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The actors Iwai Hanshiro IV (R) as Ohan of the Shinanoya and Bando Hikosaburo III (L) as... 1794. Creator: Shunsho
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The actors Iwai Hanshiro IV (R) as Ohan of the Shinanoya and Bando Hikosaburo III (L) as... 1794. Creator: Shunsho
The actors Iwai Hanshiro IV (R) as Ohan of the Shinanoya and Bando Hikosaburo III (L) as Obiya Choemon, 1794
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Media ID 24371639
© Heritage Art/Heritage Images
Cross Dressing Drag Female Impersonator Gender Hanshiro Iwai Iwai Hanshiro Iwai Hanshiro Iv Kabuki Kabuki Actor Katsukawa Shunshō Miyagawa Shunsho Miyakawa Shunsho Onnagata Oyama Shunsho Shunsho Katsukawa Shunsho Miyagawa Shunsho Miyakawa Colour Woodblock Print Oban
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This print captures the essence of traditional Japanese theater during the Edo period. In this dynamic image, we see two renowned actors, Iwai Hanshiro IV and Bando Hikosaburo III, embodying their respective roles with remarkable skill and artistry. On the right side of the print stands Iwai Hanshiro IV as Ohan of the Shinanoya, a female character portrayed by a male actor known as an onnagata. With delicate poise and grace, he embodies femininity through his exquisite costume and subtle gestures. Opposite him is Bando Hikosaburo III as Obiya Choemon, exuding strength and intensity in his portrayal. The contrast between their characters highlights the diversity within Kabuki theater, where actors could seamlessly transition between genders to bring stories to life. Created by Shunsho in 1794, this color woodblock print showcases his mastery in capturing movement and expression. The vibrant colors add depth to each character's personality while emphasizing their theatrical presence. As we gaze upon this artwork today at the Art Institute of Chicago's Asian Arts gallery, we are transported back to a time when drama was not only performed but also celebrated as an integral part of Japanese culture. It serves as a reminder of how art has always been a powerful medium for storytelling across different eras and countries.
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