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The Actors Sanogawa Ichimatsu I and Segawa Kikunojo I as lovers under an umbrella, c
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The Actors Sanogawa Ichimatsu I and Segawa Kikunojo I as lovers under an umbrella, c
The Actors Sanogawa Ichimatsu I and Segawa Kikunojo I as lovers under an umbrella, c. 1740s
Heritage Images features heritage image collections
Media ID 24376295
© Heritage Art/Heritage Images
Clog Clogs Cross Dressing Drag Female Impersonator Geta Ishikawa Toyonobu Kabuki Kabuki Actor Lover Lovers Magosaburo Oban Benizuri E Onnagata Oyama Parasol Parasols Patten Pattens Platform Shoes Platforms Sandal Sandals Shoe Shoes Toyonobu Ishikawa Umbrella Umbrellas Colour Woodblock Print
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This 18th-century woodblock print, titled "The Actors Sanogawa Ichimatsu I and Segawa Kikunojo I as lovers under an umbrella" transports us to the vibrant world of Edo-period Japan. Created by the talented artist Ishikawa Toyonobu, this piece showcases the exquisite artistry and theatricality of Kabuki theater. In this scene, we witness a mesmerizing display of cross-dressing as Segawa Kikunojo I portrays a female character known as onnagata or oyama. Dressed in elaborate traditional clothing, Kikunojo stands gracefully under a colorful parasol while holding hands with Sanogawa Ichimatsu I, who embodies the male role. The delicate lines and rich colors used in this colour woodblock print bring their characters to life. The attention to detail is remarkable – from their elegant kimonos adorned with intricate patterns to their footwear consisting of clogs called geta and platform shoes known as pattens. These accessories not only add visual interest but also provide insights into the fashion trends of that era. Toyobonu's work captures the essence of love and romance between these two actors beautifully. Their expressions convey deep emotions amidst a backdrop symbolizing nature's protection - an umbrella shielding them from rain or prying eyes. Displayed at the Art Institute Chicago's Asian Arts gallery, this heritage artwork serves as a testament to Japan's artistic legacy during Tokugawa period. It reminds us of the enduring power of theater in transcending gender boundaries and evoking profound human connections through performance art.
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