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The actor Iwai Hanshiro IV as Otoma, 1794. Creator: Shunsho
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The actor Iwai Hanshiro IV as Otoma, 1794. Creator: Shunsho
The actor Iwai Hanshiro IV as Otoma, 1794
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Media ID 24371715
© Heritage Art/Heritage Images
Character Cross Dressing Drag Expression Facial Expression Female Impersonator Gender Hanshiro Iwai Hosoban Iwai Hanshiro Iwai Hanshiro Iv Kabuki Kabuki Actor Katsukawa Shunshō Miyagawa Shunsho Miyakawa Shunsho Onnagata Oyama Panto Pantomime Pantomime Dame Princess Rosetta Shunsho Shunsho Katsukawa Shunsho Miyagawa Shunsho Miyakawa Colour Woodblock Print
EDITORS COMMENTS
This 18th-century woodblock print, titled "The actor Iwai Hanshiro IV as Otoma" showcases the mesmerizing artistry of Japanese kabuki theater. Created by renowned artist Shunsho in 1794 during the Edo period, this colorfully vibrant print captures the essence of a dramatic performance. In this striking image, we see Iwai Hanshiro IV portraying the character of Otoma with remarkable skill and precision. Dressed in traditional female attire, his flawless portrayal challenges gender norms and highlights the unique role of onnagata (female impersonators) in kabuki theater. The full-length depiction allows us to appreciate every detail - from Hanshiro's expressive facial expression to his graceful posture. The intricate patterns on his kimono and delicate accessories further enhance the visual allure of this artwork. As we delve into Japanese history and culture through this piece, it becomes evident that kabuki was not merely entertainment but an integral part of society during the Tokugawa period. This woodblock print serves as a testament to its enduring popularity and influence. Displayed at the Art Institute Chicago's Arts of Asia gallery, this heritage art offers a glimpse into a bygone era filled with theatrical flair and artistic excellence. It invites us to explore the rich tapestry of Japanese performing arts while appreciating Shunsho's masterful craftsmanship in capturing such compelling characters on paper. "The actor Iwai Hanshiro IV as Otoma" is more than just an image; it
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