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Performing Arts Collection (page 2)

457 items

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Background imagePerforming Arts Collection: MEDIEVAL CHOIR, 1479. Woodcut from Der Spiegel des Menschlichen lebens, Augsburg

MEDIEVAL CHOIR, 1479. Woodcut from Der Spiegel des Menschlichen lebens, Augsburg, Germany, 1479

Background imagePerforming Arts Collection: FOUR CLERICS CHANTING. Manuscript illumination from an English Psalter, c1290

FOUR CLERICS CHANTING. Manuscript illumination from an English Psalter, c1290

Background imagePerforming Arts Collection: SCOTLAND: THEATRE, 1857. The Queens Theatre and Opera House at Edinburgh, Scotland

SCOTLAND: THEATRE, 1857. The Queens Theatre and Opera House at Edinburgh, Scotland. Wood engraving, English, 1857

Background imagePerforming Arts Collection: THEATRE ATRIUM, 1703. Atrium for the theatre of Ardenti al Porto academy, Bologna

THEATRE ATRIUM, 1703. Atrium for the theatre of Ardenti al Porto academy, Bologna, designed by Francesco Galli Bibiena

Background imagePerforming Arts Collection: MASSENET: CENDRILLON. French lithograph poster for Jules Massenets opera, Cendrillon

MASSENET: CENDRILLON. French lithograph poster for Jules Massenets opera, Cendrillon, 1899

Background imagePerforming Arts Collection: DANCER: LITTLE EGYPT, 1893. The burlesque dancer Little Egypt, the stellar attraction

DANCER: LITTLE EGYPT, 1893. The burlesque dancer Little Egypt, the stellar attraction of the Worlds Columbian Exposition at Chicago, 1893

Background imagePerforming Arts Collection: VIRGINAL COVER. Detail of a virginal cover painted by Friedrich von Falckenberg

VIRGINAL COVER. Detail of a virginal cover painted by Friedrich von Falckenberg, Germany, 1619

Background imagePerforming Arts Collection: TENOR VIOLA DA GAMBA. Painting by Johannes Verkolje (1650-1693)

TENOR VIOLA DA GAMBA. Painting by Johannes Verkolje (1650-1693)

Background imagePerforming Arts Collection: SPA: SARATOGA, NEW YORK. American songsheet cover of Saratoga Schottisch, 1851

SPA: SARATOGA, NEW YORK. American songsheet cover of Saratoga Schottisch, 1851
SPA: SARATOGA, NEW YORK. American songsheet cover of " Saratoga Schottisch, " 1851, depicting the upstate New York resort town

Background imagePerforming Arts Collection: MINSTREL, 1492. A minstrel leads the procession to the garden

MINSTREL, 1492. A minstrel leads the procession to the garden. Woodcut from the edition of Giovanni Boccaccios Decamerone printed at Venice, Italy, in 1492

Background imagePerforming Arts Collection: BELLINI: ARTURO. Giovanni Battista Rubini as Arturo in Bellinis opera I puritani

BELLINI: ARTURO. Giovanni Battista Rubini as Arturo in Bellinis opera I puritani. Watercolor, 1835

Background imagePerforming Arts Collection: DULCIMER, 1895. Line cut from a Montgomery Ward catalogue, 1895

DULCIMER, 1895. Line cut from a Montgomery Ward catalogue, 1895

Background imagePerforming Arts Collection: VERMEER: THE CONCERT. Painting by Johannes Vermeer, c1658-60

VERMEER: THE CONCERT. Painting by Johannes Vermeer, c1658-60

Background imagePerforming Arts Collection: SHAKESPEARE: RICHARD III. King Richard III confronted by Queen Elizabeth about

SHAKESPEARE: RICHARD III. King Richard III confronted by Queen Elizabeth about the disappearance of her sons (Act IV, scene 4)

Background imagePerforming Arts Collection: BANJO PLAYER, c1890. Unidentified 5-string banjo player, c1890

BANJO PLAYER, c1890. Unidentified 5-string banjo player, c1890

Background imagePerforming Arts Collection: CONCERT, c1500. Woodcut from Luigi Pulcis Driadeo d Amore, Venice, c1500

CONCERT, c1500. Woodcut from Luigi Pulcis Driadeo d Amore, Venice, c1500

Background imagePerforming Arts Collection: LUTE TABLATURE. Page from a lute tablature of msuci. Italian, 16th century

LUTE TABLATURE. Page from a lute tablature of msuci. Italian, 16th century

Background imagePerforming Arts Collection: STREET MUSICIANS, 1891. Young Chicago street musicians. Photographed in 1891

