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The Ass, c1850. Artist: Benjamin Waterhouse Hawkins
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The Ass, c1850. Artist: Benjamin Waterhouse Hawkins
The Ass, c1850. The central image shows the ass or donkey (Equus asinus). Surrounding vignettes show animals (clockwise from top left): carrying panniers; giving rides at the seaside; being milked; used as a pack animal; being ridden; pulling a cart for a costermonger selling vegetables and donkey skin used to make whips; donkey skin used by the French for drumskins; used as pack animals in mining districts. From Graphic Illustrations of Animals and Their Utility to Man published by Thomas Varty. (London, c1850)
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Media ID 14866104
© Oxford Science Archive / Heritage-Images
Benjamin Waterhouse Benjamin Waterhouse Hawkins Cart Costermonger Donkey Drum Drummer Hawkins Milking Oxford Science Archive Thomas Varty Varty
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The Ass, c1850
EDITORS COMMENTS
is a captivating lithograph print that showcases the versatility and significance of the humble donkey in 19th-century Britain. Created by Benjamin Waterhouse Hawkins and Thomas Varty, this artwork provides a fascinating glimpse into the various roles played by these hardworking animals. At its center, we see a detailed depiction of an ass or donkey (Equus asinus), highlighting its distinctive features. Surrounding it are vignettes depicting different aspects of their utility to man. From carrying panniers to giving rides at the seaside, being milked to used as pack animals in mining districts, these vignettes showcase the wide range of tasks entrusted to donkeys during that era. The print also sheds light on how donkey skin was utilized for making whips and drumskins. It further highlights their involvement in agriculture and transportation, such as pulling carts for costermongers selling vegetables or serving as reliable companions for travelers on roads. This vibrant lithograph captures not only the physical appearance of these animals but also their integral role within society. It serves as a testament to their endurance and adaptability while providing valuable insight into 19th-century British occupations and daily life. As an artistic representation rooted in historical context, "The Ass, c1850" invites viewers to appreciate both the aesthetic beauty of Benjamin Waterhouse Hawkins' work and gain a deeper understanding of the multifaceted contributions made by donkeys during this period.
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