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Xxix Collection

"Exploring the Depths of Art: Unveiling the Enigmatic XXIX" In a captivating journey through art and history

Background imageXxix Collection: The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench
995610 The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the Divine Comedy by Dante Alighieri, 1827 (engraving) by Blake

Background imageXxix Collection: The Prosperous Days of Job (engraving)

The Prosperous Days of Job (engraving)
6028265 The Prosperous Days of Job (engraving) by Dobson, William Charles Thomas (1817-98) (after); Private Collection; (add.info.: The Prosperous Days of Job)

Background imageXxix Collection: The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench
995617 The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the Divine Comedy by Dante Alighieri

Background imageXxix Collection: The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench
995602 The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the Divine Comedy by Dante Alighieri, 1954 (engraving) by Blake

Background imageXxix Collection: Manuscript by Ausias March, folio XXIX, XXVIII poems, Gothic writing with ornamented

Manuscript by Ausias March, folio XXIX, XXVIII poems, Gothic writing with ornamented initials with no color (facsimile)

Background imageXxix Collection: Chamber militia house waiting room XVII century

Chamber militia house waiting room XVII century
Chamber of the militia house A waiting room from the XVII century (title on object), In an interior three sleeping figures sit at the table. A fourth figure is smiling in the doorway

Background imageXxix Collection: Tav XXIX Alcuni monumenti del Museo Carrafa Daniele

Tav XXIX Alcuni monumenti del Museo Carrafa Daniele
Tav. XXIX, Alcuni monumenti del Museo Carrafa, Daniele, Francesco, 1740-1812, Engraving, 1778

Background imageXxix Collection: Parthenon. Metope XXIX. Centaur holding a fighter defeated

Parthenon. Metope XXIX. Centaur holding a fighter defeated
Greek Art. Metope on the south side of the Parthenon. 5th century B.C. A Centaur holding a fighter defeated. Metope XXIX. It comes from the Acropolis in Athens. British Museum. London. England. UK

Background imageXxix Collection: M. Wolowski, Professor of the Museum of Arts and Sciences

M. Wolowski, Professor of the Museum of Arts and Sciences. Member of the Legislative Assembly, Deputy-Chairman of Jury Xxix

Background imageXxix Collection: M. Wolowski

M. Wolowski, Professor Of The Museum Of Arts And Sciences. Member Of The Legislative Assembly, Deputy-chairman Of Jury Xxix

Background imageXxix Collection: John Gale, alias Dumb Jack

John Gale, alias Dumb Jack
Undated copy of etching of John Gale, alias Dumb Jack, in profile, smoking a pipe. HPG/8/2/1 (xxix)


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"Exploring the Depths of Art: Unveiling the Enigmatic XXIX" In a captivating journey through art and history, we encounter various intriguing pieces that bear the enigmatic mark of "xxix. " From the majestic Parthenon's Metope XXIX depicting a Centaur holding a defeated fighter to Dante and Virgil covering their noses due to an unbearable stench in The Circle of Falsifiers, these artworks transport us into realms both mythical and allegorical. Amongst these remarkable works is "The Prosperous Days of Job, " an engraving that captures the essence of resilience amidst adversity. It serves as a reminder that even in our darkest moments, prosperity can be found if we hold onto hope. Delving further into manuscripts, Ausias March's folio XXIX reveals Gothic writing adorned with intricate ornamentation. This manuscript becomes a portal to another time, where poetry intertwines with artistic craftsmanship. Stepping away from ancient wonders, we find ourselves in the XVII century waiting room of Chamber Militia House. A space frozen in time, it whispers tales of anticipation and camaraderie amongst soldiers preparing for battle. Venturing beyond borders, Tav XXIX showcases some monuments from Museo Carrafa Daniele—an invitation to explore cultural treasures preserved within its walls. Meanwhile, Ferdinand von Quast mesmerizes us with his ornate clay vessels from Olympia and S. Georg in Saloniki/Thessaloniki—testaments to human creativity across different eras. As our journey nears its end, we meet M. Wolowski—a professor at the Museum of Arts and Sciences whose expertise illuminates countless minds about art's profound impact on society. Through his teachings and passion for knowledge dissemination, he ensures that art remains accessible to all who seek inspiration or solace within its embrace. In this exploration marked by "xxix, " we uncover hidden stories woven into each artwork—a testament to humanity's eternal quest for expression and understanding.