberal Leader of the Opposition

Background imageWoodcutter Collection: Woodcutters, England, Victorian period

Woodcutters, England, Victorian period

Background imageWoodcutter Collection: Howe Street, Burnley in 1883

Howe Street, Burnley in 1883

Background imageWoodcutter Collection: Woodcutter and dog

Woodcutter and dog

Background imageWoodcutter Collection: Woodcutter and his dog Victorian period

Woodcutter and his dog Victorian period

Background imageWoodcutter Collection: Photograph of New Zealand woodcutter with axe and spectators looking

Photograph of New Zealand woodcutter with axe and spectators looking on. Outdoor reportage photograph. Captioned, It is the Last Blow That Counts

Background imageWoodcutter Collection: Book of Hours, vol 137, 2v, 16th century (Bound in red velour, with metal corners)

Book of Hours, vol 137, 2v, 16th century (Bound in red velour, with metal corners)
6333412 Book of Hours, vol 137, 2v, 16th century (Bound in red velour, with metal corners) by Flemish School, (16th century); 209x142 cm; Courtesy of the Trustees of Sir John Soane's Museum

Background imageWoodcutter Collection: The wood sawyers, 1850-1852, (oil on canvas)

The wood sawyers, 1850-1852, (oil on canvas)
7146839 The wood sawyers, 1850-1852, (oil on canvas) by Millet, Jean-Francois (1814-75); Victoria & Albert Museum, London, UK; (add.info.: The wood sawyers, 1850-1852, Jean Francois Millet)

Background imageWoodcutter Collection: Visu on Mount Fuji-Yama, illustration from The Myths and Legends of Japan by F

Visu on Mount Fuji-Yama, illustration from The Myths and Legends of Japan by F. Hadland Davis, 1918 (colour litho)
STC323789 Visu on Mount Fuji-Yama, illustration from The Myths and Legends of Japan by F. Hadland Davis, 1918 (colour litho) by Paul

Background imageWoodcutter Collection: Yuki-Onna, The Lady of the Snow, illustration from The Myths and Legends of Japan by F

Yuki-Onna, The Lady of the Snow, illustration from The Myths and Legends of Japan by F
STC323791 Yuki-Onna, The Lady of the Snow, illustration from The Myths and Legends of Japan by F. Hadland Davis, 1918 (colour litho) by Paul

Background imageWoodcutter Collection: Figures by a River (oil on canvas)

Figures by a River (oil on canvas)
7074530 Figures by a River (oil on canvas) by Mesgrigny, Frank de (1836-84); 35.5x56.5 cm; Private Collection

Background imageWoodcutter Collection: Woodcutters (The Old Elm), 1903 (oil on canvas)

Woodcutters (The Old Elm), 1903 (oil on canvas)
822697 Woodcutters (The Old Elm), 1903 (oil on canvas) by Hassam, Childe Frederick (1859-1935); 46.3x56.5 cm; Private Collection; (add.info.: Woodcutters (The Old Elm)

Background imageWoodcutter Collection: An Architect with his Patrons preparing to lay the Foundation stone of a Villa below the Corcovado

An Architect with his Patrons preparing to lay the Foundation stone of a Villa below the Corcovado Mountain
7088943 An Architect with his Patrons preparing to lay the Foundation stone of a Villa below the Corcovado Mountain (oil on canvas) by Palliere, Arnaud Julien (1784-1862); Private Collection

Background imageWoodcutter Collection: The Woodcutter saves Red Riding-Hood (colour litho)

The Woodcutter saves Red Riding-Hood (colour litho)
5222801 The Woodcutter saves Red Riding-Hood (colour litho) by Hassall, John (1868-1948); Private Collection; (add.info.: The Woodcutter saves Red Riding-Hood)

Background imageWoodcutter Collection: 'Un bucheron et un chasseur dans un paysage de foret'Peinture de Berndt Lindholm (1841-1914)

