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The Actors Sawamura Sojuro III as Kusunoki Masatsura and Arashi Murajiro as Ben no Naishi, ... 1786. Creator: Torii Kiyonaga
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The Actors Sawamura Sojuro III as Kusunoki Masatsura and Arashi Murajiro as Ben no Naishi, ... 1786. Creator: Torii Kiyonaga
The Actors Sawamura Sojuro III as Kusunoki Masatsura and Arashi Murajiro as Ben no Naishi, in the shosa " Sode Furu Yuki Yoshino Shui, " performed at the Nakamura Theater in the eleventh month, 1786, 1786
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Media ID 25324716
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Cape Courtier Drag Female Impersonator Kabuki Kabuki Actor Kinokuniya Kinokuniya Sawamura Sojuro Iii Kinokuniya Tosshi Kiyonaga Torii Leader Looking Back Mino Nakamura Theatre Onnagata Orange Orange Colour Oyama Parasol Parasols Sawamura Sojuro Sawamura Sojuro Iii Sawamura Tanosuke I Sawamura Tosshi Iii Sekiguchi Shinsuke Sojuro Iii Sojuro Sawamura Straw Cape Torii Kiyonaga Torii School Color Woodblock Print Memoirist Oban Playhouse Shosagoto
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EDITORS COMMENTS
This print captures the essence of 18th-century Japanese theater, showcasing the renowned actors Sawamura Sojuro III and Arashi Murajiro in their roles as Kusunoki Masatsura and Ben no Naishi. Created by the talented artist Torii Kiyonaga, this woodblock print transports us back to a time when kabuki performances were at the height of their popularity. The image showcases the actors adorned in exquisite traditional costumes, highlighting the meticulous attention to detail that was characteristic of Edo period fashion. The vibrant colors and intricate patterns of their kimonos are beautifully captured through Kiyonaga's skillful block printing technique. Sawamura Sojuro III embodies strength and leadership as he portrays Kusunoki Masatsura, a historical figure known for his loyalty and bravery. On the other hand, Arashi Murajiro captivates with his portrayal of Ben no Naishi, a female impersonator who brings grace and elegance to the stage. The composition is masterfully executed, with both actors looking back over their shoulders as if caught in a moment of contemplation or anticipation. This adds an air of mystery to the scene, leaving viewers intrigued about what might unfold next on stage. As we admire this remarkable piece from Torii Kiyonaga's artistic school, we are reminded not only of its aesthetic beauty but also its cultural significance. It serves as a testament to Japan's rich theatrical heritage and offers us a glimpse into an era where drama and artistry intertwined seamlessly on stage.
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