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The Actors Matsumoto Koshiro IV as Ukita Sakingo and Sawamura Sojuro III as the ghost of t... 1788. Creator: Torii Kiyonaga
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The Actors Matsumoto Koshiro IV as Ukita Sakingo and Sawamura Sojuro III as the ghost of t... 1788. Creator: Torii Kiyonaga
The Actors Matsumoto Koshiro IV as Ukita Sakingo and Sawamura Sojuro III as the ghost of the courtesan Takao, in the play " Ominaeshi Sugata no Hatsuaki, " performed at the Nakamura Theater, 1788, 1788
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Media ID 25324736
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Afterlife Character Courtesan Drag Female Impersonator Ghost Ghosts Ichikawa Somegoro Ichikawa Somegoro I Interaction Kabuki Kabuki Actor Kinokuniya Kinokuniya Sawamura Sojuro Iii Kinokuniya Tosshi Kiyonaga Torii Koshiro Iv Koshiro Iv Matsumoto Koshiro Matsumoto Kyojuro Omegawa Matsumoto Koshiro Matsumoto Koshiro Iv Music Stand Nakamura Theatre Omegawa Kyojuro Onnagata Oyama Phantom Phantoms Sawamura Sojuro Sawamura Sojuro Iii Sawamura Tanosuke I Sawamura Tosshi Iii Sekiguchi Shinsuke Sojuro Iii Sojuro Sawamura Somegoro Ichikawa Torii Kiyonaga Torii School Color Woodblock Print Oban Playhouse Posture Takao
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EDITORS COMMENTS
This print captures a mesmerizing moment from the 1788 play "Ominaeshi Sugata no Hatsuaki" performed at the Nakamura Theater. The image features two renowned actors of the Edo period, Matsumoto Koshiro IV as Ukita Sakingo and Sawamura Sojuro III as the ghost of the courtesan Takao. Torii Kiyonaga, a master artist of his time, skillfully portrays their characters with intricate detail and vibrant colors. Dressed in traditional Japanese attire, both actors exude an air of mystery and intrigue. Matsumoto Koshiro IV kneels gracefully in a striking black kimono while embodying the role of Ukita Sakingo. His presence is commanding yet serene, capturing the essence of this enigmatic character. Opposite him stands Sawamura Sojuro III, draped in an ethereal green robe that symbolizes his portrayal as the ghostly courtesan Takao. With haunting beauty and delicate poise, he embodies otherworldly gracefulness. The interaction between these two talented performers is palpable even through this static image; it speaks volumes about their expertise in Kabuki theater and their ability to transport audiences into another realm. Torii Kiyonaga's mastery shines through every brushstroke and block printing technique used to create this artwork. As we gaze upon this piece at the Art Institute Chicago or any art gallery fortunate enough to house it, we are transported back to 18th-century Japan—a testament to both its historical significance and artistic brilliance.
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