STREET MUSICIANS, 1891. Young Chicago street musicians. Photographed in 1891

Background imagePerforming Arts Collection: NEW ORLEANS: OPERA, 1866. Sunday Amusements in New Orleans - A Creole Night at

NEW ORLEANS: OPERA, 1866. Sunday Amusements in New Orleans - A Creole Night at the French Opera-House. Wood engraving after a sketch by Alfred R. Waud, 1866

Background imagePerforming Arts Collection: PIERROT PUPPET, c1890. Engraving, c1890, published by Jean-Charles Pellerin

PIERROT PUPPET, c1890. Engraving, c1890, published by Jean-Charles Pellerin

Background imagePerforming Arts Collection: MUSIC CLASS, c1920. A student playing blindfolded at the Hendley-Kaspar School

MUSIC CLASS, c1920. A student playing blindfolded at the Hendley-Kaspar School of Musical Education in Washington, D.C. Photograph, c1920

Background imagePerforming Arts Collection: CHRISTIES: GILLOTT SALE, 1872. Men inspecting the collection of violins from the

CHRISTIES: GILLOTT SALE, 1872. Men inspecting the collection of violins from the collection of Joseph Gillott, during the sale at Christies, 1872. Contemporary English engraving

Background imagePerforming Arts Collection: GILCHRIST: A MAIDs CHOICE. Second verse of A Maids Choice, a Musical Pastoral

GILCHRIST: A MAIDs CHOICE. Second verse of A Maids Choice, a Musical Pastoral by William Wallace Gilchrist, with illustrations by Howard Pyle, late 19th century

Background imagePerforming Arts Collection: GILCHRIST: A MAIDs CHOICE. Fourth verse of A Maids Choice, a Musical Pastoral

GILCHRIST: A MAIDs CHOICE. Fourth verse of A Maids Choice, a Musical Pastoral by William Wallace Gilchrist, with illustrations by Howard Pyle, late 19th century

Background imagePerforming Arts Collection: MUSIC CLASS, c1920. A classroom at the Hendley-Kaspar School of Musical Education in Washington

MUSIC CLASS, c1920. A classroom at the Hendley-Kaspar School of Musical Education in Washington, D.C. Photograph, c1920

Background imagePerforming Arts Collection: GILCHRIST: A MAIDs CHOICE. Third verse of A Maids Choice, a Musical Pastoral

GILCHRIST: A MAIDs CHOICE. Third verse of A Maids Choice, a Musical Pastoral by William Wallace Gilchrist, with illustrations by Howard Pyle, late 19th century

Background imagePerforming Arts Collection: KNOW NOTHING POLKA, 1854. Know Nothing Polka, Dedicated to Everybody, by Nobody

KNOW NOTHING POLKA, 1854. Know Nothing Polka, Dedicated to Everybody, by Nobody. Published by James Couenhoven, 1854

Background imagePerforming Arts Collection: SAMSON AND DELILAH, 1890. Samson pulling down the pillars of the Temple of Dagon

SAMSON AND DELILAH, 1890. Samson pulling down the pillars of the Temple of Dagon. Scene from a play performed in Germany, 1890

Background imagePerforming Arts Collection: BALLET: ONDINE, 1862. Scene in the grand spectacle of Ondine, performed at Barnum s

BALLET: ONDINE, 1862. Scene in the grand spectacle of Ondine, performed at Barnum s
BALLET: ONDINE, 1862. Scene in the grand spectacle of Ondine, performed at Barnums American Museum, 1862. Contemporary American wood engraving

Background imagePerforming Arts Collection: CANTERBURY PILGRIMS, 1884. Performance of The Canterbury Pilgrims, an opera by

CANTERBURY PILGRIMS, 1884. Performance of The Canterbury Pilgrims, an opera by Charles Villiers Stanford, in England, 1884. Contemporary English wood engraving

Background imagePerforming Arts Collection: MOUVET AND WALTON, c1917. American dancers Maurice Mouvet and Florence Walton. Mouvet

MOUVET AND WALTON, c1917. American dancers Maurice Mouvet and Florence Walton. Mouvet and Walton were married from 1911 to 1920. Photograph, c1917

Background imagePerforming Arts Collection: AT THE SPINET, c1900. Platinum print, Frances Stebbins Allen, c1900

AT THE SPINET, c1900. Platinum print, Frances Stebbins Allen, c1900

Background imagePerforming Arts Collection: GILCHRIST: A MAIDs CHOICE. First page of A Maids Choice, a Musical Pastoral

