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The Arrest of Christ, ca. 1545-46. Creator: Niccolo Giolfino

The Arrest of Christ, ca. 1545-46. Creator: Niccolo Giolfino


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The Arrest of Christ, ca. 1545-46. Creator: Niccolo Giolfino

The Arrest of Christ, ca. 1545-46. Judas is pushed aside by the helmeted soldier who moves Christ toward the waiting rope

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Media ID 20286101

© Heritage Art/Heritage Images

Arrest Arresting Betrayal Betraying Brush And Brown Wash Christ Jesus Garden Of Gethsemane Gethsemane Highlighted With White Gouache Jerusalem Judas Judas Iscariot Niccolo Over Traces Of Black Chalk Struggle Torchlight 1st Century Gouache


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EDITORS COMMENTS
This photo print, titled "The Arrest of Christ" takes us back to the 16th century and depicts a pivotal moment in Christian history. Created by Italian artist Niccolo Giolfino, this Renaissance masterpiece showcases the intense struggle between good and evil. In the scene, we witness Judas Iscariot being forcefully pushed aside by a helmeted soldier. This soldier, illuminated by torchlight, is leading Jesus Christ towards a waiting rope that symbolizes his impending arrest. The use of brush and brown wash techniques, highlighted with white gouache, adds depth and emotion to the composition. Set in the Garden of Gethsemane in Jerusalem, this artwork transports us to a time when betrayal was at its peak. Giolfino's attention to detail captures not only the physical struggle but also conveys the spiritual weight carried by both Jesus and his disciples. As we observe this powerful image today at The Metropolitan Museum of Art, it serves as a reminder of faith's enduring strength amidst adversity. It represents an important moment in religious history while showcasing Giolfino's artistic brilliance. Through its vibrant colors and meticulous execution on greenish paper over traces of black chalk, this piece invites viewers into an emotional journey that transcends time. It stands as a testament to Niccolo Giolfino's talent as well as our collective human experience – one filled with moments of betrayal, sacrifice, and ultimately redemption.

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