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CATLIN: ONEIDA CHIEF, 1830. Bread, an Oneida Iroquois chief. Oil on canvas, 1830

CATLIN: ONEIDA CHIEF, 1830. Bread, an Oneida Iroquois chief. Oil on canvas, 1830


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CATLIN: ONEIDA CHIEF, 1830. Bread, an Oneida Iroquois chief. Oil on canvas, 1830

CATLIN: ONEIDA CHIEF, 1830.
Bread, an Oneida Iroquois chief. Oil on canvas, 1830, by George Catlin

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12227788

1830 Bread Catlin Chief Earring Earrings George Headdress Iroquois Oneida Traditional


EDITORS COMMENTS
This portrait, titled "CATLIN: ONEIDA CHIEF, 1830" showcases the dignified presence of Bread, an Oneida Iroquois chief. Painted by George Catlin in 1830, this oil on canvas masterpiece beautifully captures the essence of a proud and noble leader. Bread's traditional clothing is meticulously depicted, showcasing intricate details that reflect his cultural heritage. His headdress commands attention with its vibrant feathers and symbolic adornments. The artist skillfully portrays Bread's stoic expression, conveying wisdom and strength acquired through years of leadership. The painting offers a glimpse into early American history and serves as a testament to the rich indigenous cultures that flourished long before European settlers arrived. It invites viewers to appreciate the beauty and complexity of Native American traditions. George Catlin was renowned for his depictions of Native Americans during the 19th century. Through his artistry, he sought to preserve their culture amidst rapid societal changes. This particular piece exemplifies Catlin's ability to capture not only physical likeness but also the spirit and character of his subjects. "BREAD: ONEIDA CHIEF" stands as a timeless tribute to both Bread himself and the resilience of Native American communities throughout history. Its presence evokes admiration for their enduring legacy while reminding us all to honor diverse cultures that have shaped our world today.

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