Yoko E Collection (page 4)

2920896; out of copyright

2920895; out of copyright

2920894; out of copyright

2920893; out of copyright

2920892; out of copyright

2920891; out of copyright

2920890; out of copyright

2920889; out of copyright

2920888; out of copyright

Shinagawa: departure of a Daimyo, in later editions called Sunrise, No. 2 from the series 53 Stations of the Tokaido
XIR192400 Shinagawa: departure of a Daimyo, in later editions called Sunrise, No.2 from the series 53 Stations of the Tokaido ('Tokaido gojusan tsugi no uchi'), pub

Suruga-chō in the Eastern Capital from the series 36 Views of Mount Fuji, c. 1858-9 (colour woodblock print)
1766313 Suruga-chō in the Eastern Capital from the series 36 Views of Mount Fuji, c.1858-9 (colour woodblock print) by Hiroshige

Joshu, Ushibori, Hetachi Provinces from the Series Thirty Six Views of Fuji, 19th century
XOS1766312 Joshu, Ushibori, Hetachi Provinces from the Series Thirty Six Views of Fuji, 19th century (colour woodblock print) by Hokusai

Mt. Yoshino, Cherry Blossoms or Yoshino yama from Sketches of Famous Places in Japan
XOS1766305 Mt. Yoshino, Cherry Blossoms or Yoshino yama from Sketches of Famous Places in Japan, 1897 (colour woodblock print) by Kobayashi Kiyochika (1847-1915)

Shinagawa: Departure of a Daimyō from the series 53 Stations of the Tokaido, 1831-4 (colour woodblock print)
1766303 Shinagawa: Departure of a Daimyō from the series 53 Stations of the Tokaido, 1831-4 (colour woodblock print) by Hiroshige

Returning Sails at Yabase from the series Eight Views of Omi, c. 1855-8 (colour woodblock print)
1766299 Returning Sails at Yabase from the series Eight Views of Omi, c.1855-8 (colour woodblock print) by Hiroshige, Ando or Utagawa (1797-1858)

Fujisawa from the series 53 stations of the Tokaido, 1855 (colour woodblock print)
1766289 Fujisawa from the series 53 stations of the Tokaido, 1855 (colour woodblock print) by Hiroshige, Ando or Utagawa (1797-1858)

South Wind, Clear Dawn from the Series Thirty Six Views of Mount Fuji, c. 1830-1
XOS1766284 South Wind, Clear Dawn from the Series Thirty Six Views of Mount Fuji, c.1830-1 (colour woodblock print) by Hokusai, Katsushika (1760-1849); 25.4x36.5 cm; Los Angeles County Museum of Art

Seashore in Taishū from the Series One Hundred Views of Celebrated Places in Various Provinces, c
1766283 Seashore in Taishū from the Series One Hundred Views of Celebrated Places in Various Provinces, c.1850 (colour woodblock print) by Hiroshige

Asakusa Rice Fields and Festival of Torinomachi from the Series One Hundred Famous Views of Edo
1766282 Asakusa Rice Fields and Festival of Torinomachi from the Series One Hundred Famous Views of Edo, 1857 (colour woodblock print) by Hiroshige

The Great Wave off Kanagawa from the Series Thirty Six Views of Mount Fuji, c. 1830-1
XOS1766280 The Great Wave off Kanagawa from the Series Thirty Six Views of Mount Fuji, c.1830-1 (colour woodblock print) by Hokusai

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"Exploring the World of Yoko-e: A Glimpse into Japanese Woodblock Prints" Immerse yourself in the captivating world of yoko-e, a genre of Japanese woodblock prints that beautifully depict various aspects of samurai culture and scenic landscapes. From the serene shores of Tago Bay to the bustling teahouse at Otsu, these prints offer a window into Japan's rich history and artistic heritage. One such print, "Ejiri at Tokaido, " transports us to a tranquil scene along the famous Tokaido road. Created around 1830, this woodblock print captures the essence of everyday life as travelers pass by with their horses and carts. In contrast, "Evening Snow at Kanbara" showcases nature's breathtaking beauty during winter. This color woodblock print from 1833-4 portrays snow-covered landscapes that evoke a sense of serenity and tranquility. Venturing further into mythology and legends, we encounter fierce female warriors like Hangaku Gozen and Tomoe Gozen. These powerful figures are brought to life through vivid color woodcuts from different time periods - 1885 for Hangaku Gozen and 1810 for Tomoe Gozen. Their strength and determination leap off the page, inspiring awe in all who behold them. The series "Valour in China and Japan" presents another facet of yoko-e artistry with its depiction of warriors overpowering demons. The intense battle scenes depicted in these color woodblock prints from 1868 showcase not only bravery but also intricate details that highlight each warrior's unique attributes. Tomoe Gozen continues to captivate our imagination through various portrayals across centuries. Whether it be her heroic acts on horseback or her role in historical battles like Awazu no Hara, artists have immortalized her spirit through stunning woodcut prints dating back as early as c. 1750 until late 1888.