"Un bucheron et un chasseur dans un paysage de foret"Peinture de Berndt Lindholm (1841-1914)
FIA5326396 " Un bucheron et un chasseur dans un paysage de foret" Peinture de Berndt Lindholm (1841-1914) Mikhail Kroshitsky Art Museum, Sevastopol (Sebastopol) Ukraine by Lindholm

Background imageWoodcutter Collection: Lumberjack at work, Western Australia (coloured photo)

Lumberjack at work, Western Australia (coloured photo)
7150606 Lumberjack at work, Western Australia (coloured photo) by Australian Photographer (20th century); Private Collection; (add.info.: Lumberjack at work, Western Australia)

Background imageWoodcutter Collection: Faggot Gatherers (oil)

Faggot Gatherers (oil)
7076682 Faggot Gatherers (oil) by Morland, George (1763-1804); Private Collection; (add.info.: Morland, George (1763-1804))

Background imageWoodcutter Collection: Le Vocabulaire Illustre: Scieur; Sawyer; Sager (engraving)

Le Vocabulaire Illustre: Scieur; Sawyer; Sager (engraving)
7197510 Le Vocabulaire Illustre: Scieur; Sawyer; Sager (engraving) by European School, (19th century); Private Collection; (add.info.: Scieur; Sawyer; Sager)

Background imageWoodcutter Collection: Winter, 1895

Winter, 1895
7205706 Winter, 1895 by Hansteen, Nils (1855-1912); 100x156 cm; Private Collection; Photo © O. Vaering

Background imageWoodcutter Collection: Turner using a lathe (engraving)

Turner using a lathe (engraving)
7185989 Turner using a lathe (engraving) by English School, (19th century); Private Collection; (add.info.: Turner using a lathe)

Background imageWoodcutter Collection: A Winter Landscape with Townsfolk on the Ice (oil)

A Winter Landscape with Townsfolk on the Ice (oil)
7064920 A Winter Landscape with Townsfolk on the Ice (oil) by Brueghel, Jan (1601-78) & Momper, Joos de (1564-1635); Private Collection

Background imageWoodcutter Collection: Australia: Felling Blue-Gum Tree in Huon Forest, Tasmania (b / w photo)

Australia: Felling Blue-Gum Tree in Huon Forest, Tasmania (b / w photo)
7182146 Australia: Felling Blue-Gum Tree in Huon Forest, Tasmania (b/w photo) by Australian Photographer (20th century); Private Collection; (add.info.: Felling Blue-Gum Tree in Huon Forest)

Background imageWoodcutter Collection: A Wooded Landscape with Woodcutters (oil)

A Wooded Landscape with Woodcutters (oil)
354899 A Wooded Landscape with Woodcutters (oil) by Looten, Jan (1618-81); 93.9x106.68 cm; Private Collection

Background imageWoodcutter Collection: A kitchen with an Old Man Cutting Wood (oil on canvas)

A kitchen with an Old Man Cutting Wood (oil on canvas)
6041624 A kitchen with an Old Man Cutting Wood (oil on canvas) by Master of Beguins; 86.3X117.5 cm; Private Collection

Background imageWoodcutter Collection: Winter road, 1901

Winter road, 1901
6234162 Winter road, 1901 by Kittelsen, Theodor Severin (1857-1914); 32x24 cm; Private Collection; Photo © O. Vaering

Background imageWoodcutter Collection: Abele and Oak, from The Park and the Forest, 1841. Creator: James Duffield Harding

Abele and Oak, from The Park and the Forest, 1841. Creator: James Duffield Harding
Abele and Oak, from The Park and the Forest, 1841

Background imageWoodcutter Collection: The Woodcutter, 1910 (oil on canvas)

The Woodcutter, 1910 (oil on canvas)
7085177 The Woodcutter, 1910 (oil on canvas) by Hodler, Ferdinand (1853-1918); 130x101 cm; Musee d Orsay, Paris, France; Swiss, out of copyright

Background imageWoodcutter Collection: Woodcutters with their Cart Resting in a Woodland Glade (oil on canvas)