GILCHRIST: A MAIDs CHOICE. First page of A Maids Choice, a Musical Pastoral by William Wallace Gilchrist, with illustrations by Howard Pyle, late 19th century

Background imagePerforming Arts Collection: THEATER: PANTOMIME, 1851. Scene from the pantomime, Prince of Happy Land; or

THEATER: PANTOMIME, 1851. Scene from the pantomime, Prince of Happy Land; or, the Fawn of the Forest, at the Lyceum Theatre in London. Engraving, English, 1851

Background imagePerforming Arts Collection: VIENNA: RINGTHEATER, 1881. The Ringtheater in Vienna, Austria, before it was destroyed

VIENNA: RINGTHEATER, 1881. The Ringtheater in Vienna, Austria, before it was destroyed by fire in 1881. English engraving, 1881

Background imagePerforming Arts Collection: FRANCE: THEATRE, c1750. A scene in a French theatre. Chromolithograph, c1875

FRANCE: THEATRE, c1750. A scene in a French theatre. Chromolithograph, c1875

Background imagePerforming Arts Collection: BOYS OF UNCLE SAM, 1917. Sheet music for Boys of Uncle Sam military march, composed

BOYS OF UNCLE SAM, 1917. Sheet music for Boys of Uncle Sam military march, composed by James Price Johnson and Williams H. Farrell, 1917

Background imagePerforming Arts Collection: KNOW NOTHING POLKA, 1854. The Know Nothing Polka. Composed by James Pierpont, 1854

KNOW NOTHING POLKA, 1854. The Know Nothing Polka. Composed by James Pierpont, 1854

Background imagePerforming Arts Collection: ELLEN KEAN (1805-1880). English actress

ELLEN KEAN (1805-1880). English actress. In the role of Viola in a production of William Shakespeares Twelfth Night at the Haymarket Theatre in London. Wood engraving, 1853

Background imagePerforming Arts Collection: PIANO MANUFACTURE, 1901. Workers clamping a grand piano case together at a factory in England

PIANO MANUFACTURE, 1901. Workers clamping a grand piano case together at a factory in England. Engraving, 1901

Background imagePerforming Arts Collection: BROOKLYN: THEATRE, 1890. The smallest theatre in the world - an Italian play-house in Brooklyn

BROOKLYN: THEATRE, 1890. The smallest theatre in the world - an Italian play-house in Brooklyn, a puppet theatre at 35 Union Street in Brooklyn, New York. Engraving, American, 1890

Background imagePerforming Arts Collection: ENGLAND: CONCERT, 1885. Performance of Auld Lang Syne, conducted by John Farmer

ENGLAND: CONCERT, 1885. Performance of Auld Lang Syne, conducted by John Farmer in the speech room at the Harrow School in London, 1885

Background imagePerforming Arts Collection: THEATRE: ANDROMEDE, 1650. The set for the prologue of Andromede by Pierre Corneille, 1650

THEATRE: ANDROMEDE, 1650. The set for the prologue of Andromede by Pierre Corneille, 1650. Engraving by Francois Chauveau, c1650

Background imagePerforming Arts Collection: ENGLAND: PANTOMIME, 1850. Scene from the pantomime, The Second Calendar and the Queen of Beauty

ENGLAND: PANTOMIME, 1850. Scene from the pantomime, The Second Calendar and the Queen of Beauty, at the Haymarket Theatre in London. Engraving, English, 1850

Background imagePerforming Arts Collection: ACTOR, c1880. Portrait of a stage actor in concert. Photograph by Jose Mora, c1880

ACTOR, c1880. Portrait of a stage actor in concert. Photograph by Jose Mora, c1880

Background imagePerforming Arts Collection: BROOKLYN: THEATRE, 1890. Auditorium of the smallest theatre in the world, a puppet

BROOKLYN: THEATRE, 1890. Auditorium of the smallest theatre in the world, a puppet theatre at 35 Union Street in Brooklyn, New York. Engraving, American, 1890

Background imagePerforming Arts Collection: ROYAL ALBERT HALL, 1872. Queen Victoria, Prince Albert, and Empress Augusta of

ROYAL ALBERT HALL, 1872. Queen Victoria, Prince Albert, and Empress Augusta of Germany at the Royal Albert Hall in London. Wood engraving, English, 1872

Background imagePerforming Arts Collection: GILCHRIST: A MAIDs CHOICE. Third verse of A Maids Choice, a Musical Pastoral

GILCHRIST: A MAIDs CHOICE. Third verse of A Maids Choice, a Musical Pastoral by William Wallace Gilchrist, with illustrations by Howard Pyle, late 19th century



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