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"Antechamber of the Tribunal of the Inquisition, in the Ducal Palace, Venice" - painted by L. Haghe Creator: Henry Duff Linton. "Antechamber of the Tribunal of the Inquisition, in the Ducal Palace, Venice" - painted by L

'Antechamber of the Tribunal of the Inquisition, in the Ducal Palace, Venice' - painted by L. Haghe Creator: Henry Duff Linton. 'Antechamber of the Tribunal of the Inquisition, in the Ducal Palace, Venice' - painted by L


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"Antechamber of the Tribunal of the Inquisition, in the Ducal Palace, Venice" - painted by L. Haghe Creator: Henry Duff Linton. "Antechamber of the Tribunal of the Inquisition, in the Ducal Palace, Venice" - painted by L

"Antechamber of the Tribunal of the Inquisition, in the Ducal Palace, Venice" - painted by L. Haghe - from the Exhibition of the New Society of Painters in Water Colours, 1856. Engraving of a painting. Mr. Haghe has found his subject in the "Statute de l'lnquisition d'Etat"...With what skill and character Mr. Haghe has told a touching story let our large Engraving tell'. From "Illustrated London News", 1856

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Media ID 36322082

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Antechamber Arrest Arresting Despair Desperate Desperation Doges Palace Dramatic Ducal Palace Henry Duff Linton Henry Linton Hose Imploring Inquisition Linton Henry Linton Henry Duff Louis Haghe Palazzo Ducale Di Venezia Pictures Pleading Spanish Inquisition Tights Trial Tribunal Venetian Venice Italy Europe Ante Room Interior Design


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> Arts > Artists > H > Louis Haghe

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Antechamber of the Tribunal of the Inquisition, in the Ducal Palace, Venice,

EDITORS COMMENTS
painted by L. Haghe, is a captivating and dramatic work of art that transports us back in time to the 16th century. This engraving, created by Henry Duff Linton, is based on a painting that was exhibited at the New Society of Painters in Water Colours in 1856. The painting depicts an interior scene of the Antechamber of the Tribunal of the Inquisition located within the Ducal Palace in Venice, Italy. The room is dimly lit, with a single window casting a feeble light upon the desolate scene. The walls are adorned with intricate designs, a testament to the opulence of the Italian Renaissance. At the center of the room, two figures stand out. A man in a long, flowing robe and a woman in an elaborate dress, both with despair etched upon their faces, implore the figure of the Inquisitor, who stands before them, stern and unyielding. The man clutches a dog, perhaps a symbol of his family or a reminder of the innocence that is about to be lost. The children, huddled together, watch in fear as their parents are arrested. The apparel of the figures is meticulously detailed, from the intricate patterns on the man's robe to the delicate lace on the woman's dress. The hose and hats of the men add to the authenticity of the scene, transporting us back in time. This engraving is a poignant reminder of the power and influence of the Inquisition during the 16th century, a time of fear and desperation for those accused of heresy. The interior design and decoration of the room add to the overall dramatic effect, making this a must-see piece for anyone interested in art, history, or the Italian Renaissance. The skill and character with which Linton has captured this moment in time is truly remarkable. Through this engraving, we are given a glimpse into the past, a reminder of the human stories that lie behind the grandeur and opulence of the Italian Renaissance.

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