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Actors Reversing Gender Roles in the Story of Narukami (image 3 of 3), 1854. Creator: Utagawa Kunisada
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Actors Reversing Gender Roles in the Story of Narukami (image 3 of 3), 1854. Creator: Utagawa Kunisada
Actors Reversing Gender Roles in the Story of Narukami (image 3 of 3), 1854. Bando Shuka I as Onna Narukami
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Media ID 36359695
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1850s Bando Mitsugoro Bando Mitsugoro V Bando Shuka Bando Shuka I Bando Tamanosuke Bando Tamasaburo Bando Tamasaburo I Colour Woodblock Print Triptych Cross Dressing Gepparo Gototei Hood Hooded Ichiyosai Japanese Era Kabuki Kabuki Actor Kinraisha Kochoro Kunisada Kunisada Utagawa Kunisada Utagawa I Role Reversal Shozo Shuka Bando Toyokuni Iii Tsunda Shozo Utagawa Kunisada Utagawa Kunisada I Utagawa Toyokuni Iii
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This woodblock print triptych, titled "Actors Reversing Gender Roles in the Story of Narukami (image 3 of 3)" by Utagawa Kunisada, dates back to the 1850s of the Edo period in Japan. The print depicts Bando Shuka I, a renowned Kabuki actor, portraying the female role of Onna Narukami, or "Goddess of Thunder," in this theatrical production. The triptych showcases Bando Shuka I in a full-length, hooded kimono, adorned with intricate patterns and vibrant colors. The costume, reminiscent of the traditional Japanese attire, is accessorized with a brown obi belt and a pair of kumo no uwaki, or "spider's paws," sandals. The concept of cross-dressing was prevalent in Kabuki theater, allowing male actors to portray female roles, and vice versa, blurring the lines between genders. This practice was not only a staple of the entertainment industry but also a reflection of the societal norms and cultural heritage of Japan during the Edo period. The triptych is a stunning example of the artistry and creativity of the Utagawa school of woodblock printing. The intricate details, from the delicate patterns on the kimono to the expressive facial features of the actor, are a testament to the skill and craftsmanship of the artist and the printers. This triptych is now part of the collection at the Los Angeles County Museum of Art (LACMA), where it continues to captivate and inspire visitors from around the world. The print not only showcases the rich history and cultural heritage of Japan but also highlights the timeless art of Kabuki theater and the enduring appeal of cross-dressing in the world of performance art.
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