Woodcutters with their Cart Resting in a Woodland Glade (oil on canvas)
7076583 Woodcutters with their Cart Resting in a Woodland Glade (oil on canvas) by Wheatley, Francis (1747-1801); Private Collection; English, out of copyright

Background imageWoodcutter Collection: The Hut in the Forest, from Little Brother & Little Sister

The Hut in the Forest, from Little Brother & Little Sister
3611257 The Hut in the Forest, from Little Brother & Little Sister and Other Tales by the Brothers Grimm, pub.1917 (colour litho) by Rackham

Background imageWoodcutter Collection: Hansel and Gretel: Hansel leaving a trail of pebbles to find the way home (chromolitho)

Hansel and Gretel: Hansel leaving a trail of pebbles to find the way home (chromolitho)
1093212 Hansel and Gretel: Hansel leaving a trail of pebbles to find the way home (chromolitho) by European School, (19th century); Private Collection; (add.info.: Hansel and Gretel)

Background imageWoodcutter Collection: Feyeraband (1889-1945)

Feyeraband (1889-1945)
Beestow in der Mark. Erich Feyeraband was artist turned woodcutter. A supporter of the Third Reich, he received orders from various German cities to produce cityscapes in a medaeval style

Background imageWoodcutter Collection: Labourer and Lumberjack at Work, from the Tomb of Nakht, New Kingdom (wall painting)

Labourer and Lumberjack at Work, from the Tomb of Nakht, New Kingdom (wall painting)
XIR174476 Labourer and Lumberjack at Work, from the Tomb of Nakht, New Kingdom (wall painting) by Egyptian 18th Dynasty (c.1567-1320 BC); Valley of the Nobles, Thebes

Background imageWoodcutter Collection: The Woodcutters, Tournai Workshop (tapestry)

The Woodcutters, Tournai Workshop (tapestry)
XIR227240 The Woodcutters, Tournai Workshop (tapestry) by French School, (15th century); Musee des Arts Decoratifs, Paris, France; French, out of copyright

Background imageWoodcutter Collection: A man in front of a hut for woodcutters and kuria (coal burning) in the forest

A man in front of a hut for woodcutters and kuria (coal burning) in the forest
698966 A man in front of a hut for woodcutters and kuria (coal burning) in the forest, Russian Empire, between 1905 and 1915 (photo) by Prokudin-Gorsky

Background imageWoodcutter Collection: Winter Landscape, 1674 (oil on canvas)

Winter Landscape, 1674 (oil on canvas)
XKH147221 Winter Landscape, 1674 (oil on canvas) by Harms, Johann Oswald (1643-1708); 69x103.1 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Background imageWoodcutter Collection: Timber Hauling, c. 1917 (crayon on paper)

Timber Hauling, c. 1917 (crayon on paper)
XYC306541 Timber Hauling, c.1917 (crayon on paper) by Bevan, Robert Polhill (1865-1925); 34.8x43.2 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageWoodcutter Collection: Goodrich Castle, called Barden Tower (w / c on paper)

Goodrich Castle, called Barden Tower (w / c on paper)
AGN260357 Goodrich Castle, called Barden Tower (w/c on paper) by Wint, Peter de (1784-1849); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageWoodcutter Collection: Ms 170 fol. 59 Historiated initial Q depicting monks chopping wood

Ms 170 fol. 59 Historiated initial Q depicting monks chopping wood
JHG183757 Ms 170 fol.59 Historiated initial Q depicting monks chopping wood, from Moralia in Job by Pope Gregory the Great (vellum) by French School, (12th century); Bibliotheque Municipale, Dijon

Background imageWoodcutter Collection: Ms 260 volume IV Frontispiece of Treat de la culture des Forets from

Ms 260 volume IV Frontispiece of Treat de la culture des Forets from
XDT266957 Ms 260 volume IV Frontispiece of Treat de la culture des Forets from Iisivetes de M. Vauban contenant plusieurs Memoires ou Ramas de sa way (engraving) (b/w photo) by Vauban

