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The actor Iwai Hanshiro VI in a female role, c. 1830s. Creator: Utagawa Kuniyoshi
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The actor Iwai Hanshiro VI in a female role, c. 1830s. Creator: Utagawa Kuniyoshi
The actor Iwai Hanshiro VI in a female role, c. 1830s
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Media ID 24369611
© Heritage Art/Heritage Images
Cross Dressing Drag Expression Facial Expression Female Impersonator Hanshiro Iwai Ichiyusai Iwai Hanshiro Kabuki Kabuki Actor Kuniyoshi Kuniyoshi Utagawa Mammal Mask Monkey Monkies Onnagata Oyama Pelt Primate Reptile Reptiles Snake Tiger Skin Utagawa Kuniyoshi Colour Woodblock Print
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EDITORS COMMENTS
Caption: "The actor Iwai Hanshiro VI captivates audiences with his mesmerizing portrayal of a female character, captured in this vibrant colour woodblock print by Utagawa Kuniyoshi during the Edo period in Japan. Dressed in an exquisite kimono adorned with intricate patterns and delicate accessories, Hanshiro's transformation into a woman is both striking and convincing. With remarkable facial expressions and graceful hand gestures, he embodies the essence of femininity, captivating viewers with his artistry. The left sheet of this shikishiban diptych surimono showcases Hanshiro's expressive performance as he interacts with a mischievous monkey perched on his shoulder. The juxtaposition of human and animal elements adds an intriguing layer to the composition. Kabuki theater was renowned for its male actors who specialized in playing female roles known as onnagata or oyama. These talented performers were highly regarded for their ability to embody feminine grace and emotions convincingly. In this particular role, Hanshiro dons a mask representing a snake-like creature while draped in a tiger skin pelt, symbolizing power and mystique. This artwork from the 19th century not only highlights the exceptional skill of both artist Kuniyoshi and actor Iwai Hanshiro VI but also provides us with insight into the rich cultural heritage of Japan during the Tokugawa period. It serves as a testament to the enduring allure of kabuki theater and its impact on Japanese art. "
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