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The Actors Segawa Kikunojo III as Koito, Sawamura Sojuro III as the monk Sainenbo, and Ich... 1783. Creator: Torii Kiyonaga
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The Actors Segawa Kikunojo III as Koito, Sawamura Sojuro III as the monk Sainenbo, and Ich... 1783. Creator: Torii Kiyonaga
The Actors Segawa Kikunojo III as Koito, Sawamura Sojuro III as the monk Sainenbo, and Ichikawa Monnosuke II as the monk Renseibo, in the shosa "Mata Saku Hana Museume Dojoji, " performed at the Nakamura Theater in the fourth month, 1783, 1783
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Media ID 25324720
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Character Drag Female Impersonator Hamamuraya Roko Ichikawa Benzo I Ichikawa Monnosuke Ichikawa Monnosuke Ii Ii Ichikawa Monnosuke Ishikawa Monosuke Ii Kabuki Kabuki Actor Kikunojo Iii Kikunojo Segawa Kikunojo Segawa Iii Kinokuniya Kinokuniya Sawamura Sojuro Iii Kinokuniya Tosshi Kiyonaga Torii Monk Monks Monnosuke Ichikawa Monnosuke Ichikawa Ii Monnosuke Ii Monosuke Ishikawa Nakamura Theatre Onnagata Orange Orange Colour Oyama Sawamura Sojuro Sawamura Sojuro Iii Sawamura Tanosuke I Sawamura Tosshi Iii Segawa Kikunojo Iii Segawa Kikunojo Iv Sekiguchi Shinsuke Sojuro Iii Sojuro Sawamura Takinaka Hidematsu Ii Takinaka Tsuruzo Torii Kiyonaga Torii School Color Woodblock Print Oban Playhouse Shosagoto
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EDITORS COMMENTS
This print by Torii Kiyonaga transports us back to the vibrant world of 18th century Japanese theater. Titled "The Actors Segawa Kikunojo III as Koito, Sawamura Sojuro III as the monk Sainenbo, and Ichikawa Monnosuke II as the monk Renseibo, in the shosa 'Mata Saku Hana Museume Dojoji, '" it captures a mesmerizing scene from a kabuki performance at Nakamura Theater. The image showcases three talented actors in elaborate costumes that epitomize the elegance and artistry of Edo period fashion. The attention to detail is exquisite, with each character's clothing meticulously designed and rendered through color woodblock printing. From their intricately patterned kimonos to their ornate hairstyles, every aspect reflects the rich cultural heritage of Japan. Kiyonaga skillfully portrays these characters' emotions through his masterful use of composition and expression. The intensity on Segawa Kikunojo III's face as Koito, Sawamura Sojuro III's serene demeanor as Sainenbo, and Ichikawa Monnosuke II's enigmatic presence as Renseibo all contribute to an atmosphere brimming with drama and intrigue. As we gaze upon this remarkable artwork at the Art Institute Chicago or any other art gallery fortunate enough to house it, we are transported into a world where storytelling comes alive through dance and theatrical performances. It serves as a testament not only to Torii Kiyonaga's artistic prowess but also to the enduring allure of traditional Japanese performing arts.
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