The Actor Iwai Hanshiro IV as Tsukisayo in the Play Gohiiki Nenne Soga, Performed... c. 1779. Creator: Shunsho

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The Actor Iwai Hanshiro IV as Tsukisayo in the Play Gohiiki Nenne Soga, Performed... c. 1779. Creator: Shunsho

The Actor Iwai Hanshiro IV as Tsukisayo in the Play Gohiiki Nenne Soga, Performed at the Nakamura Theater in the First Month, 1779, Japan, c. 1779

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Media ID 36220292

© Heritage Art/Heritage Images

Character Drag Female Impersonator Hanshiro Iwai Hosoban Iwai Hanshiro Iwai Hanshiro Iv Kabuki Kabuki Actor Katsukawa School Katsukawa Shunshō Katsumiyagawa Yusuke Left Sheet Of Diptych Miyagawa Shunsho Miyakawa Shunsho Nakamura Theatre Onnagata Oyama Princess Rosetta Service Shunsho Shunsho Katsukawa Shunsho Miyagawa Shunsho Miyakawa Teapot Color Woodblock Print Playhouse

EDITORS COMMENTS
This woodblock print, created by the renowned artist Shunsho, showcases Iwai Hanshiro IV in his role as Tsukisayo in the Kabuki play "Gohiiki Nenne Soga," performed at the Nakamura Theater in the First Month of 1779 in Japan. Iwai Hanshiro IV, a prominent actor of the Katsukawa School, masterfully portrays the female character Tsukisayo, a role traditionally performed by male actors in the artistic tradition of drag in Kabuki theatre. The print, executed in the color woodblock technique, depicts Hanshiro IV in an exquisite hosoban kimono, a narrow-sleeved robe, adorned with intricate patterns and elegant designs. The kimono is in the striking colors of black and brown, adding to the dramatic effect of the image. The actor is shown in a dynamic pose, gesturing with his left hand, adding depth and emotion to the character. The print is a testament to the rich artistic heritage of Japan during the Edo period and the 18th century. It showcases the fusion of art, drama, and fashion, as well as the concept of gender fluidity in Kabuki theatre. The print is a one-of-a-kind piece from the Miyakawa Shunsho collection and is a must-see for anyone interested in the arts of Asia, particularly Japanese art and Kabuki theatre.

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