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Amerapoora: Maha-oung-meeay-liy-mhan Kyoung, September 1-October 21, 1855

Amerapoora: Maha-oung-meeay-liy-mhan Kyoung, September 1-October 21, 1855


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Amerapoora: Maha-oung-meeay-liy-mhan Kyoung, September 1-October 21, 1855

Heritage Images features heritage image collections

Media ID 21229623

© Heritage Art/Heritage Images

Amarapura Mandalay Myanmar British India British Raj Buddhist Buddhists Captain Linnaeus Tripe Imperialism Linnaeus Tripe Monastery The Raj Tripe Captain Linnaeus Tripe Linnaeus Albumen Print British Empire


FEATURES IN THESE COLLECTIONS

> Architecture > Country > India

> Architecture > Religious

> Architecture > Styles > Buddhist Architecture

> Architecture > Styles > Colonial Architecture

> Architecture > Styles > Empire Architecture

> Architecture > Styles > Victorian Architecture

> Architecture > Temples

> Arts > Contemporary art > Photography > Landscape photography

> Asia > India > Related Images

> Asia > Myanmar > Mandalay


EDITORS COMMENTS
This 19th-century albumen print, titled "Amerapoora: Maha-oung-meeay-liy-mhan Kyoung, September 1-October 21,1855" showcases the architectural grandeur and spiritual essence of Amerapoora Mandalay in Myanmar. The photograph was captured by the talented Captain Linnaeus Tripe, a renowned British photographer during the colonial era. The image transports us to a time when the British Empire held sway over vast territories across the globe. It serves as a testament to both imperialism and cultural exchange between East and West. The imposing monastery depicted here stands tall against an enchanting landscape, evoking a sense of awe and reverence. Tripe's lens skillfully captures every intricate detail of this Buddhist temple, highlighting its ornate design elements that reflect centuries-old traditions. As we gaze upon this photograph, we are reminded of the enduring power of religion and spirituality in shaping societies. Displayed at the National Gallery of Art in Washington D. C. , this heritage art piece invites viewers to appreciate not only its aesthetic beauty but also its historical significance. It symbolizes a moment frozen in time when different cultures intersected under colonial rule. Through his lens, Captain Linnaeus Tripe has left us with an invaluable visual record that bridges past and present. This artwork is more than just an architectural marvel; it represents a meeting point between two worlds – one dominated by empire and another steeped in ancient religious practices.

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