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Abbey Gateway, Bristol, 1924-1926. Artist: Underwood

Abbey Gateway, Bristol, 1924-1926. Artist: Underwood


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Abbey Gateway, Bristol, 1924-1926. Artist: Underwood

Abbey Gateway, Bristol, 1924-1926. St Augustines Abbey in Bristol was founded in 1140. The monastery was dissolved in 1539 but re-opened as the cathedral church of the new diocese of Bristol in 1542. The gatehouse of the abbey features a combination of Norman Romanesque and Tudor architecture A print from Hutchinsons Britain Beautiful, edited by Walter Hutchinson, volume II, Hutchinson and Co, 1924-1926

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Media ID 14943720

© The Print Collector / Heritage-Images

Abbey Augustinian Bristol Gatehouse Gateway Norman Romanesque Tudor Underwood Print Collector8 St Augustines Abbey


FEATURES IN THESE COLLECTIONS

> Architecture > Cathedrals

> Architecture > Country > England

> Architecture > Religious

> Architecture > Styles > Norman Architecture

> Architecture > Styles > Romanesque Architecture

> Architecture > Styles > Tudor Architecture

> Arts > Art Movements > Medieval Art

> Europe > United Kingdom > England > Bristol > Bristol

> Historic > Medieval architecture > Cathedrals and churches

> Historic > Medieval architecture


EDITORS COMMENTS
This print captures the timeless beauty of Abbey Gateway in Bristol, England, dating back to 1924-1926. The artist, Underwood, skillfully brings to life the architectural marvel that is St Augustine's Abbey. Founded in 1140 and later transformed into the cathedral church of the new diocese of Bristol in 1542, this historic site holds great significance. The gatehouse itself showcases a harmonious blend of Norman Romanesque and Tudor styles, reflecting centuries of religious and cultural influences. Its imposing presence stands as a testament to the enduring power of Christianity throughout British history. As we gaze upon this print from Hutchinson's Britain Beautiful, edited by Walter Hutchinson himself during the early 20th century, we are transported back to an era where medieval charm still graced our country's landscapes. The image evokes a sense of awe and reverence for both its architectural grandeur and its spiritual heritage. Underwood's meticulous attention to detail allows us to appreciate every intricate feature - from the sturdy stone walls adorned with delicate carvings to the towering archways that beckon visitors inside. This photograph serves as a reminder that even amidst modernity, echoes of our past continue to shape our present. In preserving this moment frozen in time through photography, Underwood has gifted us with an opportunity to connect with history on a profound level. It is through such visual treasures that we can truly grasp the rich tapestry woven by those who came before us.

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