Fraud Blocker Skip to main content

Wooden Sculpture Collection

Wooden sculptures can be found in various parts of the world, showcasing the artistic prowess and cultural heritage of different regions

Background imageWooden Sculpture Collection: Carved posts at Alert Bay, c1914. Creator: Edward Sheriff Curtis

Carved posts at Alert Bay, c1914. Creator: Edward Sheriff Curtis
Carved posts at Alert Bay, c1914. Two totem poles in front of a wood frame house in the Nimkish village Yilis, on Cormorant Island

Background imageWooden Sculpture Collection: A Tsunukwa at Kwaustums, c1914. Creator: Edward Sheriff Curtis

A Tsunukwa at Kwaustums, c1914. Creator: Edward Sheriff Curtis
A Tsunukwa at Kwaustums, c1914. A Dzoonokwa (or Tsunukwa) totem pole measuring over 20 feet tall, depicting a figure with hands outstretched to receive dowry from the wife's family

Background imageWooden Sculpture Collection: Wooden sculpture in Plaza 10 de Noviembre, Potosi (UNESCO World Heritage Site), Bolivia

Wooden sculpture in Plaza 10 de Noviembre, Potosi (UNESCO World Heritage Site), Bolivia

Background imageWooden Sculpture Collection: Raven Rattle, c. 1840 (wood and ivory)

Raven Rattle, c. 1840 (wood and ivory)
5669116 Raven Rattle, c.1840 (wood and ivory) by Haida, (19th century); 22.1x12.7 cm; Metropolitan Museum of Art, New York, USA; (add.info.: From Canada)

Background imageWooden Sculpture Collection: Raven Bowl, c. 1870 (wood and paint)

Raven Bowl, c. 1870 (wood and paint)
5669114 Raven Bowl, c.1870 (wood and paint) by Haida, (19th century); 8.6x18.7 cm; Metropolitan Museum of Art, New York, USA; (add.info.: From Canada, Queen Charlotte Islands ()

Background imageWooden Sculpture Collection: Totem Pole Model, 1875-85 (wood and pigment)

Totem Pole Model, 1875-85 (wood and pigment)
5669119 Totem Pole Model, 1875-85 (wood and pigment) by Haida, (19th century); 68.6x11.4 cm; Metropolitan Museum of Art, New York, USA; (add.info.: From Canada)

Background imageWooden Sculpture Collection: St. James the Minor, St. Philip and St. Barnabas, from the Isenheim Altarpiece, c

St. James the Minor, St. Philip and St. Barnabas, from the Isenheim Altarpiece, c. 1490 (painted wood)
XIR181071 St. James the Minor, St. Philip and St. Barnabas, from the Isenheim Altarpiece, c.1490 (painted wood) by Hagenauer, Nikolaus (c.1455-1526/28); Musee d Unterlinden, Colmar, France

Background imageWooden Sculpture Collection: Sardinia Nuoro Bosa Cathedral Italy italian country

Sardinia Nuoro Bosa Cathedral Italy italian country
Sardinia Nuoro Bosa Cathedral, this is my Italy, the italian country of visual history, Medieval Architecture, originally 12th and 13th centuries

Background imageWooden Sculpture Collection: Sardinia Sassari Borutta S. Pietro di Sorres

Sardinia Sassari Borutta S. Pietro di Sorres, this is my Italy, the italian country of visual history, Medieval Sardinian Romanesque architecture 12th century with strong Tuscan influence

Background imageWooden Sculpture Collection: Marches Pesaro Fossombrone S. Francesco Italy

Marches Pesaro Fossombrone S. Francesco Italy
Marches Pesaro Fossombrone S. Francesco, this is my Italy, the italian country of visual history, Post-medieval Architecture, late 18th century

Background imageWooden Sculpture Collection: Marches Pesaro Fossombrone Cathedral Italy italian country

Marches Pesaro Fossombrone Cathedral Italy italian country
Marches Pesaro Fossombrone Cathedral, this is my Italy, the italian country of visual history, Medieval Details of original parts of the church

Background imageWooden Sculpture Collection: Umbria Terni Terni S. Pietro Italy italian country

Umbria Terni Terni S. Pietro Italy italian country
Umbria Terni Terni S. Pietro, this is my Italy, the italian country of visual history, Exterior views facade and portal 13th century with pediment sculpture of Christ blessing 15th century apse

Background imageWooden Sculpture Collection: Umbria Perugia Foligno S. Domenico Italy italian country

Umbria Perugia Foligno S. Domenico Italy italian country
Umbria Perugia Foligno S. Domenico, this is my Italy, the italian country of visual history, Medieval 13th century architecture 1251, 14th century campanile



All Professionally Made to Order for Quick Shipping

Wooden sculptures can be found in various parts of the world, showcasing the artistic prowess and cultural heritage of different regions. In Plaza 10 de Noviembre, Potosi, Bolivia (a UNESCO World Heritage Site), a magnificent wooden sculpture stands tall, capturing the attention of passersby. This masterpiece depicts intricate details and craftsmanship that reflect the rich history and traditions of this South American country. Another remarkable example is the Raven Rattle from c. 1840, crafted with wood and ivory. Its delicate design showcases the skillful blending of materials to create a unique piece that resonates with both beauty and functionality. Moving on to another era, we come across the Raven Bowl from c. 1870. Made from wood and paint, this sculpture exhibits an exquisite blend of colors that enhance its aesthetic appeal while preserving its original form. A Totem Pole Model dating back to 1875-85 catches our eye next. Crafted using wood and pigment, it represents indigenous cultures' deep connection with nature through symbolic carvings that tell stories passed down through generations. Traveling now to Italy's Sardinia Nuoro Bosa Cathedral or Sassari Borutta S. Pietro di Sorres reveals more wooden sculptures adorning these sacred spaces. These masterpieces showcase religious figures intricately carved out of wood—a testament to both faith and artistry. In Marches Pesaro Fossombrone Cathedral in Italy's picturesque countryside lies yet another treasure—a wooden sculpture depicting St. Francesco—an embodiment of devotion captured through skilled hands working with passion. Umbria also boasts stunning examples like Terni S. Pietro or Perugia Foligno S. Domenico—wooden sculptures representing saints whose lifelike features evoke a sense of reverence among visitors who witness their presence within Italian churches' hallowed walls. From ancient Bolivian plazas to European cathedrals steeped in history, wooden sculptures transcend time and borders.