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Work Collection (page 18)

"Work: A Tapestry of Time and Struggle" In the spring of 1972, Ms. Magazine graced the shelves with its first issue, marking a pivotal moment in the feminist movement

Background imageWork Collection: No.227

No.227
ADIREK M

Background imageWork Collection: The old Ladakhi

The old Ladakhi
Olivier Schram

Background imageWork Collection: A Large Part Of Your Life

A Large Part Of Your Life
Andrea Comari

Background imageWork Collection: Watermelon seller

Watermelon seller
Dmitry Skvortsov

Background imageWork Collection: Seller of antiques and used materials

Seller of antiques and used materials
Bashar Alsofey

Background imageWork Collection: Fishing Net

Fishing Net
Ajit Kumar Majhi

Background imageWork Collection: drying fish

drying fish
Pavol Stranak

Background imageWork Collection: fish worker

fish worker
Pavol Stranak

Background imageWork Collection: Blacksmith of Bamyan

Blacksmith of Bamyan
Trevor Cole

Background imageWork Collection: Fixing in the street

Fixing in the street
Ricardo Gayan

Background imageWork Collection: Sunning Colored Fabrics

Sunning Colored Fabrics
Riza Amrullah

Background imageWork Collection: Blacksmith profession

Blacksmith profession
Bashar Alsofey

Background imageWork Collection: Paddy processing

Paddy processing
Azim Khan Ronnie

Background imageWork Collection: A Wet Day

A Wet Day
Oddfeel

Background imageWork Collection: Boiling

Boiling
Mohammadreza Momeni

Background imageWork Collection: Mohammadreza Momeni

Mohammadreza Momeni

Background imageWork Collection: Chilli

Chilli
Sarawut Intarob

Background imageWork Collection: Bricks cart

Bricks cart
Azim Khan Ronnie

Background imageWork Collection: Drying rice under sunlight

Drying rice under sunlight
Azim Khan Ronnie

Background imageWork Collection: Dyeing

Dyeing
Mohammadreza Momeni

Background imageWork Collection: Dyer

Dyer
Mohammadreza Momeni

Background imageWork Collection: Line Work

Line Work
Avishek Das

Background imageWork Collection: cleaning time

cleaning time
Fatma GÖKMEN

Background imageWork Collection: cloakroom

cloakroom
Mohammadreza Momeni

Background imageWork Collection: farmers

farmers
durmusceylan

Background imageWork Collection: Salt Farmer Harvesting

Salt Farmer Harvesting
Saurabh Sirohiya

Background imageWork Collection: Hue Coloured Fabrics & Thread Drying

Hue Coloured Fabrics & Thread Drying
Saurabh Sirohiya

Background imageWork Collection: Mountain

Mountain
Raffaele Corte

Background imageWork Collection: roofer

roofer
Stanislav Kompas

Background imageWork Collection: Colour Leak

Colour Leak
Andreas Magnusson

Background imageWork Collection: Salted Fish Processing

Salted Fish Processing
Sugiarto Widodo

Background imageWork Collection: ANT

ANT
Mustafa öztürk

Background imageWork Collection: Fishermen - 3198

Fishermen - 3198
Garik

Background imageWork Collection: Break

Break
Burak Senbak

Background imageWork Collection: At the British Ship Research Association, Wallsend on Tyne

At the British Ship Research Association, Wallsend on Tyne, the biggest automatic drawing machine - operated by a computer - in the country is in operation

Background imageWork Collection: Every day at the factory of the Wilkinson Sword Company in Cramlington, outside Newcastle

Every day at the factory of the Wilkinson Sword Company in Cramlington, outside Newcastle, 270 men who make the razor blades shave on duty, as part of the production

Background imageWork Collection: Llandarcy oil refinery. Philip Cole, 17, makes notes and looks out over the oil plant

Llandarcy oil refinery. Philip Cole, 17, makes notes and looks out over the oil plant. 8th August 1967

Background imageWork Collection: BP Llandarcy oil refinery, Swansea. Lyn Davies, 36, on top of the 'Cat Cracker'

