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Army of Al-Adil I leaving Cairo (From "Li rommans de Godefroy de Buillon et de Salehadin"), 1337. Creator: Maître de Fauvel (active 1314-1340). Army of Al-Adil I leaving Cairo (From "Li rommans de Godefroy de Buillon et de Salehadin")

Army of Al-Adil I leaving Cairo (From 'Li rommans de Godefroy de Buillon et de Salehadin'), 1337. Creator: Maître de Fauvel (active 1314-1340). Army of Al-Adil I leaving Cairo (From 'Li rommans de Godefroy de Buillon et de Salehadin')


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Army of Al-Adil I leaving Cairo (From "Li rommans de Godefroy de Buillon et de Salehadin"), 1337. Creator: Maître de Fauvel (active 1314-1340). Army of Al-Adil I leaving Cairo (From "Li rommans de Godefroy de Buillon et de Salehadin")

Army of Al-Adil I leaving Cairo (From "Li rommans de Godefroy de Buillon et de Salehadin"), 1337. Found in the collection of the Bibliotheque Nationale de France

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Media ID 36236239

© Fine Art Images/Heritage Images

Bibliotheque Nationale De France Book Art Crusade Crusader Crusaders Crusades Gouache On Parchment Illuminated Art Illuminated Manuscript Knight Knighthood Knights Longinus Maitre De Fauvel Active 1314 1340 Manuscript Illumination Matre De Fauvel Active 1314 1340 Medieval Illuminated Letter Miniature


EDITORS COMMENTS
This exquisite illuminated manuscript page, created by the Master of Fauvel between 1314 and 1340, depicts a pivotal moment in the Crusades of the Middle Ages: the departure of the Army of Al-Adil I from Cairo. Al-Adil I, the Ayyubid Sultan of Egypt and Syria, is seen here on horseback, surrounded by his soldiers and knights, as they prepare to leave the city. The scene is taken from the French chanson de geste "Li rommans de Godefroy de Buillon et de Salehadin," which recounts the Crusade of Henry VI in 1197. The intricate detail and vibrant colors of this gouache on parchment illustration are characteristic of the Gothic style prevalent during the late Middle Ages. The composition is dynamic, with the figures of Al-Adil I and his soldiers arranged in a diagonal formation, leading the viewer's eye through the scene. The use of gold leaf adds a sense of opulence and grandeur to the image. Longinus, a legendary figure from the Crusades, is depicted in the lower left corner, holding a lance and looking up at the departing army. This inclusion of Longinus may symbolize the connection between the Crusades and the legend of the Holy Lance, which was believed to have pierced the side of Christ during the Crucifixion. This page is a testament to the rich artistic tradition of medieval manuscript illumination and the enduring fascination with the Crusades in European history and culture.

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