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Arguments against Purgatory in the hand of Hugh Latimer, Bishop of Worcester, c1538. Artist: King Henry VIII
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Arguments against Purgatory in the hand of Hugh Latimer, Bishop of Worcester, c1538. Artist: King Henry VIII
Arguments against the doctrine of Purgatory in the hand of Hugh Latimer, Bishop of Worcester, with marginal annotations by Henry VIII, c1538. The page transcribed is the last of three. From the first series of Facsimiles of royal, historical, literary and other autographs in the Department of Manuscripts, British Museum: Series I - V, (London, 1899)
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Media ID 14914793
© The Print Collector / Heritage-Images
Argument Bishop Bishop Of Worcester Correspondence Discussing Discussion Doctrine Facsimile Henry Viii Hugh Hugh Latimer King Henry Viii King Of England Latimer Letter Purgatory Print Collector3
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EDITORS COMMENTS
This print showcases a significant historical artifact that sheds light on the religious debates of the 16th century. The image features a page from Hugh Latimer's correspondence, with marginal annotations by none other than King Henry VIII himself. Titled "Arguments against Purgatory in the hand of Hugh Latimer, Bishop of Worcester" this piece offers a glimpse into an intense discussion surrounding the doctrine of Purgatory. The vibrant colors and intricate handwriting draw us into this fascinating exchange between two influential figures in Christianity. As we examine the print closely, we can almost feel the weight of their arguments and see their minds at work. Hugh Latimer, as Bishop of Worcester, presents his well-crafted arguments against Purgatory while engaging in a thought-provoking dialogue with King Henry VIII. This manuscript serves as evidence not only of theological disputes but also highlights how religion played a crucial role in shaping political decisions during this era. Through this remarkable facsimile, we are transported back to a time when religious beliefs were fiercely debated and challenged. It reminds us that even powerful rulers like Henry VIII took part in these discussions and left their mark on history through handwritten annotations. This print is indeed an invaluable treasure for scholars and enthusiasts alike who seek to understand the complexities of religious doctrines and explore the intellectual landscape of sixteenth-century England.
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