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The Actor Bando Hikosaburo II as Fujitaro, disguised as the ferryman Tomokichi, in the pla... 1767. Creator: Kitao Shigemasa

The Actor Bando Hikosaburo II as Fujitaro, disguised as the ferryman Tomokichi, in the pla... 1767. Creator: Kitao Shigemasa


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The Actor Bando Hikosaburo II as Fujitaro, disguised as the ferryman Tomokichi, in the pla... 1767. Creator: Kitao Shigemasa

The Actor Bando Hikosaburo II as Fujitaro, disguised as the ferryman Tomokichi, in the play " Shomei Mugen no Kane, " performed at the Nakamura Theater in the ninth month, 1767, Japan, 1767

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Media ID 25324894

© Heritage Art/Heritage Images

Alarm Bando Hikosaburo Iii Bell Bell Ringer Bell Ringing Benizuri E Campanology Cartouche Character Disguise Disguised Ferryman Hikosaburo Bando Hisagoro Hosoban Hosoban Benizuri E Kabuki Kabuki Actor Kanetomo Kitabatake Karan Kosuisai Kitabatake Kanetomo Kitao Shigemasa Kosuisai Kosuisai Karan Nakamura Theatre Sasuke Shigemasa Kitao Color Woodblock Print Playhouse Sounding


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EDITORS COMMENTS
This print captures the renowned actor Bando Hikosaburo II in his mesmerizing portrayal of Fujitaro, disguised as the ferryman Tomokichi, in the legendary play "Shomei Mugen no Kane". Created by Kitao Shigemasa in 1767 during Japan's Edo period, this artwork showcases the exquisite artistry and skill of kabuki actors. Dressed in a vibrant green kimono with intricate details and flowing sleeves, Bando Hikosaburo II embodies his character flawlessly. His intense gaze and poised stance convey both confidence and mystery. The bell he holds adds an element of intrigue to the scene, symbolizing impending drama or perhaps a hidden message. The woodblock printing technique used by Shigemasa brings depth and richness to every brushstroke. The use of color is masterful, with shades of green highlighting not only the actor's costume but also the lush surroundings that evoke a sense of nature's beauty. This piece exemplifies the fusion between theater and visual arts during Japan's rich cultural heritage. It serves as a testament to Bando Hikosaburo II's talent as well as Kitao Shigemasa's artistic prowess. Displayed at an art gallery or institute like Chicago's Art Institute, this print invites viewers into a world where performance meets fine art. It reminds us of the enduring power of theater to captivate audiences across centuries and continents while celebrating Japanese tradition and craftsmanship.

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