Background imageWoodcutter Collection: The Wood Cutters (oil on canvas)

The Wood Cutters (oil on canvas)
450191 The Wood Cutters (oil on canvas) by Barker, Thomas (1769-1847); 30.6x40.8 cm; The Holburne Museum, Bath, UK; eHolburne Museum; British, out of copyright

Background imageWoodcutter Collection: The Woodcutters, 1845 (salt paper print from calotype negative)

The Woodcutters, 1845 (salt paper print from calotype negative)
STC379319 The Woodcutters, 1845 (salt paper print from calotype negative) by Talbot, William Henry Fox (1800-77); Private Collection; (add.info)

Background imageWoodcutter Collection: Landscape with Figures (ink, pencil & w / c on paper)

Landscape with Figures (ink, pencil & w / c on paper)
473923 Landscape with Figures (ink, pencil & w/c on paper) by Waller, Charles D. (18th/19th century); 46.5x30.4 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageWoodcutter Collection: The Prince asks directions, from The Blue Beard Picture Book, pub. 1879 (colour litho)

The Prince asks directions, from The Blue Beard Picture Book, pub. 1879 (colour litho)
3715325 The Prince asks directions, from The Blue Beard Picture Book, pub. 1879 (colour litho) by Crane, Walter (1845-1915); (add.info.: The Sleeping Beauty; ); The Stapleton Collection; English

Background imageWoodcutter Collection: Wladyslaw Skoczylas

Wladyslaw Skoczylas (1883-1934) Polish watercolourist, woodcutter, sculptor & teacher Date: 1927

Background imageWoodcutter Collection: Peace (Love Amid Ruins), by Frank Brangwyn

Peace (Love Amid Ruins), by Frank Brangwyn
Peace (Love Amid Ruins), lithograph by Frank Brangwyn. In a war-torn landscape, a woodcutter offers a flower to a baby while the mother looks

Background imageWoodcutter Collection: Hunting for Wild Boar, c. 1515-35 (wool and silk thread)

Hunting for Wild Boar, c. 1515-35 (wool and silk thread)
3746291 Hunting for Wild Boar, c.1515-35 (wool and silk thread) by Netherlandish School (16th century); 337.8x251.5 cm; Metropolitan Museum of Art, New York



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"The Woodcutter's Journey: A Glimpse into the Life of a Timeless Craftsman" Step back in time to 1820, as depicted in Patrick Nasmyth's masterpiece "A Woodmans Cottage. " The tranquil scene captures the essence of a woodcutter's humble abode, nestled amidst nature's embrace. Intriguingly, "The Wood Cutter" painted on oil board invites us to witness the strength and determination etched onto the face of this skilled laborer. His weathered hands tell tales of countless hours spent honing his craft. Traveling across England during the Victorian period, we stumble upon an enchanting street named Howe Street in Burnley. In 1883, it was here that woodcutters labored tirelessly, their axes echoing through time. One cannot help but be captivated by the heartwarming companionship between a woodcutter and his loyal dog. This Victorian-era duo exemplifies unwavering loyalty and camaraderie amidst challenging days spent amongst towering trees. Venturing beyond borders, we find ourselves transported to New Zealand where spectators gather to witness tree felling firsthand. With axe held high, a determined woodcutter delivers "the last blow that counts, " showcasing immense skill and precision. Lostwithiel in Cornwall becomes our next destination as we delve into March 1983. Tree felling takes center stage once again; however, this time it is captured through photography rather than paintbrush strokes. Each image tells its own story of hard work and dedication. Frank William Brangwyn immortalizes woodcutters' legacy with his artistry from another era—late 1840s transformed into c1915—a testament to their enduring impact on society. Joseph Swain paints an unforgettable moment titled "An Unexpected Cut" in 1874—an ode to those unpredictable challenges faced by woodcutters daily. Their ability to adapt showcases resilience like no other.