BP Llandarcy oil refinery, Swansea. Lyn Davies, 36, on top of the "Cat Cracker"
BP Llandarcy oil refinery, Swansea. Lyn Davies, 36, on top of the " Cat Cracker" tower checks maintenance points and goes on tour of inspection high above the refinery

Background imageWork Collection: Workers in hot pants at Dewhirst, Redcar. 1971

Workers in hot pants at Dewhirst, Redcar. 1971

Background imageWork Collection: Nippies have returned to London after J Lyons & Co. Ltd

Nippies have returned to London after J Lyons & Co. Ltd. announced plans to revive the " Corner House". A nippy is a waitress who works in the J

Background imageWork Collection: At the paper mills of Messrs. Albert E. Reed and Co. at Aylesford, Kent

At the paper mills of Messrs. Albert E. Reed and Co. at Aylesford, Kent, where the yearly output of newsprint is 850, 000 miles of paper with a width of five feet

Background imageWork Collection: Birmingham Co-Operative milkman with his dairy float and horse

Birmingham Co-Operative milkman with his dairy float and horse, which has been dressed in flowers to celebrate May Day 1st May 1953

Background imageWork Collection: Blackett Hutton foundry. 1976

Blackett Hutton foundry. 1976

Background imageWork Collection: Nips O Brandy pub in Cowgate, Edinburgh. The Landlord has banned all traffic

Nips O Brandy pub in Cowgate, Edinburgh. The Landlord has banned all traffic wardens from his pub after being booked while unloading outside his pub. 13th January 1974

Background imageWork Collection: Quins Bar, Springburn Road, Glasgow, which is due to close in a few days time

Quins Bar, Springburn Road, Glasgow, which is due to close in a few days time. The song The Wee Room Underneath the Stairs is about a room in Quins where kirk elders eager for a dram

Background imageWork Collection: ITVs World of Sport presenter Dickie Davies with his new director Patricia

ITVs World of Sport presenter Dickie Davies with his new director Patricia Mordecai. London Weekend Television Studios, London. 2nd January 1979

Background imageWork Collection: Diana Edwards-Jones makes her own piece of history during the coming general election by

Diana Edwards-Jones makes her own piece of history during the coming general election by being the first woman in charge of a television election special

Background imageWork Collection: Some of the workers in a section of the Bemrose printing works at Aintrees Long Lane

Some of the workers in a section of the Bemrose printing works at Aintrees Long Lane. Liverpool, 16th January 1946



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"Work: A Tapestry of Time and Struggle" In the spring of 1972, Ms. Magazine graced the shelves with its first issue, marking a pivotal moment in the feminist movement. As women fought for their rightful place in the workforce, this cover served as a powerful symbol of empowerment. Across the Atlantic, in Derbyshire, England, shire horses ploughed through fields with unwavering determination. Their labor spoke volumes about the resilience and dedication required to make ends meet. Meanwhile, an American Socialist poster from 1911 depicted a capitalist pyramid—a stark reminder of societal inequalities that plagued workers during that era. The struggle for fair wages and better working conditions echoed throughout history. Diego Rivera's mural at The Detroit Institute of Arts captured the essence within the automobile industry during the Great Depression. This masterpiece showcased both pride and hardship experienced by countless individuals who relied on this sector for their livelihoods. Gustave Caillebotte's painting "The Floor Planers" transported us back to 1875 Paris where manual labor was essential for progress. It highlighted how every stroke had purpose—each worker contributing to society's advancement. The Oseberg replica Viking ship reminded us that work has evolved over centuries; it represented exploration and trade routes carved out by brave sailors who risked everything for prosperity. Fast forward to more recent times—the iconic Range Rover Mk. 1 Classic became synonymous with hard work paying off—an emblematic vehicle representing success achieved through perseverance and dedication. At Butler's Wharf on pay day, workers eagerly awaited their well-earned wages—a momentary respite from daily struggles but also a reminder that financial stability remained elusive for many even then. Diego Rivera once again left his mark with a mural depicting pre-Columbian life in Mexico City—a testament to indigenous civilizations' industriousness long before modern notions emerged.