Yriarte Collection

Galileo Galilei (1564-1642), 1882. Galileo was a Tuscan (Italian) physicist, mathematician, astronomer, and philosopher who played a major role in the scientific revolution

A bust of a warrior in profile, 1882. Original facsimile of a silver point drawing. From Florence, by Charles Yriarte, translated by CB Pitman and published by Sampson Low (London, 1882)

Pollaiuolos Combat of Centaurs, 1882. From Florence, by Charles Yriarte, translated by CB Pitman and published by Sampson Low (London, 1882)

Piazza and church of the Santissima Annunziata, Florence, Italy, 1882. Also featured is the portico of the Foundling Hospital

Piazza and church of Santa Maria Novella, Florence, Italy, 1882. From Florence, by Charles Yriarte, translated by CB Pitman and published by Sampson Low (London, 1882)

Loggia del Lanzi, Piazza della Signoria, Florence, Italy, 1882. The Piazza della Signoria is an L-shaped square in front of the Palazzo Vecchio in Florence

The courtyard of the Bargello, Florence, Italy, 1882. The Bargello, also known as the Bargello Palace or Palazzo del Popolo (Palace of the People) is a former barracks and prison, now an art museum

The church and piazza of Santa Croce Basilica, Florence, Italy, 1882. From Florence, by Charles Yriarte, translated by CB Pitman and published by Sampson Low (London, 1882)

The campanile of the Basilica of Santa Maria del Fiore, Florence, Italy, 1882. From Florence, by Charles Yriarte, translated by CB Pitman and published by Sampson Low (London, 1882)

The canonical gate of the Basilica of Santa Maria del Fiore, Florence, Italy, 1882. From Florence, by Charles Yriarte, translated by CB Pitman and published by Sampson Low (London, 1882)

The Court of the Palazzo Vecchio, Florence, Italy, 1882. From Florence, by Charles Yriarte, translated by CB Pitman and published by Sampson Low (London, 1882)

The Arch of Titus, Rome, Italy, 1882. The Arch of Titus is a Pentelic marble triumphal arch with a single arched opening, located on the Via Sacra just to the south-east of the Forum in Rome

Botticellis Abundance, 1882. From Florence, by Charles Yriarte, translated by CB Pitman and published by Sampson Low (London, 1882)

Portico of the Pazzi Chapel, Cloister of Santa Croce Basilica, Florence, 1882. From Florence, by Charles Yriarte, translated by CB Pitman and published by Sampson Low (London, 1882)

Marsilio Ficino (1433-1499), Italian humanist philosopher, 1882. Ficino was one of the most influential humanist philosophers of the early Italian Renaissance, an astrologer

The tomb of Leonardo Bruni (c1369-1444), Basilica of Santa Croce, Florence, 1882. Leonardo Bruni (or Leonardo Aretino) was a leading humanist, historian and a chancellor of Florence

Dante (1265-1321), Florence and the Seven Circles of Hell, 1882. Originally from a fresco at the Servi Gate, Santa Croce. From Florence, by Charles Yriarte

The tomb of the last of the Medici family, San Lorenzo Basilica, Florence, Italy, 1882
The tomb of the last of the Medici family, Chapel of the Medici, San Lorenzo Basilica, Florence, Italy, 1882. From Florence, by Charles Yriarte

The facade of the Ammanati, Pitti Palace, Florence, Italy, 1882. As seen from the gardens. From Florence, by Charles Yriarte, translated by CB Pitman and published by Sampson Low (London, 1882)

Pope Leo X, Giulio de Medici (the future Pope Clement VII) and Cardinal de Rossi, 1882
Pope Leo X (1475-1521), Giulio de Medici (the future Pope Clement VII; 1478-1534) and Cardinal de Rossi, 1882. Original held by the Pitti Palace

The tomb of Julian de Medici in the new vestry of San Lorenzo Basilica, Florence, 1882. From Florence, by Charles Yriarte, translated by CB Pitman and published by Sampson Low (London, 1882)

Leopoldo de Medici (1617-1675) in his cradle, 1882. Leopoldo de Medici was an Italian Cardinal, scholar and patron of the arts. He was the brother of Ferdinando II de Medici, Grand Duke of Tuscany

The nurse of the Medici family, 1882. Artist: Paris Bordone
The nurse of the Medici family, 1882. Originally from a collection held by the Pitti Palace. From Florence, by Charles Yriarte, translated by CB Pitman and published by Sampson Low (London, 1882)

Adoration of the Magi, 1882. Fragment of a fresco in the Medici Palace (Palazzo Riccardi). From Florence, by Charles Yriarte, translated by CB Pitman and published by Sampson Low (London, 1882)

The Piazza della Signoria, Palazzo Vecchio, Florence, Italy, 1882. The Piazza della Signoria is an L-shaped square in front of the Palazzo Vecchio in Florence

Girolamo Savonarola (1452-1498), Italian Dominican priest and leader of Florence, 1882. Facsimile of an engraving after a proof held by the British Museum

Domingo Yriarte
DOMINGO YRIARTE Spanish diplomat, with fine ornament of Hermes/Mercury. Date: 1746 - 1795

Tomas De Yriarte
TOMAS DE YRIARTE Y OROPESA Spanish writer Date: 1750 - 1791

Juan De Yriarte
JUAN DE YRIARTE Spanish scholar Date: 1702 - 1771

Tomas de Iriarte (engraving)
XIR1154379 Tomas de Iriarte (engraving) by French School, (18th century); Private Collection; (add.info.: TomAas de Iriarte (or Yriarte) y Oropesa (1750-91) was a Spanish neoclassical poet.); French

All Professionally Made to Order for Quick Shipping

"Exploring the Riches of Florence: Yriarte's Journey through Time" Step into the world of Yriarte, as he takes us on a captivating journey through the enchanting city of Florence in 1882. With his keen eye for detail and passion for art, he unveils hidden treasures that have stood the test of time. Intriguingly, Yriarte begins by paying homage to Galileo Galilei (1564-1642), a brilliant mind whose scientific discoveries revolutionized our understanding of the universe. A testament to this era is seen in a magnificent bust of a warrior in profile, exuding strength and valor. Venturing further into history, Yriarte uncovers an ethereal night scene from the tomb of Julian de Medici at San Lorenzo Basilica. The delicate play between light and shadow transports us to another realm altogether. Art lovers are treated to Pollaiuolos Combat of Centaurs - a masterpiece capturing mythical creatures locked in fierce battle. This depiction showcases both artistic skill and storytelling prowess. As we traverse Florence's picturesque streets, Yriarte guides us through iconic squares such as Piazza della Signoria and Piazza della Santissima Annunziata. These vibrant hubs pulsate with life and offer glimpses into daily Florentine existence. No exploration would be complete without visiting architectural marvels like Santa Maria Novella or Santa Croce Basilica. Each structure tells its own story - one filled with devotion, grandeur, and centuries-old secrets waiting to be unraveled. The towering campanile of Basilica di Santa Maria del Fiore stands tall against the skyline; its majestic presence symbolizes Florence's rich heritage. Nearby lies the canonical gate leading visitors towards spiritual enlightenment within these sacred walls. Finally, we find ourselves immersed in history at Palazzo Vecchio's Court - where political intrigue once thrived amidst stunning Renaissance architecture.